A Bet Called Life

Anton Chekhov through his short story called ‘the Bet’ establishes important gifts life grants us. The real freedom is to neither let go of life with an escapism/nihilism nor degrade it through materialistic exploitation. The real freedom is the harmony between time, resources, practical curiosity and most importantly people around us. Life has possibilities to offer, it is up to us to live our lives on the spectrum rather than polarizing them to an ideology.

Anton Chekhov’s famous short story called “the Bet”

The good life is a direction, not a destination

Bruce Lee

Quick question! Would you trade 10 years of life for 10 million? There are two important parts of this question before looking for the right answer and only a fool would think that there truly is one good answer to this question.

The first part of this question is – what is the value of time we live through our lifetime? Say, a millionaire who is bedridden in his last moments of life is still unsatisfied with the plans he had for his life. Would he trade his money with extra time?

The second part is – if we live a life with no resources – money to meet the ends then what good is to live such life?

Now if we look out for subjective answers, the diversity in answers would surprise us (and that part is not surprising, because everyone has their own definition of a good life and a bad life based on the experiences they had)

Anton Chekhov – one of the most important short story writers wrote one interesting story called “The Bet” which makes the readers question the real intent of having a life and living through it till death. What kind of life is a good life – a short but resourceful life or a long but painful life?

Synopsis

The Bet is a story of two people – A Banker and a lawyer who in their young age fix a bet to decide who among them is right. The argument of the bet is based on the morality of a death penalty. Banker thinks that instead of making the convicted suffer for a long time through lifetime imprisonment, he should be sentenced to instant- immediate death. Life – long but with suffering is inhumane punishment. Whereas the lawyer thinks that taking life in any way is inhumane as humans do not have any power to restore the life back. Taking life slowly or instantly – both are inhumane but if these two are the only options, then the best punishment is to let the convict live; even though it will be painful but he still lives.

In order to prove validity of their arguments they decide a bet where the banker agrees to pay the lawyer 2 million if the lawyer undergoes solitary confinement for five years. In the excitement of the argument the lawyer agrees to 15 years of solitary confinement for 2 million. If by any means the lawyer escapes this confinement or tries to connect with any human being, he will lose the bet and banker won’t have to pay anything to him. The lawyer would get wine, smoke, books and a musical instrument but no human contact or newspaper or a letter from someone. There was only a small window to receive anything from outer world.

As the confinement proceeds the bankers becomes more and more nervous. He anticipated that the lawyer won’t even last for 2-3 years but the bet truly goes till its completion and in the meantime the baker loses most of his money where the 2 million he pledged is the only amount he has. He now knows that the lawyer – seemingly successful to survive through the bet will now have 2 million while living out of the confinement and the banker himself would be poor. He tries to kill the lawyer on the last day of his confinement where he discovers that the lawyer has actually renounced what he was about to win from the bet, he even distastes the life itself and seeks the ultimate salvation, freedom from life. The lawyer understands that even after reading these many books, these many stories, learning many languages the death in an instant can wipe out everything that can be created.

Next day, the baker finds out that the lawyer escaped the confinement as he had planned in his letter to purposefully lose the bet. The banker is relieved knowing that he still has hold over the 2 million which was his last capital for survival. To not let discussions catch fire he locks the letter of renouncement of the prize from lawyer in a safe.

Life – granted to everyone has majorly two aspects which are continuously deciding the course everyone’s life. One is time and another is resources.

Anton Chekhov can be called as the king of short stories where his philosophy of writing was focused on to present only what is necessary to convey the intent to drive the story further, nothing seems extra in his stories which make them highly effective short stories. All of Chekhov’s stories are based on common scenarios happening with common people, there is always some realism and non-fictional touch to his stories. And hence they always deliver a profound idea about what a life really is, what it means to be a human. You will rarely find a direct message in his stories, the natural reactions of his characters will show you the mirror. Anton Chekhov truly mastered the skill of mirroring the life through is short but highly effective stories. The Bet is one such masterpiece. Let us dive deeper into this story.

The Abundance

The Bet is a story of how one values their own life and other people’s lives. Chekhov smartly shows how abundance dulls, narrows and blinds the vision and opinions one has. The banker and the lawyer in their young age while arguing over the justification to punish someone by death of life-long imprisonment are indicated to be full of adrenaline and excitement. Even though they have not gone through such experiences they have firm opinions on such experiences. The lawyer and banker both have many years of life still left to spare which leads to such an absurd bet. The banker thinks that he has enough wealth just to spare for such a silly bet. Almost all the times, we are ready to stake things we have in abundance for a silly thing which would prove our beliefs to be either right or wrong. Abundance reduces the perception of value for things, time and even life. Lawyer and banker both were young when the bet was established. Great thing about Chekhov to appreciate is how he points out the behaviour and opinions of youth on almost anything. The youth seem to have strong opinions on everything even when they haven’t gone through those experiences or lived with the people closer to such experiences. The so called “hormones” make the youth think themselves as invincible – there is nothing wrong with that as it is what makes young people turn impossible things into possible but being in a simulation where there is no relevance to the reality makes the youth delusional where they take negative and life-altering decisions carelessly. Consider if this bet was set up between two beggars or two old men, its an impossibility. In both cases they are lacking time and resources/ money.

So, the starting set up for bet shows how in early young years abundance can blindfold the person from reality.

Banker wanted the punishment to be instant as it involves no suffering also shows how greatly he values pleasures and happiness in life. A painful life is equivalent to death for him. At the same time for the lawyer morality is more important, that is why he prefers gift of life in any form rather than the instant death.

“To live anyhow is better than not at all”

The Bet

And funnily or ironically, in the end after 15 years you will see the lawyer longing for the true salvation, you will see this in his letter when the bet is about to end where he establishes that whatever knowledge, experiences, money, resources one could have in their lives – the death will render all of those useless – a more nihilistic opinion.

“You may be proud, wise, and fine, but death will wipe you off the face of the earth as though you were no more than mice burrowing under the floor, and your history, your immortal geniuses will burn or freeze together with the earthly globe”

The Bet

The Solitude – Curse or Boon?

It is really interesting how Chekhov describes the lawyer’s voluntary solitary confinement. It’s like mirroring of how we as human beings go on the quest of understanding the surroundings, the nature and the society around us when we are left alone.

As the lawyer was alone and confined to himself only, in early years of imprisonment the lawyer felt lonely and depressed. This shows how we are mostly created by our surroundings. Most of the time we are what our surroundings are. We only start understanding ourselves when we try to define our existence from inside and not outside. This becomes accelerated and intense when one accepts the solitude in the place of loneliness. The journey to solitude for lawyer started with music and romantic, thriller fiction.

It is impressive of Chekhov’s writing to highlight how our mind tries to fill in the gaps when we are alone. When people are on their own with no outward person to person interaction or person to object interaction, they try to fill that gap of loneliness with entertainment, music, poetry, literature, addiction and what not. People who are unable to fill this gap are the truest lonely people, they always will long for company of other people to fill the void.

In second year, the lawyer became more silent and started writing for long hours instead of reading anything. He is angry with what he accepted just to prove his point but is helpless to change the course of the things. This is the stage where Chekhov sneakily establishes that even though entertainment may fill the void of solitude to some extend for a person, it will not stand the test of the time. The solitude makes the person to have thoughts inside them engulf themselves. Writing is one way to blurt out all that is going inside the mind of the person thereby consoling them that whatever was inside them is now physically outside, on paper. One peculiar observation about writers inserted by Chekhov here! When your thoughts try to eat you, devour you from inside, it is good to channel them outside through your creations, that is what is the basic characteristic of the greatest artists the world has ever seen.

Chekhov then describes the sixth year of the lawyer in confinement as the seeker of the knowledge. Again, the credit goes to the genius of Chekhov where he shows that when a person rises above his own materialistic existence, he seeks the understanding of the nature that he emerged from. When the person accepts his solitude then only his search for real truth begins. It’s like this solitude removed all the noise from his existence. The lawyer in solitude studying philosophy, languages and history shows the curiosity to know oneself better. Study of languages show the curiosity to understand and comprehend that which others had already said but your inability to hear restricted you to access that knowledge. Studying philosophy shows the urge to clear the clutter of thoughts going in the head, philosophy to some extent is the re-organization of what we think, how we think and how we decide our actions accordingly. Studying history indicates the ways to understand the reasons behind the present order of things, everything that exists in present has traceability to history which justifies the way things – traditions are perceived, handled in present.

From sixth to tenth year the lawyer studied the languages and mastered them like a commoner. It is very interesting choice from Chekhov to make his character study languages after studying some heavy fields like philosophy, history. It could have been science and technology but no, all the lawyer was interested in were the languages. Please understand that this is one of the most important creative choices made by Anton Chekhov.

When a person finds the truest, purest reservoir of knowledge, his search for anything greater than that ends there (obviously), the next stage for such enlightened person is to understand and find different interpretations of this pure knowledge.

“The geniuses of all ages and of all lands speak different languages but the same flame burns in them all”

The Bet

After completing ten years, the lawyer surprisingly moved to theology and gospels – the study of religion. It is surprising for a scholar who mastered six languages and deeply understood philosophy, history of humanity. Chekhov wants to highlight one important aspect of humans and their obsession with certain goals – destinations in life. When the destination people considered the most important thing of their life are reached, at that exact moment they become meaningless. The human mind becomes clueless after this event, whatever efforts they took to reach their feel worthless as if nothing in life was worth that or was worth that value. That is the moment when the person tries to detach themselves from all these theories, logics and philosophies. This is the moment when a person realises that there is totally different order and the entity which has designed this current order in which he exists. This is the person resorting to spirituality. When a person feels hopeless during continuous sufferings, purposeless even after achieving that important goal he desired for his whole life, spirituality becomes the last stop.

“A little philosophy inclineth man’s mind to atheism: but depth in philosophy bringeth men’s minds about to religion.”

Sir Francis Bacon

In the last two years Chekhov portrays the lawyer in solitary confinement as a the one who is drifting in the ocean of existence, he is on the verge of breakdown, he is sinking thus wherever he will find support he will cling to it. It is some sort of neurosis, especially the neurosis of the genius mind.

It is the true genius of Anton Chekhov where he shows his readers the journey to find the meaning of our existence, solitude intensifies the speed of this journey. And in the end, if one forces himself to understand the meaning of life in an absolute way, then he will definitely end up being the fool – the smartest and greatest fool the world has ever seen! Too much analysis, too much knowledge and too much logic can drain humanity from the person in a very tragic way. Even nihilism will look petty in front of such condition.

