The Model Millionaire – Attributes of True Wealth

Oscar Wilde’s short story “The Model Millionaire” is a story depicting the boomerang of kindness. It also tries to fuse the importance of tangible assets like money and intangible/ non-physical assets like kindness/ love/ art in our lives. It shows how the balance between these separate attributes can create a true rich life.

Oscar Wilde’s short story called “The Model Millionaire”

Fiction is the lie through which we tell the truth.

Albert Camus

Stories we cherish – especially short stories which tickle our brains have huge impact on our personality. The shortness of tightly woven multiple events inherently brings out the simplicity and invite intrigue in readers. All of us have such favorite stories which we would love to remember forever for the lessons they provide, the happiness they create. Most of such stories we love belong to the chapters in our textbooks, school books. There are many short stories which fall into exactly similar category of being a textbook chapters as if they are not that deep enough and simply convey what is to be conveyed. They get the job done within few pages thereby giving readers a worthy payoff.

It is a cakewalk for readers to enjoy such short stories and interpret the message which author/ writer is trying to convey. Sometimes there is nothing to learn or any hidden message to covey through the story, the intent is to invoke certain emotion in readers. It is a joy to appreciate such stories from readers’ perspective.

It is also crucial and highly underrated to understand what was going in the writers’ mind when they penned down such stories, especially for the of case short stories. This happens frequently in terms of short stories due to their simple, short presentation. You read, get entertained and move on to the next one. 

It is very important to understand the simplicity of such stories and so called- “entertaining” word-play. The writers of such stories make every conscious effort to simplify the narrative and convey the meaning. The simplicity is not inherent rather it is intentional and full of efforts – the hidden tediousness. If you are reading an interesting story, it’s not because writer just wrote what came to his mind showcasing his brilliance; it is interesting because writer had created multiple perspectives, personalities – I would say pseudo- readers to establish the narrative and remove the confusion from the story. Writers just wear this mask of the characters from their stories to fearlessly express what they feel about the reality.

Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.

Oscar Wilde

We will see one such simple, high school textbook-worthy yet an interesting short story written by Oscar Wilde called “The Model Millionaire”. The story is flawless in such a way that the plot can be explained in 10-15 lines. The real beauty lies in how Oscar Wilde saw the world and expressed it through the characters in this story.

Plot

Hughie Erskin is a young, good looking but incompetent (according to the mainstream social standards) – a kind of below average man. As he has not proven his worth, has no money he is struggling to find the rhythm of life and marry his love of life – Laura Merton. One day he finds his painter friend – Alan Trevor – painting a life size beggar-man. Hughie feels very sad about how the beggar has to go through this sitting session where he won’t get just few shillings whereas the painter would earn in thousands by selling this painting. Feeling pity for the beggar-man Hughie gives him most of the money he has – to take care of the matters. Later, Hughie founds out that this beggar-man was actually an exceedingly rich “Baron”, an important person capable of influencing a continent. Hughie feels ashamed of his deeds because he thinks he has insulted the Baron by handing some petty alms.

In the climax, when Hughie feels the moment of confrontation, he prepares to apologize the Baron for what he did. Turns out that all that money, all that power had not polluted the Baron and rewards Hughie for his good deed by offering enough money to get married with Laura. The millionaire who earlier was a portrait model also proves his humble personality as a “model” millionaire.

Opening – Your love and charm will not fill your belly

“Unless one is really wealthy there is no use in being a charming fellow. Romance is the privilege of the rich, not the profession of the unemployed. The poor should be practical and prosaic. It is better to have a permanent income than to be fascinating.”

Oscar is trying to establish some pragmatic thoughts to intensify how big a failure his character is in real life. He uses this established foundation to create a contrasting climax of the story in the end

Oscar Wilde in first few lines depicts the contrast between the attitude of Hughie and how the world around him is constructed. As if Hughie was never meant to live in this world. In the opening of the story Oscar makes every effort to show Hughie’s futile attempts in making a pragmatic living. In every sense Hughie is a failure. Every venture, business (Stock Exchange, trading Tea and Dry Sherry) he tried ended in failure. The legacy of his ancestors (his father’s cavalry sword and 15 volumes of the History of the Peninsular War) is worthless in those modern times. (Even luck is not on his side!)

“Ultimately, he became nothing, a delightful, ineffectual young man with a perfect profile and no profession”

Oscar Wilde is trying to portray a very practical picture of life. One must understand that things are exactly the same today in 21st century. 

When one has not established themselves at least as an average earning independent man then every new luxury, wish is burden. Love is a luxury for a man who hasn’t established himself in society (at least financially).

“To make matters worse, he was in love”

Hughie’s lover’s (Laura’s) father – Retired Colonel Merton likes Hughie but is not ready to hand over his daughter to Hughie for the same practical reasons – Hughie cannot offer Laura a stable life.

“Come to me boy, my boy, when you have got ten thousand pounds of your own, and we will see about it”

Oscar Wilde is trying to show the brutal nature of reality which is extra brutal for daydreaming people like Hughie. (Please keep in mind that the opening is mere single dimension of Hughie’s character, more things about who he is at the core unfold in the later part of the story)

Post opening – Intangible things like art must surrender to physical/tangible media in order to remain relevant in practical world

Hughie has an artist friend called Alan Trevor who paints for living. Oscar shows us that Alan truly is a gifted artist and he earns well through his painting profession. He befriended Hughie (a real-life failure) because he liked his generous and reckless spirit. Being an artist Alan appreciates a kind-hearted and good-looking people irrespective of their social and practical status.

“The only people a painter should know are the people who are bête and beautiful, people who are an artistic pleasure to look at and an intellectual repose to talk to. Men who are dandies and who are darlings rule the world, at least they should do so.”

Whatever Alan thinks, we all know what the reality is.

Middle – An act of kindness

Hughie meets Alan in a session where he is painting a beggar. Hughie feels sad for the beggar for how life is treating him. He somewhere feels that the beggar is more helpless than himself. At least he is in a better condition than the beggar who is modelling for Alan’s painting. He argues with Alan that he should pay the beggar in percentage as Alan will earn a big chunk of money through selling this painting for thousands. The beggar deserves more. Alan argues that he definitely has to put more efforts to paint the beggar than the beggar by just standing still there.

“…there are moments when Art almost attains to the dignity of manual labor…”

This expression by Alan shows that the art may just invoke intangible, non-real things in a person but the process of creation an art is very difficult as it tries to express things which know no bounds/limits through the physical media which have inherent real-life limitations.

Realizing the correctness of Alan’s opinion and at the same time feeling pity for the beggar Hughie gives whatever money he had to the beggar.

This shows another side of Hughie where he is sensitive, he is not just a naïve person who cannot handle the practicality of brutal real life thereby getting labelled as a failure as per the social norms.     

Climax – Kindness is a boomerang

Hughie through his friend Alan realizes that the beggar to whom he donated the money was actually a crazy rich person called Baron Hausberg. A rich person who holds potential, is powerful enough to change the course of every possible thing in society.  Now Hughie feels ashamed of his act. Even though his intent was pure it may get projected as an act of disrespect to Baron Hausberg.

But turns out that Baron Hausberg is a down to earth personality and he returns Hughie’s act of kindness by offering him 10000 pounds required to marry his love of life.

Closing – Artistic, Emotional and Materialistic wealth all can coexist; it narrows down to what kind of human being you are.

Alan expresses that despite having loads of money, Baron Hausberg understands the difference between “having lots of money/ power” and “being wealthy”. That is why this millionaire who was a model for a portrait was also an ideal millionaire – a rare “model millionaire”.     

Baron Hausberg is not the only “Model Millionaire” in this story

This might be my overthinking or over-analysis of the story but bear with me.

Oscar Wild through his cheeky narration and the expressions from his character tries to create a picture of a pragmatic life we human beings live. One must earn money to live in the society. But that is not the only thing which will define him as a model man as an ideal human being.

Baron Hausberg while having loads of money is rich in morals too. He appreciates Hughie’s act of kindness and returns that kindness with the same spirit. The materialistic wealth does not pollute his mindset. That is what makes him the “model” one. Baron Hausberg is the obvious model millionaire of the story, but you must appreciate that the word “millionaire” frees itself from its association with only money. That is exactly what the wordplay between “millionaire model” and “millionaire model” conveys. Being rich was never only associated with having loads of money and possessions.  

That is why Hughie is also a “model millionaire” thereby “a model rich” person. Hughie’s intent to help the helpless people even in the case of not possessing any basic wealth shows his richness in humanistic values. It is just that our mind is not ready to define Hughie as a rich person because the concept of being rich is mostly bound by the quantification of materialistic possessions. Emotional awareness, intellectual awareness, and proficiency in communicating the intangible things are also another versions of wealth.

Talking about the proficiency in communicating the intangibles – Alan is also another “model millionaire” of the story. He is rich in life. He knows how to identify a high spirited yet worthless (by societal definition) person like Alan and befriends him. He can also capitalize his intangible art through painting venture. He respects the labor he has to endure to translate intangible aspects of life into physical reality. (Imagine the reaction of an average art connoisseur when he/she sees a painting of beggar and finds out that the model was crazy rich person! At least from the description, that painting seems a masterpiece with an interesting backstory.) Even the last wordplay between “model” and “millionaire” portrays the artistic wealth that Alan carries.

Baron Hausberg despite being rich can only appreciate the art and is cannot create it (he can ask an artist to create it). Hughie too appreciates the worth of art but cannot create it. That is why I think Alan becomes the most balanced “model millionaire” of the story.

An “Aesthetic” Proof By Contradiction – Love, Kindness And Art Are As Important As Money.

Oscar Wilde in the writing of this short story’s opening establishes very practical aspects of life and the necessity to have enough materialistic possessions. In the beginning, Oscar makes it clear that intangible things like love, affection or good looks cannot solely help a person to meet the ends in this society. Hughie is a complete failure even though he is good looking and kind-hearted. Hughie has found true love and is ready to commit but that is not enough and practical for his future father-in-law. He knows that until and unless he does not get the hold of sufficient money, he will lose his love. Hughie also has two antiques as a legacy from his father but they are described as useless and non-liquid-able assets.

When we read through the event of Alan’s painting session with the beggar model, it is pretty much confirmed that even a seasoned artist like Alan (a person who is much closer to the art and similar intangible things than average masses) understands how important it is to sell the paintings to sustain his artistic profession. Oscar adds Hughie’s point of view in this scene to show that the sufferings of the beggar which brought him to this condition, his efforts to stand still for the painting despite being weak and old are as important as Alan’s painting skills, that is exactly why Hughie demands percentage share for the beggar model.

Alan is successful because he can translate his intangible skill of painting by selling paintings thereby into real money. It’s not because he is artistic or appreciates art. Hughie can appreciate a good art, knows what goes into the laborious process of its creation but doesn’t hold the skill that Alan has.  

Hughie also receives scolding for his extravagant charity from his love Laura. This also shows that pragmatism mostly prevails over intangible emotions.

And to comment on Baron Hausberg, he is the only person in the story who knows the importance of capital possessions, is capable of compounding them for the influence and power – I mean he is filthy rich and respects money. Otherwise, why would he commission a painting of himself as a beggar? He understands what he would become if he doesn’t have that money. If he truly wanted to mock the poverty and beggars, he would have paid some model for the painting assignment. He would not have wasted his valuable time in this assignment.    

Can you see it now?

Oscar Wilde first puts the mind of readers in the practical aspects of living a life. He establishes that emotions, art, love will not put food in your plate at the end of the day, you must go out and do something practical to earn money.

And then Oscar starts showing you the other side of the same people, same events which are fully in contradiction with what he had established as “practical and tangible”.

You will see Hughie getting rewarded for his emotions, kindness and act of charity. Only a fool who is poor will give all he has to another poor person but that does not happen here. Hughie knows what it means to be poor and helpless. It is Hughie’s empathy which makes him rich – a millionaire at heart. Oscar through Hughie’s character shows his readers that love and kindness are also the attributes of a true rich person. Hughie is wealthy by his character. (Hughie could have turned to some malpractices to get the money but Oscar does not inject this intent into the character of Hughie)

Alan Trevor is a kind of bridge in this story. Oscar Wilde developed Alan’s character in such way that he is a double-edged sword in this proof that there are other important things than only capital possessions. Alan can not only appreciate art but also create it and capitalize it. If we are to rank the millionaires by the balance between the possession of tangibles and intangibles in life, then Alan Trevor is the richest of them all. He also knows to identify and befriend kind people like Hughie. Alan has enough money, a skill in hands and company of good people like Hughie and Baron – the ideal and balanced wealth. (There are no ways in which Alan’s character would have become polluted – that is also why his character is the most balanced character of all- he knows ends of the both sides of the society)

Baron Hausberg intends to see himself as a beggar not because he is mocking the poor people, it is his attitude of attributing importance to things which are not money. Oscar Wilde attributes the wish of ‘a rich man to see himself as a beggar’ in a very conscious and artistic way. Baron wishing to picture himself as a beggar through a piece of art shows how much he values art when he is crazy rich. Again, the choice of modelling himself instead of some paid model is his artistic interest. He knows his reality and the depiction in painting will elevate the artistic value of the piece. Also, Baron doesn’t consider the Alan’s act of charity as an insult to his wealth which shows that monetary wealth has not touched his soul. (Baron Hausberg could have been an arrogant filthy rich old man, but Oscar did not projected him in that way)

It is funny how the story turns out in the end. The Model Millionaire is not just about how a good-hearted but helpless person like Hughie got rewarded for his act of kindness by a filthy rich person like Baron Hausberg. It also shows how different non-physical attributes like kindness, love and art equally contribute the a truly wealthy life.