“A mind all logic is like a knife all blade. It makes the hand bleed that uses it.”

Rabindranath Tagore

The Time Vs The Resources

Please understand that major events in the Bet are flashbacks of the banker. And Chekhov has written these flashbacks as if the banker is regretting his decision of setting this bet. The banker knows that he has already lost the bet. He lost all his wealth during this time of 15 year and in addition to that peace of his mind just to prove some foolish point to some group of people.

You must appreciate how Chekhov manipulates the effect of time and resources in the bet. Through this manipulation, he shows significance of both time and resource/ money in human life and also the interplay between them. You will see that the lawyer had 15 years to build his upcoming life after successfully completing the bet. He was the victorious who would have had wisdom and wealth – he would have become practically invincible. But too much knowledge and time spent with books made him think about the worthlessness of life, as his mind was always fed with the simulations, experiences from the books he never got the hold of real-life experiences. This created a detachment from reality in his life experiences. Thus, it is not surprising that he considers the gift of life (which he was ready to live anyhow in the early time of the bet) as a worthless one as death can wipe it out in no time.

For banker it is totally different story. He was the one who was so sure about the future abundance of the wealth he would have had that the pledged money was nothing for him in the early years. The lack of knowledge and the abundance created illusion for him. When the bet was about to end, he was consumed by the idea of loss of his dearly 2 million. The banker even makes an attempt to kill the lawyer in secret to win the bet. The character of banker seems shallow right from the beginning of the story but we must not forget that he too is a human being. Before the setup of bet, the banker was of the opinion that a good life must be painless life otherwise the life should not be lived. But as the bet proceeds you will find the banker in the continuous pain and fear for the loss of his money. Even with this pain he prefers living though it. He chooses painful life now.

Let us understand one scenario, what if the banker went on to become wealthier and wealthier as the bet went on to completion. He would not have felt a single regret to let the lawyer win the bet. Rather the character of the banker would have definitely honored the lawyer for his willpower and genius that he had become during his solitary confinement. The “supposedly” wealthy banker would have humbly sponsored the lawyer for the rest of his life. But Chekhov did not let that happen with the banker’s character. This shows how we human beings set our ideals, our philosophy of life, our way of making decisions, our way of thinking and our motivations based on how we feel about ourselves. Our ideals or philosophy of life never take a moral guidance system – it rather follows the pathways of how we experience life around us and how we feel about it. A cold-blooded criminal will never feel regret for killing another human being and at the same time a sage will punish himself for losing his temper on a child who broke his meditation practice. Your calls for right or wrong are heavily influenced by how you feel about yourself, others come later.

So, it is really important to understand how we decide right or wrong. Most of the time these decisions are influenced by how we were feeling in that decision making moment.  

No wonder Chekhov shows mirror to his readers through his short yet highly effective writing.

 The Conclusion

So, we will again come back to the question we asked at the start of this discussion. Can 10 years be traded for the 10 million? If these 10 years were full of pain and suffering, one would surely trade them for the money. If these 10 years were filled with happiness, joy and fulfillment then 10 million would look worthless in front of them. This shows how foolishly we are trying to justify our lives by attaching it to a single defined destination. We are always forgetting the multitudes of spectrum our lives have. We always try to justify our life with a single event – good or bad and forget that this too shall pass. The profoundness of life allows us to define the life in every possible way, that is actually a curse and a boon. That is exactly why living life with the decisions we take is the biggest bet a person can play. Anton Chekhov shows this side of life through a simple bet between a lawyer and a banker.

Life will never be a single conclusion, it will always remain multifaceted, full of possibilities. That is why whatever call we take for the life to become something ahead is going to be new trick every time. When we discuss the quality and quantity of life, we are again ignoring the spectrum of endless possibilities life has.

Salvation either through the pursuit of knowledge or through the pursuit of resources – both are foolish moves to live a fulfilled life. Life will never associate itself to single adjective, single attribute, single absolute ideology, philosophy – otherwise it will become monotonous- mechanical – lifeless. You will see that so called “enlightened” genius lawyer in the end literally becomes mad and despises everything that life can offer – the same lawyer who considered living life in any condition is good than death when the bet was to start.

“To be overly conscious is a sickness, a real, thorough sickness”

Fyodor Dostoevsky

Anton Chekhov was the master of bringing two exactly contrasting ideas through the portrayal of realistic life. That is exactly real life is – full of paradoxes. That is what makes Chekhov’s stories so special.

“What a fine weather today! Can’t choose whether to drink tea or to hang myself.”

Anton Chekhov

Chekhov establishes these important aspects life granted us like the abundance of time and resources, the knowledge, the possibilities and pathways to self-discovery. The real freedom is neither to let go of life with an escapism/nihilism nor degrade it through materialistic exploitation. The real freedom is the harmony between time, resources, practical curiosity and most importantly people around us. Life has possibilities to offer, let us live our lives on the spectrum rather than polarizing them to an ideology. It is crime to let life take a side on a shore than to let it flow through the vast ocean of possibilities.

(There is a third part of this story which was not known to public for many years. In this newly revealed ending, the banker remained in guilt even when the lawyer had technically renounced the prize money by losing the bet. One day, the lawyer returned to the banker and asked for the money he won. The banker gave the lawyer the prize money in order to bring his mind at peace.)

Source for reading:

The Project Gutenberg eBook of The Bet, and other stories

The Book of Five Rings – The Wind Book

The Wind Book from Miyamoto Musashi’s The Book of Five Rings is about the changing traditions according to the lifestyle. The Wind Book focuses on multi-disciplinary ways of learning things and developing wisdom. Miyamoto-san through the Wind Book explains that there is no single secret way, no single formula, no single attacking style to solve an unconventional problem.

Miyamoto Musashi’s philosophy for 21st century

Ever Changing Nature of The Wind

Our personality is the outcome of the surroundings, the society we live in, the people we interact with. Our family is the immediate society for us and in most cases has larger impact on our conscious and subconscious choices. The influences from our family, our friends, our heroes/ idols/ role models, the villains we hate create certain set of preferences towards everything. And when stuck in some thin situations, our preferences may become our limitations which surely make life difficult. Miyamoto-san knew this very well and hence in his Wind Book from the Book of Five Rings he tries to throw light on these ideas of obsession and liking towards certain ways of living life.

Miyamoto Musashi while discussing his ‘Way of Strategy’, ‘Way of Life’ through the Book of Five Rings makes sure that the person absorbing all his philosophy will not develop that subconscious bias, preference, liking to his philosophy. For Miyamoto-san, any type of favorite-ism, preference, polarization, liking is instant death when we are faced with the ultimate challenges in the battle of life. We have already seen his philosophy through The Ground Book, The Water Book and The Fire Book. The Wind Book is about how to not follow these ideas blindly.

The Wind Book is about the ways to actually solve the problems, especially the unconventional problems. Unconventional problems have this “unconventional” nature only because they do not fit the “traditional” patterns of our understandings and knowledge. The Wind symbolizes the change. Humanity has gone through many generations, eras to reach to the present modern stage. It is important to notice that the traditions we had before are changing according to the challenges presented to them. Even though we hold on to the traditions symbolizing their preferential nature, inherently orthodox nature but at the same time the adaptability of the same traditions to change themselves to the newer lifestyles indicates how nothing is permanent in our lives. (The word tradition itself points to that which is being done, being carried repetitively over the course of time, mostly mindlessly-mechanically) The Wind Book is about making necessary changes in our Ways of Life. The Wind Book thus demands to do that which is necessary instead of doing that which one loves especially in challenging times in life.  It is about being multidisciplinary in the learning process throughout the life.  

It is Miyamoto-san’s way of saying “Modern problems require modern solution.” (Apologies for the oversimplification)

It is difficult to know yourself if you do not know others. To all ways there are side-tracks. If you study a way daily, and your spirit diverges, you may think you are obeying a Way but objectively it is not the true way. If you are following the true way and diverge a little, this will later become a large divergence.”

Miyamoto-san was very well aware that the wisdom he was trying to dispense through the Book of Five Rings is solely dependent on efforts the readers will take to implement in their own real, practical life. You will find sentences pointing to self-study, self-practice, self-realization scattered all over the book, rather in almost every paragraph he tells that “you must appreciate this”, “you must learn this on your level”, “you must understand this”. Miyamoto-san urges readers to explore his shared wisdom on their personal level. When a person starts to test and practice a part of technique on his own level without his master’s direct supervision, then there is high possibility that he will practice the technique he loves the most more and will not practice the technique which he does not like or finds difficult. This favor towards certain techniques limits the ability of the person thereby diverts him from the actual intent of the wisdom shared by his master. Many a times, when the pupil fails certain unconventional challenges even after fully practicing, he blames his master for not teaching him completely and properly. Miyamoto-san thus warns his pupil to not stick to a favorite technique, favorite philosophy. He knows that even a small preference towards a thing can drag the person completely back in the moments of challenge (just like the story of Achilles’ heel)

The story of Achilles heel implies that even a single insignificant weakness can cause downfall of great person in unconventional challenges. It is rooted in the myth of Achilles’ mother dipping him in the River Styx, making his entire body invulnerable except for the part of his foot where she held him—the proverbial Achilles heel.

The Wind Book

The Wind according to Miyamoto-san refers to the traditions- the old, the present day and the family traditions. The Wind book is about picking the best from the ongoing trends and not blindly sticking to certain favorite trends. For the trends, traditions keep on changing continuously like the Wind.

Without knowledge of the Ways of other schools, it is difficult to understand the essence of my Ichi school.”

In simple words, this is Miyamoto-san’s attempt to convince how his philosophy works by using practical and effective technique of comparison. It is his way to point out where other schools go wrong.

That none of these are the true Way I show clearly in the interior of this book – all he vices and virtues and rights and wrongs. My Ichi school, is different. Other schools make accomplishments their means of livelihood, growing flowers and decoratively, coloring articles in order to sell them. This is definitely not the way of strategy.

Wisdom is free from the material gains. And the wisdom of Miyamoto-san is not meant for the material gains rather it lies above all materialistic things. Even in the Ground book Miyamoto Musashi make is very clear that the real way to live a life is not about extending yourselves to some material gains, it is about discovering different possibilities the life offers and remaining open to such experiences. If you already have preferences towards certain ways of life then you won’t be able to experience the infinite possibilities of the life.

Many of us have such early preferences in our lives, especially while transitioning from the campus to professional life. Education system has further amplified such preferences. It is not imperative if one is an engineer then he/she should only follow that profession for life. There are other and many ways to discover life, this also does not mean that one should blindly follow the trend to achieve what others have achieved.    