That is where aestheticism come in picture and Oscar Wilde is hailed as ‘the Father of Aestheticism’.

The dictionary definition of aestheticism goes like this:

“A late 19th-century European arts movement which centered on the doctrine that art exists for the sake of its beauty alone, and that it need serve no political, didactic, or other purpose.”

There is this famous quote by Oscar Wilde

“All art is useless”

Oscar Wilde

I think it is an antiphrasis (the rhetorical device of saying the opposite of what is actually meant in such a way that it is obvious what the true intention is)

It’s not just art but its also about intangible things which the art tries to convey i.e., emotions of all sorts. You will realize that when we remove these art-like non-physical attributes from our lives even when we are materialistically filthy rich, that riches would be worthless. I think that is why he creates these contradictions in his story “The Model Millionaire” to show that the balance of tangible and intangible assets makes the person a truly wealthy person. Oscar Wilde fuses the importance of tangible assets like money and intangible assets like kindness/ love/ art through this story.

Oscar also makes a conscious effort to show this fusion through Alan Trevor’s comment on art and manual labor.

In simple words,

What good is being nice if the man has no money to achieve what he desires?

What good is money if the man is not nice?

An extremely emotional poor and an extremely insensitive rich person both are the wrong ends of the reality.

I mean, if Oscar really meant that art is useless then it is literally useless of him to contribute to the prosaic artistry through his writings. He was just messing with our head to prove the importance of the given thing by showing the effect after its absence. It is indeed one smart trick!    

Lifelong freedom for an hour

The societal construct, the men and even the women in society have created certain conditions where other women receive false freedom. This false freedom facilitates women to deliver benefits to society but somehow the society is not liable to return the favor back to these women. That is exactly where feminism becomes important. Kate Chopin’s short story called “The Story of an Hour” gives us a glimpse into what sacrifice and freedom means for a woman. This short story is summoned to be one of the important and earliest pieces of the feminist literature.

The ideas of feminism from Kate Chopin’s short story “The Story of an Hour”

Inception of feminism

Kate Chopin’s short story called “The Story of an Hour” gives us a glimpse into what sacrifice and freedom means for a woman. This short story is called as one of the most influential and early parts of feminist literature. It shows how women in those times sacrificed their freedom under the influence of the society just to maintain and continue the system as it was. People (still today) say that ‘it is very difficult to gauge what is going on in a woman’s head’ or ‘it is very difficult to know what a woman is thinking’. Kate Chopin’s ‘The Story of an Hour’ gives us a peek into a woman’s mind when she is allowed to think what she wants to think. Physical freedom is one part of freedom but mental freedom is the truest form of the freedom, I would say.  

The story of an hour was first published titled ‘the Dream of an Hour’ in Vogue magazine on 1894 later it was republished as ‘the Story of an Hour’ in 1895. We will see why and how this short story represents feminism in its truest form and possibly in the most misunderstood (compared to the modern interpretations of feminism) ways.

Summary

We come to know that Mrs. Mallard is a heart patient who is about to be informed about the news of the death of her husband in a railroad accident. Her sister Josephine and Mr. Mallard’s close friend share this news with her. Mrs. Mallard is obviously sad hearing the news of the demise of her beloved husband. She then teams with some moments of solitude to handle this sorrow. Where she suddenly realizes that she could be free now as she won’t be under any obligations from society and her husband. She feels her rebirth and onset of new life with absolute freedom approaching towards her. She wants to cherish this realization of freedom in her room alone for some moments but suddenly she notices that some person has arrived on door. Upon the request of her sister, Mrs. Mallard goes to see the person at the door and founds that the person is Mr. Mallard – unharmed and alive. She dies in the shock. Doctors diagnose her death due to the heart attack from extreme joy.

Life of the author – Kate Chopin

Kate Chopin was born on 8 February 1850. When she was just five years old, her father died in a rail accident. Her mother was the second wife of her father. In 1870, she got married and had six children in the period of 1871 to 1879. Her husband died in 1882 from malaria and left a huge debt on her head equivalent to $1.27 million in today’s valuation. She worked her ways out to bring the business back to life which she sold after two years. Her mother died in 1885.

Kate became depressed with sudden loss of her husband followed by her mother. Her friend Dr. Kolbenheyer suggested her to use writing as a therapy, a way to vent out and express her emotions and as a way to sustain income.

The most important novel published in 1899 by Kate called “the Awakening” was very controversial and scandalous to those times due to unacceptable feminine point of views.

As her writings were considered controversial, Kate much more resorted to short story writing. She died on 22nd August 1904 due to stroke.

Realistic fiction

The genre of Kate’s writing is a realistic fiction. Where the setting of the story is intended to feel realistic. The characters have all human limitations, practical interactions and nothing is stretched out of imagination to feel unreal, inorganic or magical. You will see Kate’s own life is reflected in her writings. People say that one can trace out her whole biography through her writings.

Now let us understand the Story of an Hour.

A woman’s whole world – her husband (?…)

Mr. Mallard’s death in railroad accident is drawn from the death of Kate’s father who exactly died in rail accident. She starts the events in this story from the point of view of her mother in a way. Kate was one of five children her father had and she too had six children. In a way, she resonated with her mother who was responsible for taking care of children. That is why she starts the story with the death of the husband in a rail accident to establish the connect between how her mother would have felt when she heard the death about her husband – Kate’s father.

She thus considers her mother as one powerful woman. Please note that after her father’s death Kate spent her days with her widowed mother, widowed grand mother and also widowed great grandmother who never remarried. Her use of the father’s death in rail accident is actually a setup used to link the emotions of her mother in this story.

“She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance.”

One will only appreciate the depth of this sentence when they are told about the situation of three generational widows Kate grew up with. The ability of Mrs. Mallard to accept the consequences of the death of her husband is thus the reflection of how her maternal side handled the consequences of the death of the man of their house.

A woman feeling helpless after the death of her husband is the most acceptable reaction even today but Kate’s protagonist not reacting in that way was the first shock to the society of those times. It’s not like she went paranoid and numb due to shock from the news of her husband’s death. Kate’s choice of words in this sentence hence is very deliberate.

Please understand that there is no way to indicate that she hated her husband throughout the story.