Other Schools Using Extra-Long Swords

Miyamoto-san now focuses on how certain schools, idea of combat actually has a characteristic style, preferences towards certain move, certain weapon. This preference, this characteristic style actually limits the person in completely unconventional challenges which may lead to death.

I expect there is a case for the school in question liking extra-long sword as a part of its doctrine. But if we compare this to real life it is unreasonable.

Those people who consider themselves the expert of long sword will fall short when they are trapped and cornered in confined spaces – where free movements become restricted. The skills they practiced hard, the skills the bound their whole lives to – here the skill of long sword fighting will be of no use. Blindly following certain technique without an intent to understand it will be fatal in life altering scenarios.

From older times, it has been said: “Great and small go together.” So do not unconditionally dislike extra-long swords. What I dislike is the inclination towards the long sword.

Thus Miyamoto-san again makes his point clear. He has no problem with the people teaching these techniques, he has problem with students blindly sticking to these techniques and these techniques only because these are their favorite techniques. Your enemy won’t always see you your favorite moves and attack accordingly, rather he will attack with that moves which you do not like (obviously that is why he is your enemy in the end). Too much inclination towards certain things, certain ideologies, certain, styles, ways of thinking can narrow our field of perception and create biases.

“In my doctrine, I dislike preconceived narrow spirit.

The idea is to keep you mind open while diligently practicing certain technique, skill. A true teacher always wants his pupil to follow his teachings but also to develop his own personal style, his personal touch.

The Strong Long Sword Spirit in Other Schools

When Miyamoto-san explained how long sword can be problematic in a confined areas he is aware that a blind follower will call long sword a bad choice. That is why make it clear that it was never about the weapon, it is always about the attitude of the warrior, the intent of the warrior which is to kill the enemy. Whatever weapon you carry, whatever technique you use – do it with the intent to execute the job instead of showing off the weapon or technique.

Miyamoto-san explains that when you think of using long sword strongly your cuts will fall short and ineffective also you could not attack with lesser strength as it is already a foolish move. What you are trying to do while attacking with strength is to execute the style and weapon in a style, you want that move to happen in certain stylish way – that actually won’t kill the enemy. This gets even worse when enemy recognizes the style you are trying to demonstrate, thereby predicting your attack. Miyamoto-san calls such techniques of blindly using strength to win the battles a foolish move.

He says:

“The strongest hand wins.” has no meaning.

Even in big battles if your enemy is as strong as you, then using strength will only consume your valuable resources and there will be no favorable outcome. This is time when a warrior must think with the intent of winning instead of focusing of small details of how to execute certain style of attack on an enemy. The warrior must think in an unconventional way when strengths are equal.

The spirit of my school is to win through the wisdom of strategy, paying no attention to trifles.”

Use of the shorter long sword in other schools

Miaymoto-san again practically explains that for big people handling big sword i.e., Tachi will be very easy and for the same reason short sword i.e.; Katana will be least preferred to them. Big people already have such preferences. Some people will think that by using the Katana – Shorter Long Sword they can stab enemy by easily jumping over unguarded enemy.

Tachi – long sword and Katana – short sword

“To aim for the enemy’s unguarded movement is completely defensive and undesirable at close quarters with the enemy.

Miyamoto-san makes it clear that even preference towards Katana s ineffective for those who think that Shorter long sword – Katana is better that the Long sword – Tachi. When a warrior will be surrounded by many enemies, he will have to sweep his Katana multiple times in fight which will be difficult when simultaneously fighting many people. He will get “entangled” with the enemy, meaning that his moves will be predictable to the other enemies around him.

“The sure way to win thus is to chase the enemy around in confusing manner, causing him to jump aside, with your body held strongly and straight. You must chase the enemy around and make him obey your spirit.

So, Miyamoto-san says here that it is not only about executing a sword move or using either Tachi or Katana effectively in the battle. It is about confusing enemy to kill him and kill him only. Your enemy won’t fall for your technique and when he knows your technique it is already useless. You enemy will fall for the spirit of unpredictability you hold which cannot be gauged by certain techniques, styles.  

Other Schools with Many Methods of Using the Long Sword

It is very interesting how Miyamoto-san in his times understood what actually urges a person to like certain move, prefer certain weapon, prefer certain style. It is because the student thinks that this is the formula, the ultimate way to dominate the enemy. He thinks that ‘this’ style he likes will bring something special out of him. He thinks that this template guarantees his victory, because following certain set of style a template calms his mind through the illusion of predictability in chaotic situations. It is only when things don’t happen the way this person expected, then he realizes the illusion of style, illusion of ‘attitude’ he was carrying with him.

That is exactly why Miyamoto Musashi explain that the best style is to follow no style. The best secret is that there is not secret. (Classic Kung Fu Panda moment)

“Attitude – No attitude

“The Secret ingredient is that there is no secret ingredient”

Style brings in predictability which eases the mind of enemy and gives patterns t defeat you. By imbibing free spirit, a warrior becomes unpredictable and lethal. He dominates his enemy simply by confusing the enemy instead of using special technique, special resource or special weapon.

“Attitude is the spirit of awaiting an attack”

Attitudes are meant only when the warrior is practicing, when there is no enemy. Enemy will never wait for your style to get executed properly, rather he expects exactly opposite.

Fixing the Eyes in Other Schools

Miyamoto-san also explains how certain combat techniques teach the warrior to focus on certain parts weapons of the enemy. He knew that if the warrior only focuses on certain areas during the fight, then he eventually narrows down his vision. Narrowing vision immediately cascades into his own confusion if even a single move goes unpredictable.

If you fix the eyes on these places your spirit can become confused and your strategy thwarted.”

In simple words, if one only focuses on certain zones, areas of the enemy he can be easily fooled of confused when enemy discovers his areas of preferences.

In modern times, we have so much raw data, information available everywhere that is has started overwhelming us. It has created those unbreakable reward cycles, short term pleasure cycles which are difficult to break. Very few amongst us are able to actually make sense of the information we are being fed continuously. Thus Miyamoto-san talks here about developing a sense of intuition, insights and understanding about the information around us. He does not want a mechanical fighting machine executing techniques seamlessly, reacting to the attack effectively; he wants a thinking warrior who can end the battle with minimum resources and minimum damage.

When you become accustomed to something, you are not limited to the use of your eyes.”

When you perceive and feel surrounding around you, when you develop an intuition, you never react mechanically rather you react with an intent. When a seasoned musician is playing his instrument, he does not even feel the need to look at the positioning of his fingers, his limbs. He is so in-tune with the music that he can play certain improvisation even without physically looking at the instrument. That is what is the difference between seeing and perceiving.

When a warrior comes out of this mechanistic nature of styles, moves then he truly becomes visionary. He does not need physical eyes to understand the surroundings around him.

Use of the Feet in Other Schools

Miyamoto-san also talks about how a warrior should use his feet in combat. As his teachings go, there is no special way of walking to win any fight.

“In my strategy, the footwork does not change. I always walk as I usually do in the street. You must never lose control of your feet. According to the enemy’s rhythm, move fast or slowly, adjusting your body not too much and not too little.”

In simple words, if enemy notices that you are walking slow then you become predictable; you will again become predictable when enemy notices that you are running fast. So, the idea is to walk normally to demonstrate your calm spirit as if nothing is happening to you. This confuses the enemy who is so eager to understand your rhythm and attack accordingly.

Destroying the predictability in every possible sense is the idea of winning a neck-to-neck competitive game.

Speed in Other Schools

Miyamoto-san also clears one myth in combat that being fast guarantees victory.

“Speed implies that things seem fast or slow, according to whether or not they are in rhythm. Whatever the Way, the master of strategy does not appear fast.

Whenever a warrior thinks that it is the speed that actually killed the enemy, he is wrong. It was the unpredictability, out of rhythm move that killed him. If the enemy would have been as fast as you then that same move would be useless.

Speed in every combat is always relative as Miyamoto-san goes here. He wants the warrior to be full of intent and not speedy or swift. He wants the warrior to make the attack at the right time, with full intent and with full clarity.

“Interior” and “Surface” in other Schools

Miyamoto-san exclusively wrote the Wind Book to discuss the shortcomings of having certain favorite style of fighting. On superficial level and for a normal reader, it will feel like he is trying to brag about how and why only his technique is the best technique in the whole world. But deep down when Miyamoto-san clarifies the shortcomings of the other schools and people of those schools blindly following such teachings then it becomes very clear why there is never such thing like a single formula to victory or a single weapon to defeat them all or a single style to kill an enemy. In a way Miyamoto-san actually identified the concept of Black Swan in his ancient days. There will always be something which you cannot gauge, cannot predict which will completely contradict to what your previous beliefs were before. It will challenge you to change all the previous assumptions, styles, preferences you had.  

A Black Swan Effect is an event that comes as a surprise, has a major effect, and is often inappropriately rationalized after the fact with the benefit of hindsight-previous date to predict.
People used to think that there is no such thing as a Black Swan until they discovered one in Australia.

Hence, he instructs the readers about how to start learning something new. According to Miyamoto-san, the ways of learning are always changing like the wind, there is no style or no single style to achieve anything and everything in our lives. As a lifelong learner, you will start somewhere and build on it without having any prejudices, presumptions and keep your eyes open to everything beneficial in your knowledge building process. The idea is to start with what you like just to penetrate the topic but when you get the hold of it you must not limit it to your preferences, you should widen your perspectives to learn the new and unconventional.

“When I teach my way, I first teach by training in techniques which are easy for the pupil to understand, a doctrine which is easy to understand. I gradually endeavor to explain the deep principle, points, which it is hardly possible to comprehend, according to the pupil’s progress. In any event, because the way to understanding is through experience, I do not speak of “interior” and “gate”.

Richard Feynman was one such person who was known such unconventional critical thinking and problem solving, Pablo Picasso who is known for creating such out of the world and unconventional perspectives through his art. These are some examples of people who truly rediscovered what their domains of expertise were.

I could now continue by giving a specific account of these schools one by one, from the “gate” to the “interior”, but I have intentionally not named the schools or their main points. The reason for this is that different branches of schools give different interpretations of the doctrines. In as much as men’s opinion differ, so there must be differing ideas on the same matter. Thus no one man’s conception is valid for any school.

Miyamoto-san here explains why his teachings do not include the best of all, the first of all technique to fight the battle – one-to-one or in masses. He also makes it clear that why he didn’t even number his teachings, techniques, chapters or the books. He knew that our human mind is so perceptible of the patterns, rankings, preferences in everything that it immediately develops a bias, a preference towards everything. Miyamoto Musashi’s the Wind Book thus is all about understanding the traditions, changing them by challenging the bad aspects for the ultimate gain of true wisdom. This process itself is never ending, hence it is not a job of single person or a single ideology or a single philosophy. It is very important to understand the greatness of Miyamoto-san’s teachings for being open to new ideas, being open to up-gradation/ renewal for that is how you can win over every unconventional challenge.

The true wisdom is innocent yet lethal; It is free from the biases, prejudices and preferences. A true wisdom never holds onto something, it is not mechanical rather it morphs according to the challenge presented. When the true wisdom fails to overcome the challenge presented, then it is also ready to reject its previous identity only to be born into a newer and evolved wisdom. Miyamoto Musashi’s the Wind Book is all about such continuously changing, upgrading spirit of the wisdom of life.

You must simply keep your spirit true to realize the virtue of strategy.

“You keep on learning and learning, and pretty soon you learn something no one has learned before.”

Richard Feynman

Links for further readings:

  1. The Book of Five Rings – The Ground Book
  2. The Book of Five Rings – The Water Book
  3. The Book of Five Rings – The Fire Book
  4. The Book of Five Rings – The Wind Book
  5. The Book of Five Rings – The Book of the Void

The Book of Five Rings – The Fire Book

Miyamoto Musashi’s ‘The Fire Book’ from the Book of Five Rings focuses on detailed one-to-one combat strategies and warfare tactics. But, it is not limited to enemy warfare and combat. The Fire Book dives deep into the true grit, the consistency and the perseverance required to fight and win the greatest battle – the battle of life, the battle of survival.

Miyamoto Musashi’s philosophy for 21st century

Miyamoto-san in his ‘The Fire Book’ amongst the Book of Five Rings explains in detail about combat and war tactics. We already saw how he explained the importance of fundamentals, importance of managing skills and resources in the Ground Book; the importance of habits, behaviors, small steps and fluidity in the Water Book. The Fire Book explained hereafter is about the fierce attitude of living a life full of challenges. Although, initial reading gives the impression of clear fighting instructions but do not get fooled by the limited words/ sentence choices of Miyamoto Musashi. As he has already explained in the previous books, the reader has to see greater ways in the limited knowledge Miyamoto-san has presented in these books.

As the name goes, it is about keeping that fire of fierceness in you alive until you win your fight. On surface, it may seem like a set of clear instructions to adopt and implement combat and war strategies but it is important to understand that this is the wisdom to win the battle of life, battle of survival which the ultimate fight for every person.

By using only their fingertips, they only know the benefit of three of the five inches of the wrist.”

Miyamoto-san make the readers aware that how some people think that they can achieve everything when they know some set of the techniques. He wants readers to appreciate the vast expanse and extents of the true wisdom. He expects everyone to not cling to their favorite techniques only. Miyamoto-san thus highlights the fact that one should strive to understand and imbibe anything and everything that is there to know in order to perfect the art of survival. This is only possible when one has urge to deep dive into the things happening around them. Miyamoto-san in some sense, abhors the superficiality of learning process and knowledge involved in it.

“In my strategy, the training for killing enemies is by way of many contests, fighting for survival, discovering the meaning of life, learning the Way of the sword, judging the strength of attacks and understanding the Way of the “edge and the ridge” of the sword.”

There is no single and only way to your goal. Going into the depths of the techniques gives the real advantage over the enemy and also in your own development. 

“You cannot profit from small techniques particularly when full armor is worn.”

When you are at some disadvantage, only one technique won’t help. You need to have multiple skill set to confirm your victory.

Any man who wants to master the essence of my strategy must research this diligently, training morning and evening. Thus, can he polish his skill, become free from self, and realize extraordinary ability. “

Becoming ‘free from self’ actually refers to overcoming the physical limitations one has as a person, as a human being.

Then one by one Miyamoto dives deep into each and every combat technique and explains wherever required. As already seen in his previous books the Ground Book, the Water Book, Miyamoto-san always instructs readers to study and explore the wisdom presented on their own level and words will fail to explain the intricacies of the wisdom.

  • Depending on the Place

Stand in the sun; that is, take up an attitude with the sun behind you. If the situation does not allow this, you must try to keep the sun on your right side. In buildings, you must stand with the entrance behind you or to your right. Make sure that you rear us unobstructed and that there is free space on your left, your right side being occupied with your side attitude. At night, if the enemy can be seen, keep the fire behind you and the entrance to your right and otherwise take up your attitude as above. You must look down on the enemy, and take up you attitude on slightly higher places.

For what is written here, the idea is to clear the corners while entering any hostile environment. Taking the light source behind gives clear advantage of not getting overwhelmed by the intense light thus immediately giving you an edge over the enemy’s attack. It will be difficult for the enemy to understand your strokes if he is already overwhelmed by the intense light behind you. Furthermore, keeping the dominant side – right side ready for attack with space on the left will help to execute clean cut, clean attack. Keeping entrance to the right will help to counter the surprise attacks. Remaining on the top means always try to have as many as possible updates about the enemy moves. Top location will also help to plan surprise attack on the enemy.

When the fight comes, always endeavor to chase the enemy around you left side. Chase him towards awkward places and try to keep him with his back to awkward places.”

Keeping enemy on the left will help to strike with dominant hand effectively. Miyamoto-san very smartly instructs to get the enemy in awkward corners where his attacks, blows will definitely fail thereby crushing his confidence.   

“In houses chase the enemy into the thresholds, lintels, doors, verandas, pillars and so on, again not letting him see his situation.

  • Three Methods to Forestall the Enemy – 1) Ken No Sen 2) Tai No Sen 3) Tai Tai No Sen

Miyamoto-san very clearly establishes that when you will be in a combat there are only three possibilities. Either you will strike first or your enemy will strike first or you both will strike simultaneously. There is no other possibility. The idea is to forestall – to intentionally slow down and confuse enemy so that he can be dealt with easily. Miyamoto-san focuses on these ideas because one can win quickly by taking the lead. It’s like the first mover’s advantage.

Ken No Sen means to set the enemy up.

  1. When you attack the enemy first, make sure that you have one more intent to strike next- which is called as ‘reserved spirit’ by Miyamoto-san. Your first strike will be powerful but the next reserved strike will overwhelm your enemy, thereby crushing his confidence. 
  2. Or strike continuously to crush the enemy
  3. Or strike with a strong intent for once

The idea is to not let the enemy think of attacking you next, to overwhelm him

Tai No Sen means to wait for the initiative i.e., to let the enemy attack first. 

  1. When enemy attacks first, let him think that you are weak. Let him know that you don’t want to pursue this fight. When he becomes sure of such attitude from you then strike strongly on the moment the enemy relaxes
  2. Or when he attacks at first, counter it with even more strength thereby disturbing his rhythm and crushing his main planned intentions

Tai Tai No Sen means to accompany him and forestall him

  1. When enemy instantly starts attacking don’t stall in thinking the right attack; just attack strongly and then look out for the weak spot to attack
  2. Or if enemy is equivalent to you then let go with the flow. Accompany him to understand his movements, timings – float with him. When the rhythm is set then attack him strongly.

The intention to specially focus on these techniques is because, Miyamoto-san thinks that once you forestall the enemy it instantly crushes his spirit thereby making victory quick and possible.

  • To Hold Down a Pillow

This means not allowing enemy’s head to rise.

Miyamoto-san establishes that it is bad for you if the enemy leads you, controls your moves. In order to win you must always lead on either side. On one side, you will lead your people to correct moves and on the other side you will lead the enemy by promoting his mistakes.   

The important thing in strategy is to suppress the enemy’s useful actions but allow his useless actions.

There is one more beautiful line where Miyamoto-san plays the game of words to convey his message to the students.

The spirit is to check his attack at the syllable “at…,” when he jumps check his jump at the syllable “ju…” and check his cut at “cu…”

Simply meaning that if you see something wrong happening with you, make sure that you do something before it comes to its fruition, its completion. Try to predict things and get ready to respond at the moment they happen in a combat.

  • Crossing at a Ford

Miyamoto-san explicitly wants to give a life lesson here. He used the analogy of the vast sea and one’s journey through it. Even though you have your friends at harbor, even though you are aware of the travel routes, condition of your ship, you should go out to explore the expanses of the sea. The conditions will not be favorable sometimes but you should try to defeat the vastness of the sea to achieve that which nobody has achieved yet.

The vast sea can be easily crossed by crossing area where it narrows the area called “a strait”, “a ford”. “The ford” is the weakest, narrow part of the vast sea.

Similarly, when in combat against a far superior and stronger enemy, don’t focus on his capabilities rather focus on your capabilities and try to cross at his weak point by using your strengths.

If you succeed in crossing at the best place, you may take your ease. To cross at ford means to attack the enemy’s weak point and to put yourself in an advantageous position.

  • To Know the Times

The idea is to understand the mentality, the nature, the habits or the way of thinking of the enemy and his people. When you will understand how the enemy involuntarily behaves, responds, then it becomes very easy for you to gain the advantage of the predictability.

Even in duels Miyamoto-san urges to identify the fighting style of the opponent during the act of forestalling. Once his school of style is known, you can easily take over on his weaknesses. The nature or the habits of the enemy are the involuntary clue that even the enemy himself cannot control and they are the mirrors of his intentions, so the idea is to understand his intentions, find weak spots in them and attack there.

If you are thoroughly conversant with strategy, you will recognize the enemy’s intentions and thus have many opportunities to win.”

  • To Tread Down the Sword

The spirit is to attack quickly while the enemy is still shooting with bows and guns.”

Miyamoto-san very cleverly gives a warfare strategy here. When the opponent first attacks with the bows and arrows or with the guns and cannons, you should not waste your time in drawing the arrows or filling the barrels with gun powder to counterattack. Instead, you should react instantly treading down i.e., use your brute force to avoid your confidence from going down. If you waste your time in drawing the arrows and filing the barrels, most of the damage would already weaken you in the process. Treading down means using the swift reacting forces, you have to not let enemy come up with second attack. If he is unable to come up with second attack then definitely, he will count his first successful attack only as a lucky one and will start doubting himself already. 

You must achieve the spirit of not allowing the enemy to attack the second time this is the spirit of forestalling in every sense once at the enemy you should not aspire just to strike him but to cling after the attack.”

  • To Know “Collapse”

Everything can collapse – houses bodies and enemies collapse when their rhythm becomes deranged.”