So, the initial setup and reactions of the protagonist are Kate’s ways to show that a woman’s life was never only limited to her husband. You should also understand that after her own husband’s death, Kate was burdened with huge death incurred from him. Getting out of such death surely might have made her more practical and objective. That is also an important reason which shows how her protagonist reacts to such news in a practical way.  She understands that it’s huge loss but she also knows that her remaining life is standing in front of her.

Painting the scenery of freedom

The elements used in the early setting of the story ensure the successful impact Kate leaves on the minds of the readers. She gives just enough information about the weak heart condition of Mrs. Mallard and surety of sources for Mr. Mallard’s death in the rail accident.

Then the story solely focuses on the protagonist of the story – Mrs. Mallard.

Mrs. Mallard now submits to solitude in her room. Each and every description of events and objects used hereon by Kate are very deliberate to reflect how the mind of Mrs. Mallard is reacting to the realization of the loss of her husband. She is yet to understand the freedom she is about to enjoy but how she come to that realization of freedom is one such “brain-candy” for the readers. They are not given direct explanation on how the protagonist is feeling rather they are made to feel the exact emotions of the protagonist. That is the beauty of Kate’s writing. She creates a portrait of a scene which readers enjoy interpreting.

So, here goes the scene, every sentence in this story hereon is one hidden urge of every normal human being but especially a woman here:

“She would have no one to follow her”

– indicates a person’s longing to leave life on their terms and without the judgments and prejudices of the society.

“- trees (in the open square) that were all aquiver with the new spring life” 

– indicates a new beginning full of hope, a restart to living life without restrictions

“- the delicious breath of rain was in the air”

– indicates that even air was seeming tasty and ready to sow new beginnings. It is that extreme joy which was buried deep down which got the chance to come out which is making even the air “delicious”.

Please understand that this joy is not the effect of the death of her husband and many readers always connect wrongly. It is innocent joy of the upcoming realization of freedom – just realization -the real freedom has not achieved yet. Just its realization is joyous, imagine what would real freedom would do to our protagonist!

“a peddler was crying his wares”

– indicates high importance given to general and normal phenomenon.

What does a street seller do? He screams, calls out the items he sells. There nothing exciting in it.

But when you are full of joy and excitement, even a mundane, normal thing feels like a happy, jolly event.

Mrs. Mallard noticing such normal activity out of all the beautiful things is the indication of what it really means for her to realize freedom. Kate would have dropped the moment of Mrs. Mallard noticing the peddler but she injects the realism in the fantastical, fanciful feeling of freedom for a woman. (Kate would have made unicorns dance on the streets for Mrs. Mallard but that totally destroys the realism and sincerity and thereby seriousness of the emotions of the woman. That is Kate Chopin for you! It is cinematic – feeling-wise but completely real from observational POV)

Mrs. Mallard noticing a distant, faint son with twitter of sparrow shows how she is now receptive to even a small joyous event. You should understand that when a person is sad especially depressed even the happiest thing in the world can’t make them happy easily and reverse is also true. When you are truly happy your brain will notice even the minuscule events of joy around you.

“The clouds piling up in the sky” is used to show the readers that the emotions Mrs. Mallard had seemed like her life itself had become a beautiful scene nature has painted itself.  

The objects and emotions used to express emotions of the protagonist in this scene by Kate Chopin actually show the innocent nature of freedom the woman was longing for. The happiness is not due to the death of her husband. Only a fool will assign this happiness of Mrs. Mallard to a devilish attribute as the protagonist had no hatred towards her husband. Just for a moment the woman has detached herself from the definitions of the society, she got to experience this moment only when the news of Mr. Mallard actually detached her from the obligations of the society.

The readers will clearly appreciate this in the next moments of the story.

Repression and Sacrifice

Kate Chopin very carefully presents the emotions of her protagonist. She has made every attempt to clarify the feelings of freedom Mrs. Mallard are not devilish. She justifies feelings of happiness for the freedom and the feelings of regaining the control over the course her life for a woman in a pretty convincing and real way. The efforts made are sincere and pious.

 “-as a child who has cried itself to sleep continues to sob in its dreams”

It shows that the sorrow has impacted Mrs. Mallard very deeply. She is surrounded by various types of feelings. It is this turmoil of different emotions and you are confused about how to label certain type of emotion you are trying to feel out of it.

What happens next is – I would say – the core of every woman’s multifaceted feeling. The beauty of Kate’s writing here is the ways in which she tries to portray the innocent longing of a woman for her freedom. The readers should think with clear intent with no prejudices to judge the feelings of Mrs. Mallard here.   

“There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air.”

The cautious use of words here is phenomenal! She describes the feeling approaching the protagonist. Its like it was not born from inside, its like the protagonists didn’t intend to “feel” that feeling. The sounds, scents and the colors portrayed in the painting of happiness that Mrs. Mallard was experiencing were just the surface. Something different was hidden behind, buried deep down in that happiness. The sounds, scents and colors were just the mediators of these emotions she intentionally didn’t want to feel. The sentences presented here by Kate to the readers are meant to show the feelings intentionally buried deep by her protagonist.

The protagonist had killed her ambitions wishes so deep that now these feelings were completely strange for her. She had denied these feelings initially just for the sake of the betterment of her family and society. What society considered as wrong, she silently accepted it as wrong even though it may compromise her ambitions and wishes. This is a subtle reference to how a woman suppresses her emotions for the betterment of her loved ones.     

“She was beginning to recognize this thing that was approaching to possess her and she was striving to beat it back with her will – as powerless as her two white slender hands would have been.”

The feeling approaching Mrs. Mallard is explained in a way as if some devil is trying to conjure her. It is very important decision taken by Kate Chopin to indicate that how even the fundamental feeling of freedom for a woman of that time was considered as a sin. She tries to reject the freedom for the betterment of the society, she sacrifices, kills her growth, aspirations and toils for the success of the others on such an extreme devotion so that it becomes her second nature. That is why when she thinks for her well-being, society labels it as a crime. Then she also accepts that reality and remaining powerless she succumbs to this monstrous way of the society.

The third person characterization of the feeling of freedom in the form of devil is intentionally used to show how the society has devalued even the fundamental emotion of freedom for a normal woman to rock bottom.

Today this will not seem like a big deal, but the time when this story was published Kate Chopin made an attempt for women to feel free from the deep rooted traditional patriarchal setup. It makes others understand how women were forced to suppress their wills and wishes, how the societal structures undervalued them and at the same times it makes the women realize that what feeling they are having are in no way bad, there is no way to suppress such feelings of freedom.

“free, free, free!”

Kate points directly to what a woman actually misses when she has lost her true identity. She misses her freedom. Freedom to decide the course of their own lives is the fundamental right of every person. Its not just about women, but Kate’s attempt here is to make others understand how women were more exploited due to the societal setup of that times. As she herself had gone through such experiences she was successful to pen down these feelings to her readers.

“She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and grey and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome.”

Kate wants readers to understand the purity and innocence of the emotions her protagonist has. It’s not like she longed for freedom because her husband treated her badly or tortured her. Rather Mr. Mallard is shown as a kind and loving husband here. His own wife thinks so; what other proof do you need?

Mrs. Mallard was sad for the loss of her loved husband. But at the same time, it was the societal construct which restricted her from deciding the course of her own life. Death of her husband exposed this flaw in front of everyone. That is exactly why she misses her husband but also understand that this is the how she can be truly free – the pressure from society is released through the death of her husband. It’s not like she despised her husband but his death definitely exposed the cruel construct of the society created to limit the feminine potential.      

It is human nature, we always need a pivot to judge something, understand something. When we are shown a picture as a good, we love to interpret exactly opposite of this picture as the bad one. It is basic flaw in our general thinking to attribute opposites two separate parts, good and bad. In alignment of same thought, if a woman desires to become free general thought goes like this: if she wants freedom then she would not need support of others, she can do things on her own, it is just the society that is suppressing her, she can do all things just like men do. This is the moment where the modern feminism starts losing its core – the tender yet powerful feminine emotions. There are countless examples in modern feminism where women are trying to prove the point by doing exactly what men do. This is the part from where the feminism starts losing its real meaning.

Kate made a successful attempt to define what is the meaning of freedom for a woman. Giving woman her freedom will surely not make her not care for her loved ones – especially the male loved ones. In the end, women are more capable to nurture love and affection. Freedom to do anything in their ways will not steal the femininity from women – that is where their real advantage lies. That is the core of feminism lies I would say. It is not about doing what exactly men do to prove the point. It is about equal exposure of both men and women to everything the nature, the life has to offer. Feminism was never about competition to catch up with the privileged masculine gender. It is about the freedom to decide and preserve one’s identity especially women.       

“There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature.”

“She would love for herself” is not just a simple set of word to describe the value of freedom for a woman. It also shows how many sacrifices women make to let others around them grow. Please note that it’s not only the men who keep on impose their own will to suppress women, there are other women too who try to force their wishes on such women. That is exactly why Kate has both men and women for the down fall of such women. So, it’s not fully about patriarchy only, it is about whole societal construct. There are many good examples where women themselves were responsible for the suppression another woman. Kate consciously, deliberately wrote these sentences along with the concept of “a private will” to show that only men are not to blame. Many people especially highly celebrated feminists miss this point. But there is still hope given that this clarity was already there when the concept of feminism was in its inception which is somewhat comforting for humanity. Kate is not pointing towards certain gender for the downfall of a woman, she is suggesting a reform in the mentality of both men and women thereby whole society.

“And yet she had loved him – sometimes. Often she had not. What did it matter! What could love, the unsolved mystery count for in the face of the possession of self-assertion which she suddenly recognized as the strongest impulse of her being!”

“Free! Body and soul free!” she kept whispering.

This is the most important part of the Kate Chopin’s story. It is the moment when her protagonist understands what she gave up when she loved her husband. She gave up her true identity, her freedom. It’s not like she received something in return for such sacrifice of her identity. That is why the gain of fundamental right to freedom becomes more important to a woman rather every human being. Kate thus also establishes that the real love will not demand the challenge the fundamental nature/ identity of a person, rather it should elevate such aspects. That is why the freedom after her husband’s death becomes heavier than the love she had for him, because she lost her identity in that process. Please understand that it’s not limited to women, men may also go through similar emotions. It is just that women are more exploited in such emotions.

The tragedy

After going through all these feelings of freedom, Kate decided that she will trick her readers into a tragic end for her protagonist Mrs. Louise Mallard. The confidence she built in reader of this story in the early part of the story is revealed to be a misinformation. Mr. Mallard knocks on the door unhurt, showing no sign of going through a deadly accident. In that shock Mrs. Mallard dies from the heart attack (a heart attack due to an uncontrollable joy as the doctors in the story diagnose)

It is the magic of Kate’s story telling which shows what she actually thinks for the women in society especially women of her generation. She has very less hope for the empowerment of women, women like her to be very specific. That is why she has inserted this tragedy in her story. This tragedy is a metaphor for her low hopes for society to change to grant women their fundamental right to freedom. (Luckily that is not the reality today)

The death of Louise is in a way the indication that if society denies the freedom for a woman, then the only way she can have her freedom is by embracing death. Death is better that such societal imprisonment and repression. This is very serious but goes unnoticed many times in this story because there is no way everyone will understand and appreciate the seriousness of this tragedy. One has to either go through or closely observe such instances. For the times of Kate death was the true freedom for women.

Whether Louise died from happiness or not is also the most misinterpreted part of this short story. There is no medical evidence to prove whether a person’s heart attack was a result of extreme joy or sadness. At least there wasn’t any at that time. The doctors in the story might have guessed joy as the reason for heart attack due to the happiness Louise was experiencing when she realized her freedom. The joy was so certain and long lasting for her that she had no time to react to the shock of the news of Mr. Mallard being alive. It shows how feminine emotions, ambitions will always remain misunderstood to the mainstream society. That is the real tragedy of the story.

Feminism – Freedom and respect for everyone in the end     

Man is born free. Freedom and human being are two inseparable concepts. Many great people in history have sacrificed their lives, spent their precious lives to make others free. Freedom both physical and mental is one important aspect of every person’s identity. Freedom enables a person to have their own way of living the life, nobody can force others to live their life in certain way.

So, when we define freedom as the ability of people to do anything they want in the ways they want, we end up in a peculiar dilemma – a paradox. If a person is ‘influenced’ by his surroundings to make a choice in certain ways, will it be called as the true freedom? On surface you will see that the person him/herself is the one making decisions and taking actions in their own ways; So, it seems to represent the freedom. But when you understand that so called ‘free’ person was influenced by his/her surrounding to take certain course of action in a certain way the word ‘freedom’ feels like a misnomer. Even though the person was free to take any action, the action he/she took was under an influence rendering the meaning behind “to take any action” useless.

When such freedom to take actions is unknowingly influencing the subject, it can be called as a false-freedom but when the person knowingly takes the same action even when they know that they are taken due to the influence of the society then it becomes a sacrifice, the person undergoes repression. This is a conscious sacrifice made by the person to maintain the order in the system. A sacrifice made by this person of his/her own freedom. When this sacrifice is fully voluntary decision, it is rarely accounted to be valuable because very few people truly understand what it means to be free. The more indirect the influence the more people feel free.