The idea is to spot the chaos among the enemy and let that chaos increase further to defeat him without investing many resources and efforts.

Fix your eye on the enemy’s collapse and chase him attacking so that you do not let him recover.”

  • To Become the Enemy

Becoming the enemy is not only about thinking the way enemy thinks. Miyamoto-san wants the students to understand that if you see yourself as something you become that thing. So even if the enemy is practically strong and if you let yourself convince that you cannot defeat him then, surely you won’t be able to defeat him.

So, it is about your mindset to defeat the enemy.   

He who is shut inside is a peasant, he enters to arrest is a hawk.”

It is also one way to say that any type of confidence is good confidence in modern and more relevant sense.

“In large-scale strategy, people are always under the impression that the enemy is strong so tend to become cautious. But if you have good soldiers, and if you understand the principles of strategy, and if you know how to beat the enemy, there is nothing to worry about.”

Becoming the enemy is about considering the whole world against ourselves and then using all that you have to win over the world. It is a strong personal advice from Miyamoto-san.

If you think here is a master of the way who knows the principles of strategy then you will surely lose.”

  • To Release Four Hands

To release 4 hands is used when you and the enemy are contending with the same spirit and the issue cannot be decided abandon the spirit and win through an alternative resource.”

When you realize that the enemy you are fighting is exactly you or equivalent of you then think out of the box. Do things which you won’t do normally. Such abnormal and creative ways of attacks will break the rhythm of your equivalent enemy.

Immediately throw away the spirit and win with the technique the enemy does not expect.”

So, “releasing four hands” is the indication to create some unfair advantage through unconventional practices.

We must defeat the enemy by changing our mind and applying a suitable technique according to his condition.”

  • To Move the Shade

When you cannot see the enemy’s position, indicate that you are about to attack strongly to discover his resources. It is easy then to defeat him with a different method once you see his resources.”

This is one cunning and smart advice by Miyamoto-san. When you are unable to gauge the moves of the enemy or the enemy himself doesn’t want to leave any traces, you should create some fake opportunities of victory for the enemy so that he will expose all his capabilities to you. Once he is lured into such fake victories then you can gauge the strategies and plan a worthy surprise counterattack secretly.

  • To Hold Down a Shadow

When the enemy embarks on an attack, if you make a show of strongly suppressing his technique, he will change his mind. Then altering your spirit, defeat him by forestalling him with a Void spirit.

The idea is to embarrass the enemy if you are going for a strong counterattack. This saves you resources in next attack because the enemy would never come out to counterattack because of the embarrassment.

  • To Pass On

Miyamoto-san makes a very smart observation on some involuntary human habits like sleepiness, yawning. These can be passed on human to human. Even today’s neuroscience agrees that these are the habits which are easy to pass on because of the herd mentality, group behavior of humans.

Miyamoto-san advises as follows:

Make a show of complete calmness and the enemy will be taken by this and will become relaxed when you see that this. Has been passed on you can bring about the enemies defeat by attacking strongly with a Void spirit.

The idea is to pass on your careless, weak attitude on the surface to your enemy and once he is relaxed the bring out you real fierce attacking inner spirit to defeat him.

  • To Cause the Loss of Balance

Without allowing him space for breath to recover from the fluctuation of spirit you must grasp the opportunity to win.”

In simple words, not giving an opportunity to recover the enemy from last attack. The enemy can be made to lose his balance by bringing in danger, creating difficulties and bringing in the surprise. Miyamoto-san speaks here very clearly as an experienced and seasoned teacher.

  • To Frighten

“Fright often occurs, caused by the unexpected.”

Miyamoto-san knows very well about the basic human mentality. We don’t like uncomfortable situations. The enemy’s confidence, spirit can be easily crushed by making him uncomfortable, by scaring him. Scary, unnerving, unsettling and panicky battle cries/ battle drums/ battle horns are one great example of that.

  • To Soak In

When you have come to grips and are striving together with the enemy and you realize that you cannot advance you soak in and become one with the enemy.

It is simply remaining in touch with the enemy to understand his moves. The moment you draw apart from your enemy, you will lose the advantage of the predictability.

  • To Injure the Corners

“It is difficult to move strong things by pushing directly so you should injure the corners.”

When the enemy is big in size and strength, the best way to start is to injure his corners as in his extended and weak parts. Once you bring down his morale then, even the big things will collapse down.

“In large-scale strategy it is beneficial to strike at the corners of the enemy’s force”

In the same sense if the opponent has strong army, start attacks from the most beneficial and weak spots, facing the initial defeats from such “corners” can bring down the spirit of the remaining strong forces.

  • To Throw in Confusion

Victory is certain when the enemy is caught up in a rhythm which confuses his spirit

Creating confusion is all about not letting enemy think that he has understood you. When he will be confused about your intentions, he will be less focused and then it will be easy to take him down. Miyamoto-san smartly establishes this idea for both one on one combat and a large-scale war.

Feint a trust or cut or make the enemy think you are going to close with him and when he is confused you can easily win.

  • The Three Shouts

Earlier Miyamoto-san suggested to scare the enemy with voices. He again highlights how voice can be incorporated into the fights to create rhythm. He divides the shouts in three seemingly obvious but smart by implementations as shouts before, during and after.

“The voice shows energy

The attitude you want to present to the enemy can be easily demonstrated to the enemy simply just by your shouts instead of deploying valuable assets and resources into the battle or fights.

Shouting before the fight creates the rhythm, shouting during the battle in low pitch projects the effectiveness of our attack and the shouting at the end of the war can build instant morale boost and an escalating defeat of the enemy due to downgrading spirit.

  • To Mingle

Mingling is all about sticking and advancing into the enemy forces. If you are continuously stuck with the enemy forces and see that they are defeated at certain position then you attack their remaining sides with same strength thereby making space to advance through them. Once you see crushing at a location you build upon that to advance ahead.

What is meant by mingling if the spirit of advancing and becoming engaged with the enemy and not withdrawing even one step.

  • To Crush

Crushing is all about not giving even single opportunity to the enemy to recover from the last attack. When you sense his ultimate weakness getting exposed then crushing will ensure the last blow to get the victory in the battle.

When we see that enemy has few men or if he has many men but his spirit is weak and disordered, we knock the hat over his eyes crushing him utterly. If we crush lightly, he may recover.”

  • The Mountain-Sea Change

The mountain sea spirit means that it is bad to repeat the same thing several times when fighting the enemy there may be not hell but to do something twice but do not try it a third time.”

Miyamoto-san knows that every person, every fighter has preferences, comfortable, favorite moves. Playing such moves again and again can make the person predictable thereby vulnerable. He thus wants the warrior to demonstrate the spectrum of moves, moves of contradictions to effectively confuse the enemy.    

If the enemy thinks of mountains attack like the sea and if he thinks of a sea attack like the mountains.”

  • To Penetrate the Depths

If his spirit is not extinguished, he may be beaten superficially yet undefeated in spirit deeps inside.

Miyamoto-san very well knows the psychology of revenge and coming back with more preparedness to avenge the last fight. Thus, he wants the warrior to not only physically defeat the enemy but also to defeat them in their minds. 

“Penetrating the depths means penetrating with the long sword penetrating with the body and penetrating with the spirit.”

This shows how Miyamoto-san is serious about the mindset of warrior. He knows that you can easily defeat an enemy physically but if he is not defeated in his mind then surely, he will rise up again with possibly stronger counterattack.

If the enemy remains spirited it is difficult to crush him.

  • To Renew

““To renew” applies when we are fighting with the enemy and entangled spirit arises where there is no possible resolution, we must abandon our efforts, think of the situation in a fresh spirit then win the new rhythm.”

A great teacher with strongest techniques knows that there will be chances when his pupils may stand against each other. There may be chances when exactly same great techniques will be presented in front of each other. The great and smart teacher knows that such tie-making conditions will require new ways, new perspectives of thinking.

In simple words, when one feels stuck in repetition, the best way to solve such problems is to start from something new, unconventional and out of the box ideas.

This also shows how Miyamoto-san was open to accepting the idea that even his fool-proof, seasoned techniques will sometimes be challenged with equally potent different techniques. Thus, he demands creative thinking while solving such issues which is really smart for the times and personality he was.

  • Rat’s Head, Ox’s Neck

This is about leveraging the small details to bigger advantages in warfare. History has many examples where even a seemingly small thing changes the bigger course of the warfare, battles. Miyamoto-san here, similarly expects a warrior, a strategist to think with the ability of Rat to see at small levels and use that detail to strike back with the power of the Ox’s neck. One has to appreciate how Miyaomoto-san has distilled small-small details of everyday observations into his nectar of war strategies. 

Whenever we have become preoccupied with small detail, we must suddenly change into a large spirit, interchanging large with small.

  • The Commander Knows the Troops

Using the wisdom of strategy, think of the enemy as your own troops.

Miyamoto-san explains this idea in very few words, because he wants this idea to be understood only by those people who actually have grasped the thought process behind his Way of Strategy. Miyamoto-san implies here that if you understand the troops of the enemies well, then you can direct those troops in your ways thereby saving your resources. The various ideas explained before in the Fire Book relate to the human tendencies, psyche, group dynamics, group behavior. Using this knowledge if one becomes successful in understanding the mindset of his enemy troops, then is is impossible to defeat him.

  • To Let Go the Hilt

There is the spirit of winning without a sword. There is also the spirit of holding the long sword but not winning.

Hilt means the handle – the grip of the weapon. Here again Miyamoto-san is limiting his words but the message to be conveyed is precise. He implies that having the greatest weapon in your hands does not guarantee absolute victory. You can win the fight without the weapon too. It is all about the mindset. If you have that mindset of the fierceness of the fire in your fights then, it is nearly impossible to defeat you. Don’t become too much attached to your lavish, expensive, sophisticated equipment and tools. Understand that you can be easily defeated in exceptions when you won’t have these tools. So, accept that in order to win – sometimes you may have to let go of your priced possessions. It should be always you deciding the fate of your battles and not the tools, weapons that you use to win those battles. Detachments from such tools will bring out the real fighter within you.

  • The Body of a Rock

The body of rock is implied to the feeling of not getting disturbed by what is happening around you. This mindset will not only defeat one on one enemy but will also build the attitude of fierce fire when the warrior will face thousands of enemies alone. Again, it is all about mindset.

Conclusion

Miyamoto-san in the Fire Book gives almost 27 techniques to win in a one-to-one combat, in a battle or in a long-term, large scale warfare. The consistencies of these techniques and ideas with some real-world examples and practical advises show the true scholar of Miyamoto-san.