That is exactly where feminism becomes important. The societal construct, the men and even the women in society created certain conditions where other women receive false freedom. This false freedom facilitates women to deliver benefits to society but somehow the society is not liable to return the favor back to these women. This exactly what is wrong with the conventional societal construct. This renders the sacrifices made by women useless. No wonder why modern feminism sometimes focuses on doing exactly what men do to prove the point. That is why the ideas, emotions presented by Kate Chopin through her short story ‘The Story of an Hour’ are very important.

A Story of the Fly and the Grieving Men

Katherine Mansfield’s short story called ‘The Fly’ shows how the loss of loved ones, especially young men in World War created a deep feeling of grief and loss among the surviving people. On surface the story may portray the melancholy of the loss of young generation but deep down it is the story of how ‘manly’ men always bypass the stage of crying out loud to express that grief. This grief brewing inside men is carried over to next generations in the form of cruelty and oppression.

Katherine Mansfield’s short story The Fly

Loss of the loved ones

Loss of loved ones is one emotion which is very difficult to articulate, express. It is very personal, subjective. Every person is a world in themselves and when such a person is lost a complete world is lost. Now the memories, moments associated with that person is the only real link which remains. It is this sad emotion created where most of us are clueless as to how to fill this void. People express these complex emotions of loss in many ways. Expression, communication is one important part of how we interact with each other and help, support each other during such difficult times. Even though other person’s sadness due to loss of their beloved is difficult to comprehend we know when to support them by understanding their behavior and expression, the way they communicate this grief, the way they behave.

But what about the people who very skillfully hide such sadness of loss of their beloved ones? If a person who is deeply hurt by the loss of their loved ones is not even crying or showing any signs of misery, anguish, hatred how would people console them, how would you console them? Superficially it looks completely non-human behavior as emotions and human are two inseparable words. People having such deep inexpressible grief have different way of coping mechanism which eats them from inside and may also affect the world and people around them negatively unknowingly.

Katherine Mansfield’s short story called “The Fly” focuses on an age-old father’s strong grieving emotion of loss of his beloved son in World War 1. The story is very symbolic and different readers have different takes on the central idea of the story hence the story has become highly important short story in modern times. People attribute the fly to the story of war, death, loss of young generation and the demonstration of cruelty which lead to the loss of innocent young people pushed in such wars who actually had nothing to do with it directly. What this short story delivers in the end is very poignant.

The Fly – The story

The story shows two old friends discussing general events in their life over a whisky. Mr. Woodifield is a person who has suffered a stroke and is retired – delicate health-wise. The Boss – 5 years older than Mr. Woodifield is a rich person handling a big business. The Boss is bragging about the renovation of his office to his friend Mr. Woodifield. Mr. Woodifield is happy that he got to drink the whisky as his wife and daughters would not have allowed him to do so. The Boss is showing him all new carpet, furniture, electric heating system and decoration. While showing this, the Boss has made sure that Mr. Woodifield’s attention would not linger over the photograph of a boy in the uniform. (Later readers understand that the it is the photograph of the Boss’s son who died in a war six years ago) Feels like even the Boss is purposefully ignoring his late son’s photo.

In the heat of discussions and drinks Mr. Woodifield brings the topic of his daughters’ visit to the World war soldiers’ cemetery in Belgium. He tells the Boss that his son and the Boss’s son both are buried quite closer to each other. Mr. Woodifield expresses a happiness of relief as expressed by his girls that at least the places where these sons are buried are well maintained, full of flowers and have broad path. It is way of saying that they were resting in peace.

The readers are made aware that the Boss had planned and made every effort to handover his big business to his son. He was very proud of how his son was capable to continue his legacy and his son was also appreciated among his business people. But the war snatched his son away and all his dreams shattered.

The moment the Boss hears the information about his son’s burial place he gets disturbed internally, as if he has lost the track of his surroundings. And before coming back to the reality Mr. Woodifield has already left the office. Now the Boss is alone in his cabin, he tries to express his grief which he had dumped deep below but is surprised that he couldn’t shed single tear.

In this moment the Boss sees a fly trying to escape from the pond of ink bottle kept on his table. The fly is trying hard to escape from the slippery bottle but is failing repeatedly. The Boss picked up the struggling fly with a pen and put it in the blotting paper. He sees the fly making efforts to dry itself to fly away and at this exact moment he becomes curious about the fly’s attempt to remain alive. He drops an ink-drop on the fly just to see what the fly does next. The fly doesn’t stop its efforts and tries to dry itself and fly away. As the boss goes to drop the third ink-drop while ordering the fly like a military officer to “Look sharp!” the fly gives up and dies.    

The moment boss throws away this dead fly out of window he feels a deep void in himself but soon overcomes that feeling and orders his assistant to bring more blotting paper like a military general. The old assistant is confused about this extreme change in the behavior of the Boss.

Things War Offers

Katherine Mansfield – the writer of this short story lost her brother in World War 1. This loss of her brother is supposed to be the main inspiration behind her short story ‘The Fly’. The readers will notice that Mr. Woodifield’s stroke can be attributed to the shock due to loss of his son in the war. He is not shown openly verbal about his loss but the internal grief became so dark that it took toll over his physical condition. The highly ambitious Boss looking forward to introduce his son to his business also lost his son. Katherine has incorporated the characters in story very consciously. There are no young characters who are alive in the story except Mr. Woodifield’s daughters. Even the assistant to the Boss – the office messenger – Mr. Macey is portrayed as a grey-haired old person.

Thus, it is a way to show what was left after the World War ended. The youth was lost. Only helpless mothers and daughters, sisters and age-old fathers were left grieving for the loss of their love sons, brothers.  

The war may offer the victory and pride to the nation but it snatches the youth of the nation and the hope for the better future. It also takes away the meaning from the lives of its age-old population.

Readers will notice that Mr. Woodifield describes the grave of the soldiers in Belgian war cemetery having graves lines in “miles”. It shows the scale on which World war wiped out the youth.

The Struggles of The Fly – How Wars Destroy Invaluable Lives

Many readers and analyzers of the story attribute the struggle of the fly to escape from the ink-pot and ink-drop to the struggle of the Boss’s son in the world war. The Boss’s perspective for how his son suffered is representative of all the young soldiers died in the war. War leaders lifted these soldiers from one slippery pit and threw them to another one, while the bombs were continuously bombarded on them until they eventually died on the battlefields. The struggles of the fly to dry itself and escape are the struggle of the young soldiers on the battlefield.  