Creating breathing space to fight aggressively, rising on the top locations in the battle places, to engulf the enemy even from small advantages, to have the ability to spread swiftly and influence immediately, to have the ability to begin again even from a small spark or embers, to remain unpredictable, to remain attached to the enemy are the tendencies of the fire. These minute behaviors of the fire are closely studied and imbibed into the real life by Miyamoto Musashi, they are the key to the Fire Book.  

You must understand why this section is called the Fire Book. Obviously as the name goes the techniques are built around the behavior of the Fire. The important thing is that everyone would have seen a fire many times in their lives but it is the observant and thoughtful mind of the warrior like Miyamoto-san who extracted the wisdom of Combat and warfare from the Fire. Please bear in mind that these tactics are still relevant in modern warfare and battle strategies.

Of course, men who study in this way thing that they are training the body and spirit, but it is an obstacle to true Way, and its bad influence remains forever. Thus, the true way of strategy is becoming decadent and dying out.

Thus, the Fire Book is about the grit, the perseverance in fighting and winning the greatest battle – the battle of life, the battle of survival.

Links for further reading:

  1. The Book of Five Rings – The Ground Book
  2. The Book of Five Rings – The Water Book
  3. The Book of Five Rings – The Fire Book
  4. The Book of Five Rings – The Wind Book
  5. The Book of Five Rings – The Book of the Void

The Book of Five Rings – The Water Book

Miyamoto Musashi’s Book of Water from the Book of Five Rings is about the ideas of form-ability, fluidity of water. The way we live and control our lives, the decisions we make, the actions we do are solely based on the behaviors and the routines we follow. It is really an understatement to call this book as a Guide for Sword-Fighters.

Miyamoto Musashi’s philosophy for 21st century

Ancient combat strategies for the modern competitions  

After understanding the Ground Book which builds the foundation of the Book of Five Rings by Miyamoto Musashi, we will deep dive into the next book called the Water Book. The general idea is to understand how water behaves, how it tries to bring in consistency throughout, how it tries to level even in disturbances, how a drop to drop creates an oceanic impact, how it flows and remains unobstructed of the challenges. The Water Book is about the the spirit of the warrior, the attitude, the way of looking at things and handling them, making decisions about them.  

“The principle of strategy is to have one thing, to know ten thousand things.

In short, know the ocean from single drop. Miyamoto Musashi wants to highlight the effectiveness of his strategy of Water by showing the consistency in these principles. Once a warrior understands a consistent idea, it becomes very easy for him to implement it everywhere effectively. Thus, by learning this consistent way of water if a warrior defeats his single enemy, he thereby also gains the ability to defeat the thousands of enemies singly. That is how effective these ideas from the Water Book are!

Language does not extend to explaining the Way in detail, but it can be grasped intuitively. Study this book; read a word and then ponder on it. If you interpret the meaning loosely you will mistake the Way.

This is exactly what has been already established in modern philosophy as the Language Theory of Philosophy by Ludwig Wittgenstein. An ancient, age-old warrior already understood this knowledge way ahead of his time. Miyamoto-san knew that a novice self-learner will take every word literally and hence will fail to actually grasp the depths of the wisdom he has shared. He wants readers to inculcate every word in their own lives. These are not ideas just for battling, killing and fighting. These are the ideas to handle any type of situations, people, systems in your everyday lives.    

The principles of strategy are written down here in terms of single combat, but you must think broadly so that you attain an understanding for ten-thousand-a-side battles.

The wisdom is so distilled and ubiquitous that it can be used in any battle, any problem solving.

If you merely read this book, you will not reach the Way of Strategy.

Again, this Book of Water rather the Book of Five Rings is not to be taken literally.

Spirituality – The Way of Life

In strategy your spiritual bearing must not be any different from normal. Both in fighting and in everyday life you should be determined though calm. Meet the situation without tenseness yet not recklessly, your spirit settled yet unbiased. Even when your spirit is calm do not let you spirit slacken. Do not let your spirit be influenced by your body, or your body be influenced by your spirit. Be neither insufficiently spirited nor over spirited. An elevated spirit is weak and a low spirit is weak. Do not let your enemy see your spirit.”

One has to now understand that Miyamoto-san even though explicitly talks about sword fights it is not only about sword fights. He wants readers to understand that the true greatness does not come from following special regime or following some trick or knowing some secrets. Actually, the secret to a great life is that there is no secret!

Miyamoto-san doesn’t want a warrior to force things. He wants everyone to be at their optimum, neither less nor more, neither in excess nor in scarce – just the perfect amount. Once this happens in a person’s daily routine then it becomes part of him, his way of life. Then even an extraordinary situation, a bad event doesn’t affect him. This is what discovering spirituality is!  

With your spirit open and un-constricted, look at things from a high point of view. You must cultivate your wisdom and spirit. Polish your wisdom: learn public justice, distinguish between good and evil, study the Ways of different arts one by one. When you cannot be deceived by men you will have realized the wisdom of strategy.

Miyamoto-san though promotes his “Way of Strategy” in the Book of Five Rings, he wants the readers to expand their vision, their perspectives to different arts too. The idea is that when you become aware of many things, many arts it becomes really difficult to fool you, to trick you. That is also a superpower in a way.    

Stance

Please mind that it is not just about how a warrior should stand in a fight. Stance here also means about your attitude in the situations of hardships and challenges. Here it goes:

  1. Adopt a stance with head erect, neither hanging down, nor looking up, nor twisted – Don’t project yourself as too proud or too peasant and helpless. Be at peace with yourself.
  2. Your forehead and the space between your eyes should not be wrinkled – Control and hide your anger and project it effectively when and where required
  3. Do not roll your eyes nor allow them to blink – Don’t fiddle, observe your surrounding with a calm and focused mind
  4. With your features composed, keep the line of your nose straight with a feeling of slightly flaring your nostrils – Be in the moment. Breath.
  5. Hold the line of the rare of the neck straight: instill your vigor into your hairline, and in the same way from the shoulders down through your entire body – Concentrate all your energy to your torso, your vital organs in order to handle what is to come next
  6. Lower both shoulders and, without the buttocks jutting out, put strength into your legs from the knees to the tips of your toes. Brace your abdomen so that you do not bend at the hips – Don’t tighten your body, don’t be stressed from the fear of your enemy. Loosen up your body to make it pliable to respond enemy attacks effectively.
  7. Wedge your companion sword in your belt against your abdomen, so that your belt s not slack – this is called “wedging in” – Prepare yourself to attack, tighten your core body, your weapons, your tools/ equipment to face any situation

“In all forms of strategy, it is necessary to maintain the combat stance in everyday life and make your everyday stance your combat stance.

Here you must understand that these are not the recommendations to warriors only. Miyamoto-san wants these to be the way of life. One has to really appreciate the depths of his wisdoms through these teaching.

Gaze – Don’t just look, have a vision

In strategy it is important to see distant things as if they were close and to take a distanced view of close things.

While doing all of these stances Miyamoto-san suggests to not get fooled by the appearances only. He recommended these mentioned stances in order to project strong warrior in front of his opponent. But what if the enemy also projects the same stances nevertheless, he is strong in reality? At these moments, Miyamoto-san guides to understand the big picture and the details to decide effective strategies based on the enemy’s behavior.  

Holding the Long Sword

Miyamoto-san beautifully explains the role of each finger on the grip of sword. It can only be experienced on personal level of reader and cannot be expressed in words only. But the overall idea is not just grab the sword with all five fingers rather make it an extension of your body which has its own reflexes.

Fixedness means a dead hand. Pliability is a living hand.

It is again a reminder to not blindly and mechanically follow the rule, tricks, or techniques. Become agile and formless, shapeless like water (..my friend!)

Be water my friend!
Footwork

Whether you move fast or slow, with large or small steps, your feet must always move as in normal walking.

Miyamoto-san here again says that there is nothing like “special technique” to defeat any enemy. When you are not forcing things to be there, you break the patterns, mechanical nature of your moves. Your moves, decisions become natural.   

You should not move on one foot preferentially.

If you have preferences, then it becomes easy to defeat you by attacking on your preferences, your preferences will make you more predictable.

“If you try to wield the long sword quickly you will mistake the Way. To wield the long sword well you must wield it calmly.

Any big responsibility, any big authority, any big decision, any big power should be handled wisely, calmly with a focused mind.

Way of the Long Sword

Miyamoto-san then exactly points out each and every technique to the student. The details with which everything is explained deserves great attention of every reader. The information is clear, concise and just enough.

a. The Five Attitudes

The great thing about a true master is that he is the ultimate simplifier. A true master knows how to teach complicated and intertwined knowledge points in simplified ways without losing the essence of the concept. Miyamoto-san thus incorporates his exact learning into small chunks of wisdom where every word is just enough to grasp the whole concept.

Miyamoto-san at the very beginning makes clear as to where exactly the sword is supposed to be used. The five attitudes he describes seem very simple. The five attitudes are:

  1. The Middle attitude – it is about hitting (and killing) the enemy by striking on torso and vital organs with sword against his face  
  2. The Upper attitude – it is about exactly striking upper blow of sword when enemy attacks and when he escapes this cut Miyamoto-san guides to follow the flow on line and scoop from below
  3. The Lower attitude – it is about hitting the hands of enemy from below, Miyamoto-san also suggests that this is the most encountered stance from enemy
  4. The Left-side attitude – it is about hitting the hands of enemy from below and parrying the same attack to cut from his left side
  5. The Right-side attitude – it is about crossing enemy’s sword attack from below and swinging it further and using upper strike from the right side

These are in simple and no-nonsense words, the five directions in which you can swing a sword to kill your enemy. You really have to understand that the reader of this book especially the pupil learning swordfight are supposed to have that innate natural excitement of learning something special from the great master – his tricks and secrets to become invincible. But the great Sword-master Miyamoto-san delivers his wisdom in the ways of common sense. And believe me it is not sarcasm, rather Miyamoto-san is very serious while discussing the five attitudes here. The whole idea of five attitudes is that, there are mere five vital regions where one has to focus to defeat his enemy. And in those five the Middle Attitude is the most vital. (Logically, the middle region, the torso of human body consists most of the vital organs in human body so it already makes more sense)

“To understand attitude, you must thoroughly understand the middle attitude. The middle attitude is the heart of the attitudes. If we look at strategy on a broad scale, the Middle attitude is the seat of the commander, with the other four attitudes following the commander. You must appreciate this.