Real Men Don’t Cry – How Men Cope with Melancholy and Deep Feelings of Grief

On a first reading, everyone will understand that Katherine Mansfield tried to convey the concepts of friendship, loss of loved ones, dangers of wars through the short story The Fly.

 Another most important and least noticed dimension of this story is how men handle their emotions of sadness. Trust me the Fly is not just about the dangers of the War. It is also about how men always suppress their sad emotions just to portray their masculinity to the outside world and how these suppressed emotions get transferred onto the next person, object or entity as a completely cruel and oppressive behavior.

If your read the story twice, thrice and notice the gaps in the conversations between Mr. Woodifield and the Boss and the actions, expressions they are portraying in these gaps, then you will start to perceive the inner turmoil these two people carry in themselves for their deep melancholy.

Mr. Woodifield has already suffered a stroke which is the effect of him being unable to share his grief from the loss of his son. As the only remaining man of the family now, he should demonstrate strength to the society and his family. Crying out loud is not the solution, thus his is getting eaten from inside with his old age.

To portray that he has come out the grief of the loss of his son Reggie, Mr. Woodifield explains the visit of his girls to the Belgian War Cemetery like it was just a simple visit to some normal location in foreign. As if there was nothing special about it. Furthermore, to mask his grief he describes this graveyard as full of flowers and spacious. He is trying to tell the Boss that at least in afterlife their sons are in good place and closer to each other, but he is actually trying to console himself unknowingly. It is his mind that he wants to assure that his son is resting in peace.

You will notice the depth of his grief when Mr. Woodifield immediately changes this topic of War cemetery to the topic of high costs for a pot of jam in Belgium where his girls were staying during their visit.

Many men use same technique of instantly changing topic in the fear that the grief will break out in some way which others may take as a weakness. Trust me, men are masters of such drifts in their conversation especially in a man to man or friend to friend-to-friend conversations. Very rarely male friends will share the problems or feelings of grief with each other. They will talk about the whole world but not explicitly about their sadness. I think Katherine succeeded in portraying these minuscule yet significantly impactful but unnoticed behavior of men. A tornado is always building up in such grievous men but they are masters of hiding that too. No wonder people are surprised when they hear a lively and happy man taking his own life, who is later revealed to be very depressed.

The Boss’s handles his grief in totally opposite way. We see him as more powerful and influential than Mr. Woodifield and he thinks the same about himself too. You should notice that the event when he is showing the renovation of his office to Mr. Woodifield is the moment which he had planned for his son actually. The carpet, the furniture and the electric heater were all for his son. He purposefully ignored his dead son’s photograph during conversations. He was trying to hide the reality that his son died and renovating the office was one way to get closer to this illusion that his son lives. The illusion that at any moment his son will return to this renovated office and take over his father’s business. This breaks my heart. In a corner of his heart, the Boss knew that his son will never return but he still renovated the place in a hope of return. No wonder they say that hope is a dangerous thing.

The boss is so used to hiding his feeling and vent it out through crying. You can see this in the moment just after Mr. Woodifield leaves the office, when the Boss tries to cry but is unable to shed a tear.

The use of exclusively accessible whisky for enjoyment with his friend Mr. Woodifield is also a masking mechanism, a distraction cleverly used by the Boss to portray that nothing has affected him. Men will resort to infinitely many distractions than to explicitly express their sadness just to show that they are manly men.

The Brewing of the Inner Dark Storm

As the name of the story is ‘The Fly’ many think that the pivot of the story is how the Fly underwent death as the representation of how young people died in war and how their relatives got badly affected because of that. I have additional input on this point. The pivot of the story is the Boss. The death of the fly is just what he wants to happen with the other people around him as a helpless revenge for the loss of his son. What Katherine showed in the closing encounters between the Boss and the Fly are actually the depictions of how the suppressed and hidden grief, melancholy, depression in men actually gets projected out as a behavior of inhumane cruelty and unjustified- unending anger, anguish. They will never cry and release this grief but would choose cruelty to channel this anguish. That is how every war in history created new generation full of people hating each other. People especially men are really bad about sharing their sadness, feelings of grief and in many such cases they choose violence to channel out these feelings.

The way the Boss orders the fly like a military officer like “Look Sharp” or “Come on” is not addressed to the fly or not even as the reminiscence of how his son was ordered to fight in war while death dropping on him; actually, it is addressed to himself to remain composed while hiding his pain. The death of the fly here is not the representation of how his son died, it is actually how a part of the Boss himself has died – it is the death of the emotional and humane side of the Boss.

When men find it difficult to channel their grief into an emotional outburst, history has examples where we have seen them choosing the side of anger, cruelty and oppression.

Please understand that there are three different destinations where such grievous men end into. The first are already helpless so the grief eat them from inside, the second one and the majority choose the cruelty for expression and the third but very few succeed in expressing such emotions without guilt and receive help from the outside world.  

Melancholy in Men

Sadness is one important aspect of human emotions. In very crude way, sadness is an emotion expressed when things are not working according to one’s expectations. The word simply goes as ‘sad’ but the emotions which it represents are not that simple, crude actually. There are many reasons for a person to be sad and I see two different types of this emotion. When things are not happening up to your expectations, you become sad; you are sad that its not happening for you – I will call it “a selfish sadness”. You are sad because you didn’t win, you are sad because you lost that train and now, you’ll be late to your destination.

The second type is the sadness you have when the things don’t happen for the people you love, when the people you love are sad. You are sad because your people are sad. You want them to be happy. This sadness I would call as “a selfless sadness”.

A selfish sadness starts and ends with you so it is always in your control to get over this sadness. But, for selfless sadness the situation is tricky. It starts from you and it is always connected to the people you love, outside of you. When things are not in your control in such cases this type of sadness is deepest and the darkest one. Exposure to such selfless sadness in addition to the grief from the loss of loved one is a dangerous combination.

Katherine Mansfield, despite being a woman portrayed the details of how ‘manly’ men try to cope with the loss of their loved ones. They either succumb to the dark feeling and give up or they channel this extreme sadness into aggression and oppression of the weaklings, very few men successfully share their feelings and come out of it.

For me the condition of the fly is exactly how the world will be – oppressed and full of hatred if men won’t cry when they are grieving.  

Source for reading:

The Fly by Katherine Mansfield

A Bet Called Life

Anton Chekhov through his short story called ‘the Bet’ establishes important gifts life grants us. The real freedom is to neither let go of life with an escapism/nihilism nor degrade it through materialistic exploitation. The real freedom is the harmony between time, resources, practical curiosity and most importantly people around us. Life has possibilities to offer, it is up to us to live our lives on the spectrum rather than polarizing them to an ideology.