The attitudes are not there only to explain the parts of human body, it also represents the whole organization of the enemy’s battalion. All the vital weaponry, the best of the best soldiers, the best diplomats, the best strategists are the middle part of every commander on battle-field. Miyamoto-san suggests to focus on this middle part while defeating enemies in masses. Such hidden and smart instructions are hidden and scattered all over the Book of the Five Rings.     

b. The “Attitude No-attitude” teaching

Miyamoto-san gives five attitudes to fight at first and then instructs to forget about them here.  Please understand that the five attitudes are not just “A Guide to Basic Human Anatomy” for the sword-fighters. There is deeper meaning in Miyamoto-san’s advice.

Whatever attitude you are in, do not be conscious of making the attitude; think only of cutting. Your attitude should be large or small according to the situation.

One can understand it like this – Do not get overwhelmed by the thought of deciding which approach to select to kill the enemy. Actually, if one gets tangled and confused in selecting the right approach, he will immediately loose his life to his opponent as the enemy has already stricken him.

One should only focus on intent to kill the enemy and let the right attitudes come out of those attitudes. Even though five attitudes are defined that does not mean that they are supposed to followed mechanically. This way of mechanistic selection and confusion from it disappears when one does enough practice which is what Miyamoto-san focuses and instructs everywhere.

Fixed formation is bad

Again, Miyamoto-san suggests to be fluid, non-fixated, agile, flowable like water.

c. To Hit the Enemy “In One Timing”

The idea is to not hesitate to act on right opportunity with the full intent of killing the enemy

d. The “Abdomen Timing of Two”

Don’t spare your enemy even when you see him retreating, when you see him relaxing follow him up with a cut

e. No Design, No Conception

Go fully “in” when you see enemy going fully “in”. Use everything you have, don’t follow the structuredness and rigidity of some tricks you learned elsewhere. Again, be fluid in nature, respond accordingly.

f. The Flowing Water Cut

When your strike fails, when you fail (in anything in your real life too) widen your perspective, expand your spirit and this time strike your next blow slowly but decisively, thoughtfully. Miyamoto-san understands that when the enemy sees his strike winning, the true warrior must make a conscious effort to not let his enemy’s morale raise high with this small win. Miyamoto-san call it like “Stagnant water”, when you blow fails, pause-think-come back with full intent of focus.

g. Continuous Cut

When you realize that the enemy- opponent is equivalent to you and it is difficult to defeat (kill) him; then you should attack in such way that it will harm the enemy at multiple locations. Try to hit as many birds as possible in single stone when you are fighting an equal opponent. It is about effectiveness and efficiency of your single stroke.

h. The Fire and Stones

When fight goes one-to-one make sure that it hits different parts of the enemy.

i. The Red Leaves Cut

Force the enemy to lose his sword, his vital and important tools, weapons like a falling and dying red leaf of fall. Disable the enemy by capturing his resources.

j. The Body in Place of the Long Sword

Don’t just be too focused on your weapon, your sword, your tools and resources. Use your body to attack the enemy. If you can focus on getting the control of enemy’s sword, he can think of you similarly. So, with sword use your body too.

k. Cut and Slash

Miyamoto-san here clarifies that cutting is about cutting with full intent of killing but slashing is just touching the enemy, injuring him.

Be decisive about your moves before attacking and be ready to accept the consequences.

Miyamoto-san explicitly clarifies additional thing here:

“Even if you slash strongly, and even if the enemy dies instantly, it is slashing.

I would like to highlight one very important bias that every learner every, student faces in their learning process, especially when they are leaning on their own which is the “Outcome Bias”. Many a times we make some hypothesis on the inner working of the things which we are trying to understand and it eventually happen in the end but in somewhat different ways- in a way we didn’t expect but it happens. Does that mean that we have completely understood everything? The answer is “No”. This is known as the “Outcome Bias” where you decide whether a certain action is right or wrong based on the outcome and the outcome might be just luck. So, it might be a possibility that your hypothesis is wrong.

The outcome bias is dominant in self-learners which Miymoto-san expertly points out here.

l. Chinese Monkey’s Body

Don’t extend yourself partially in enemy’s territory just like Chinese Monkey’s body in Miyamoto-san’s words. If you extend your arms towards the enemy, the enemy will grab you by your arms and pull you in completely.

m. Glue and Lacquer Emulsion Body

When you engage with the enemy make sure that you engage fully. As in do not lose the contact with your enemy when you are really in the fight. Otherwise, you will be unable to anticipate and react to your enemy’s next blows.

n. To Strive for Height

Once engaged with enemy in fight, establish dominance in every possible way, don’t let your enemy’s morale rise up and take the high ground. (That’s exactly what Obi-Wan Kenobi did)

o. To Apply Stickiness

When fully engaged, stick with the enemy; don’t lose touch of him and his sword. Reduce the strength of the strike but keep in touch with his blade, that will help you to gauge his moves immediately.

p. The Body Strike

Find the weakness of the armor and directly attack the body through that weakness.

q. Three Ways to Parry His Attack

When enemy blows attack, target his important areas first for counter attack. First way is to attack on his eyes-his vision; second on his neck, the part which connects the mind and the tools of any organization, any battalion; third on his face, on the image and perception of the organization, the battalion.

r. To Stab at the Face

Stabbing at face means to destroy the senses and the mind of the opponent. Face as in head is eyes, ears, nose, tongue, skin and mind all in single spot which is another vital region of the body. Once you drive the head, the complete body will follow thereby making enemy predictable to attack and kill effectively.

Try to control enemy’s moves by explicitly targeting his most important parts with full intent.

s. To Stab at the Heart

When you are tired, just blow single and focused strike on the vital part of the enemy.

t. To Scold “Tut-TUT!”  

Make sure that your enemy understands that your counterattack was intended to hurt, kill him. Try to bring down his morale. Don’t let him think that he has won.

u. The Smacking Parry

If you develop a rhythm of attacks in your fight, you can still handle the coming blows from enemy and simultaneously hurt him with counterattacks. It’s about developing a sense of timing.

v. There are Many Enemies

When you are alone and surrounded by many, don’t hesitate and wait; attack with the intent to kill many in single strikes. Don’t attack and strike from front or head on; approach and attack from sides.

Whatever you do, you must drive the enemy together, as if tying a line of fishes, and when they are seen to be piled up, cut them down strongly without giving them room to move.

w. The Advantage when Coming to Blows

Go out, practice, and implement your truths, your learnings in reality.

x. One Cut

Become a master in such way that it looks effortless to others. (like Saitama!!!)

While actually reading all these ways to kill the enemy with sword, you will feel like you are actually witnessing these iconic sword strikes in a sword fight or like an intense sword fight in an anime. Miyamoto-san creates a live picture of strokes of sword in his writing while writing all this, which itself is a great experience for readers.

Closing remarks of the Book of Water

In the closing remarks of the Book of Water, Miyamoto-san instructs to make these ideas the way of life. He wants these ideas to become part of your habits. When they will get reflected in your habits the body will react naturally to the challenges as if these techniques are second nature for it. Miyamoto-san expects a flow, a harmony like water in the rhythm, spirit of the readers while handling sword or any situation in their life.

“Step by step walk the thousand-mile road

Miyamoto-san is aware that the novice will get overwhelmed by the details and the number of the teachings from the Book of Water alone. He wants the student, the warrior, the reader to learn one by one, one at a time and imbibe it in their lives.

“Study strategy over the years and achieve the spirit of the warrior. Today is victory over yourself of yesterday; tomorrow is your victory over lesser men.

It is about practicing, relearning and distilling down the wisdom over the period. This is only possible by discipline. Only discipline will bring out the best version of you from your personality of times gone, once you become something different and greater from your previous version nobody can stop you. Discipline is the way.

Even if you kill an enemy, if it is not based on what you have learned – it is not the true Way.

In the end of the Book of Water, Miyamoto-san explains the only way to develop wisdom. Knowledge can be transferred, can be taught from one person to another but wisdom always develops from inside. And as it develops from inside, there is very high possibility that it will be full of biases as these are self-truths. Hence clearing the biases in your learning process by continuously practicing them with reality is the way. One must be always be sure about the hypotheses in their knowledge building process in order to create the real wisdom.

Miyamoto Musashi’s Book of Water from the Book of Five Rings is about the ideas of formability, fluidity of water. The way we live and control our lives, the decisions we make, the actions we do are solely based on the behaviors and the routines we follow. The ideas expressed in the Book of Water are can also be connected to Game theory, Corporate Strategies, Principles of War Strategies and Diplomacy, Human psyche, Competitiveness, Lifestyle, Resources and Manpower Management, Spirituality and nonetheless Philosophy of Life and Knowledge. It is really an understatement to call this book as a Guide for Sword-Fighters.

What is special about water? That it is so omnipresent that it is not that special. It is so formless, shapeless that it takes shape of anything. Water has ability to make impact even when it is in drop and even when it in the form of ocean. The specialty of water is that it is not special, or at least no specialty can be assigned to it. It is water’s fluidity, pliability to the situations which enables it to take their forms which is what makes water so special. That is exactly what Miyamoto-san establishes here for the ways to live life thereby with the battles and fights in it.  

Links for further Reading:

  1. The Book of Five Rings – The Ground Book
  2. The Book of Five Rings – The Water Book
  3. The Book of Five Rings – The Fire Book
  4. The Book of Five Rings – The Wind Book
  5. The Book of Five Rings – The Book of the Void

Kantara – Breaking The Illusion of Materialistic Possession

Almost everyone is aware of the impact created by Rishabh Shetty’s blockbuster “Kantara”. The movie is an epitome of the huge power that cinema holds. Not only content/ story-line but the whole ensemble Kantara carries is a lifetime dream of every true movie maker. The movie stands out on cast, characters, cinematography, music, action, emotions, the balance between fact and fiction and what not. Not only as a great entertainer but also as a conveyor of the cultural heritage we Indians hold – Kantara shines out. The movie can truly become the flag bearer of both the Indian Movie Industry and the Indian heritage/ Indian culture. This will not be a movie review or the explanation of the story or the connections Kantara carries to the real life events or traditions. . We will try to find the hidden layer Kantara carries which is common in our very human nature.

The following content will be more relevant to those who have watched Kantara already and may be spoiling to those who haven’t.  

Movie Poster of Rishab Shetty’s “Kantara” (2022)

Kantara- the mystical forest and the folklore

As the literal meaning goes, the story is created in the forest in order to carry the suspense and create a curiosity in the minds of the characters of the story and the audience. And this mystical nature of the forest is effectively used in Kantara to show what faith is actually made up of. Faith, I would say here is used to understand the limits of our own existence and respectful fear of the unknown. There is a moment when the faith of people is questioned through questioning the existence of Panjurli – The Demigod, which is answered through the sudden disappearance of the person/ performer who carries the demigod through him.

The thing about folklores is that they lose some obvious and vital details as they are passed from one generation onto the next generation. When repeated enough most of the details are lost but the core of the folklore remains the same. This loss of details and the loss of information in the story actually makes it a great folklore. This also creates the feeling of irrelevance with the current generations which leads to doubts of what could have actually happened.

Faith becomes the ultimate tool to convey the unknown nature of the unknown- the one which cannot be interpreted or understood with the current understandings we carry. Faith is responsible for the livelihood of the villagers in Kantara and the same faith (in a reverse and negative way) is also responsible for the sad endings in the family of the landlords.

The evolution of real story of the first meet of the King and the Panjurli to the folklore creates faith in villagers but at the same time creates arrogance in the generations of the landlords.

The revisions of the same story – History repeats itself

To understand the complete world of Kantara we need to have some pivot in the story. The four Panjurli – holy demigods are the best pivot to explain the transition of folklore through each generation. If the story of Kantara is understood through each generation of the persons carrying the holy presence of Panjurli, you will find that the story is actually repeating itself.

The real meaning from “Kantara” reveals itself when understood from four cycles

At first, the story is folklore hence one should accept that many details are lost in the handing over from generations. The idea folklore actually conveys is the urge of the king to spread his presence by claiming as large as possible part of land and have an authority over it. This pursuit is never ending as there is no end to greed of land which is the main reason for the insomnia the King suffers from. The pursuit of greed actually makes him to lose his peace of mind. The meet with the villagers and the Panjurli is the treaty of King with nature to settle down the turbulence in his mind. (Otherwise, which king would like to portray himself as the defeated one in his own folklore) The resistance for acquisition of villagers from the forest and the unrest due this resistance to the king are the real part which gets lost from the folklore during its evolution. The very first demigod of the story solves this problem and carries the symbol of the eternal promise between the protector and the consumers of the land.

The next demigod carrier is Shiva’s father where again due to the inherent nature of landlord’s son (who will be the next protector of the land) questions the treaty, the promise by questioning the presence of the demigod. The cycle of establishing explicit ownership is again repeated here, but ends in bad way. The King at first is smart and humble enough to accept his defeat against the very nature which created him but the modern son of landlord misses the point by taking the folklore literally. Hence, the reason Shiva’s father had to prove the presence of God in a mystical way. (If one thinks deeply enough and for those who still don’t want to accept the explanation of mystical disappearance there is one way to explain what could have actually happened. Shiva’s father sacrificed his life to the unknown and cruel animals of the forest in order to prove the presence of the unknown. The landlord’s son anyway could have died of natural death but the events of disappearance of Shiva’s father would never allow or put enough further to question the villager’s faith. Which also proves the point and does not create any contradiction.)

The next demigod carrier is Guruva where there is already one landlord called Devendra Suttooru. Devendra is also as smart as the ancestral King but is cunning enough to fool the innocent and forgiving holy demigod. In addition to this, the Forest officer Murali also thinks that he can establish control over the forest by using the government power. The beautiful thing to understand that the situation depicted this time is very complicated hence Shiva’s influence also adds indirect presence of the demigod in the story. Where the demigods share their characteristics in two different persons. Guruva officially represents the innocent and honest side of the demigod thereby resisting the authority of landlord Devendra in a soft manner and on the other hand Shiva already carries the honest, innocent but strong and dominating side of demigod Panjurli and sometimes like Guliga. (One must understand that Guliga only presents himself when the landlord’s intentions and acts become clear)

So, two cycles of the repeating story we are watching simultaneously in the movie in detail. Where in the end, people with the desire to control the nature either lose their lives or lose their intention of authority and develop the respect for the creator.

The point of highlighting the four repeating cycles in the Kantara is that even though each generation in every cycle has enough knowledge of what is right and wrong, even though they have knowledge of what has happened before, most of them try to challenge/ overthrow the past learnings in spite of knowing their consequences. I think, this is human nature. Even though we have done progress from the caves to the mars and solar system through hundred maybe thousands of the generations, some of the fundamental personal, societal problems are always repeating in every generation. Which is why such problems though are already solved remain unsolved for each generation.

History is never antiquated, because humanity is always fundamentally the same.

Walter Rauschenbusch

Illusion of authority, possession and ownership

All four cycles of repeating the histories confirm one consistent human trait that is the authority or ownership of something. At first, the king expects to own as many lands as possible thereby landing in misery. Then the modern son of landlord thinks that whatever land there is his own by ancestry and he should enjoy the perks of it. This also has a bad ending. The next generation one is more evolved and actually addresses two aspects of authority. One is the ownership of the possession of materialistic goods and the another one the possession of power to do anything and control everything.

You will see that the landlord Devendra Suttooru has greed for his “so called” ancestral land but is cunning enough to figure out different and unconventional ways to acquire it. But this ultimately ends in him exploiting the limits of the patience and innocent nature of the demigods. He fails to realize real power of the respect, authority, guardianship villagers thereby the demigods had granted him.

The interesting and mostly unnoticed one is the lust of Murali for the power of authority he would hold over the forest. You need to understand that Murali is Deputy Range Forest Officer. The main Range Forest Officer is not there to control the government matters.  Now, Murali has full chance to use and implement his power and enjoy the perks of it. That is why he is seen beating the villagers who present him their hunt in order to project who has the real power here. The arrogance or strict nature he carries with his staff and villagers is not only because he is a top officer, it is also because he wants to present is power dominance. You will see that when Murali visits Devendra Suttooru, he keeps all the gifts offered and also establishes that he as a government representative will not shake hands with devendra. Murali objecting the traditions of the Bhoota Kola further highlights that the power of authority government has given him enables him to control everything according to his desires. The initial intentions of Murali and Devendra are nothing but the same- the intentions of authority and intentions of possession.

The power of government authority that Murali carries
Rishab Shetty’s “Kantara” (2022)

The exploiters in each of the cycles – The King, The Modern landlord, Devendra Suttooru and Murali forgot that the things they are trying to claim actually don’t belong to them. These things don’t even belong to the villagers of the forest. They belong to the nature who is just allowing them to use them for their existence. The faith of the King and changes in Murali in the final stages makes us aware of breaking their illusion.

The King carried the lands and he was not at peace with himself, Murali even after having government authority faced death and hardships, modern landlord/ Devendra Suttooru having lordship and respect of the villagers faced bad consequences. They thought that the things which were handed to them as a duty belonged to them and exploited them for their own benefit which has no limits and exactly this degraded them. It is only with the villagers you will find that the use of minimal means and resources actually represents the respect for the one who offers everything. This is seen as a reality in their lifestyles and symbolically shown in the Bhoota Kola.

There is also one more interesting illusion of ownership which is Shiva’s ownership on himself.

Acceptance of the truth- the liberation

The ownership of Shiva is multifaceted and hence deserves special explanation. You have to understand that the nonchalant nature, the careless attitude of Shiva is not because of not having a father figure. Rather his mother is depicted more capable of filling that gap. The real reason of Shiva’s careless attitude is because of the life he will enjoy having. The sudden disappearance of his father into the mystical forest and not being able to find his body has deep impact on the initial character of Shiva. Shiva thinks that once he accepts himself as a demigod carrier for Bhoota Kola, there are huge chances of him losing himself from the body thereby distancing from the pleasures of living a life. Shiva fears that just like his father he will disappear into nothing without enjoying the life to wildly extents. Shiva completely wants to own his body, his life and hence also exploits this ownership. That is the exact reason you will find Shiva doing unholy activities like forbidden boar hunting, trees cutting. Shiva thinks that he will easily run away from the holy responsibility by doing such activities.

Shiva’s degrading activities ensure that he will never become the holy carrier.
Rishab Shetty’s “Kantara” (2022)

If you observe the character of our protagonist Shiva carefully, you will realize that even before accepting himself as a carrier of Panjurli and Guliga, he demonstrates all of their characteristics. He is the only person whom villagers will approach when they are questioned about their existence in the forest and the use of the resources available in it. You must understand that his cousin Guruva (who is the carrier of the holy demigods by then) should be the one whom villagers should actually approach but that is not happening in the story. Someone would say that Shiva carries the blood of his father who was the previous Panjurli and hence people believe in him but that is not the case. People already believe in Shiva because he is the only one who has demonstrated all the characteristics of the protector and has the guts to confront the unknown amongst all in the village.

If you remove the Shiva from the initial parts of the Kantara, you will realize that it was very easy for the landlord to fool the villagers to acquire the forest lands, it was really easy for forest officer Murali to use the power of government to bring forest under his control in his absence. Only the presence of Shiva makes the intentions of landlord and the forest officer to last longer in the test of time. Shiva was already the Holy Panjurli for his generation even though Guruva was carrying the godly presence and even before people and he himself realized this.

When Shiva finally bears his father’s torch and understands the ultimate vision of the creator
Rishab Shetty’s “Kantara” (2022)

It is at the end of the story Shiva has to accept the possession (rather directly gets possessed) of Guliga thereby understanding the ultimate fact that not even his body is owned by him. His body belongs to nature, the unknown and the greatest one who remains at the end of every cycle, at the end of everything. Shiva as a Panjurli at the end of the story is not because last Panjurli – his cousin Guruva is dead; no one is there to carry the tradition further. It is only because Shiva accepts the truth that the body in which he exists is owned by nature and not him.

The true value of a human being can be found in the degree to which he has attained liberation from the self.

Albert Einstein

That is why you will find Shiva uniting with his father in the final pursuit of real freedom – liberation at the end of the story. The real freedom for Shiva becomes renouncing his body, his materialistic way of existing. This is the real takeaway of the story. Every main character in Kantara is behind owning things whereas the reality is that nothing belongs to anyone. They are just allowed by nature to use the things and the authority for their own existence. Renouncing the illusion of owning everything, renouncing the feeling of being entitled for everything and accepting the nature of reality thereby existing humbly, sustainably, harmoniously with and within it is the real liberation. This is what Kantara represents- the humbling nature of reality, the nature and the extents of what we can know- what we can never know.

“Possession of material riches, without inner peace, is like dying of thirst while bathing in a lake. If material poverty is to be avoided, spiritual poverty is to be abhorred! It is spiritual poverty, not material lack, that lies at the core of all human suffering.”

– Paramahansa Yogananda