Anton Chekhov’s famous short story called “the Bet”

The good life is a direction, not a destination

Bruce Lee

Quick question! Would you trade 10 years of life for 10 million? There are two important parts of this question before looking for the right answer and only a fool would think that there truly is one good answer to this question.

The first part of this question is – what is the value of time we live through our lifetime? Say, a millionaire who is bedridden in his last moments of life is still unsatisfied with the plans he had for his life. Would he trade his money with extra time?

The second part is – if we live a life with no resources – money to meet the ends then what good is to live such life?

Now if we look out for subjective answers, the diversity in answers would surprise us (and that part is not surprising, because everyone has their own definition of a good life and a bad life based on the experiences they had)

Anton Chekhov – one of the most important short story writers wrote one interesting story called “The Bet” which makes the readers question the real intent of having a life and living through it till death. What kind of life is a good life – a short but resourceful life or a long but painful life?

Synopsis

The Bet is a story of two people – A Banker and a lawyer who in their young age fix a bet to decide who among them is right. The argument of the bet is based on the morality of a death penalty. Banker thinks that instead of making the convicted suffer for a long time through lifetime imprisonment, he should be sentenced to instant- immediate death. Life – long but with suffering is inhumane punishment. Whereas the lawyer thinks that taking life in any way is inhumane as humans do not have any power to restore the life back. Taking life slowly or instantly – both are inhumane but if these two are the only options, then the best punishment is to let the convict live; even though it will be painful but he still lives.

In order to prove validity of their arguments they decide a bet where the banker agrees to pay the lawyer 2 million if the lawyer undergoes solitary confinement for five years. In the excitement of the argument the lawyer agrees to 15 years of solitary confinement for 2 million. If by any means the lawyer escapes this confinement or tries to connect with any human being, he will lose the bet and banker won’t have to pay anything to him. The lawyer would get wine, smoke, books and a musical instrument but no human contact or newspaper or a letter from someone. There was only a small window to receive anything from outer world.

As the confinement proceeds the bankers becomes more and more nervous. He anticipated that the lawyer won’t even last for 2-3 years but the bet truly goes till its completion and in the meantime the baker loses most of his money where the 2 million he pledged is the only amount he has. He now knows that the lawyer – seemingly successful to survive through the bet will now have 2 million while living out of the confinement and the banker himself would be poor. He tries to kill the lawyer on the last day of his confinement where he discovers that the lawyer has actually renounced what he was about to win from the bet, he even distastes the life itself and seeks the ultimate salvation, freedom from life. The lawyer understands that even after reading these many books, these many stories, learning many languages the death in an instant can wipe out everything that can be created.

Next day, the baker finds out that the lawyer escaped the confinement as he had planned in his letter to purposefully lose the bet. The banker is relieved knowing that he still has hold over the 2 million which was his last capital for survival. To not let discussions catch fire he locks the letter of renouncement of the prize from lawyer in a safe.

Life – granted to everyone has majorly two aspects which are continuously deciding the course everyone’s life. One is time and another is resources.

Anton Chekhov can be called as the king of short stories where his philosophy of writing was focused on to present only what is necessary to convey the intent to drive the story further, nothing seems extra in his stories which make them highly effective short stories. All of Chekhov’s stories are based on common scenarios happening with common people, there is always some realism and non-fictional touch to his stories. And hence they always deliver a profound idea about what a life really is, what it means to be a human. You will rarely find a direct message in his stories, the natural reactions of his characters will show you the mirror. Anton Chekhov truly mastered the skill of mirroring the life through is short but highly effective stories. The Bet is one such masterpiece. Let us dive deeper into this story.

The Abundance

The Bet is a story of how one values their own life and other people’s lives. Chekhov smartly shows how abundance dulls, narrows and blinds the vision and opinions one has. The banker and the lawyer in their young age while arguing over the justification to punish someone by death of life-long imprisonment are indicated to be full of adrenaline and excitement. Even though they have not gone through such experiences they have firm opinions on such experiences. The lawyer and banker both have many years of life still left to spare which leads to such an absurd bet. The banker thinks that he has enough wealth just to spare for such a silly bet. Almost all the times, we are ready to stake things we have in abundance for a silly thing which would prove our beliefs to be either right or wrong. Abundance reduces the perception of value for things, time and even life. Lawyer and banker both were young when the bet was established. Great thing about Chekhov to appreciate is how he points out the behaviour and opinions of youth on almost anything. The youth seem to have strong opinions on everything even when they haven’t gone through those experiences or lived with the people closer to such experiences. The so called “hormones” make the youth think themselves as invincible – there is nothing wrong with that as it is what makes young people turn impossible things into possible but being in a simulation where there is no relevance to the reality makes the youth delusional where they take negative and life-altering decisions carelessly. Consider if this bet was set up between two beggars or two old men, its an impossibility. In both cases they are lacking time and resources/ money.

So, the starting set up for bet shows how in early young years abundance can blindfold the person from reality.

Banker wanted the punishment to be instant as it involves no suffering also shows how greatly he values pleasures and happiness in life. A painful life is equivalent to death for him. At the same time for the lawyer morality is more important, that is why he prefers gift of life in any form rather than the instant death.

“To live anyhow is better than not at all”

The Bet

And funnily or ironically, in the end after 15 years you will see the lawyer longing for the true salvation, you will see this in his letter when the bet is about to end where he establishes that whatever knowledge, experiences, money, resources one could have in their lives – the death will render all of those useless – a more nihilistic opinion.

“You may be proud, wise, and fine, but death will wipe you off the face of the earth as though you were no more than mice burrowing under the floor, and your history, your immortal geniuses will burn or freeze together with the earthly globe”

The Bet

The Solitude – Curse or Boon?

It is really interesting how Chekhov describes the lawyer’s voluntary solitary confinement. It’s like mirroring of how we as human beings go on the quest of understanding the surroundings, the nature and the society around us when we are left alone.

As the lawyer was alone and confined to himself only, in early years of imprisonment the lawyer felt lonely and depressed. This shows how we are mostly created by our surroundings. Most of the time we are what our surroundings are. We only start understanding ourselves when we try to define our existence from inside and not outside. This becomes accelerated and intense when one accepts the solitude in the place of loneliness. The journey to solitude for lawyer started with music and romantic, thriller fiction.

It is impressive of Chekhov’s writing to highlight how our mind tries to fill in the gaps when we are alone. When people are on their own with no outward person to person interaction or person to object interaction, they try to fill that gap of loneliness with entertainment, music, poetry, literature, addiction and what not. People who are unable to fill this gap are the truest lonely people, they always will long for company of other people to fill the void.

In second year, the lawyer became more silent and started writing for long hours instead of reading anything. He is angry with what he accepted just to prove his point but is helpless to change the course of the things. This is the stage where Chekhov sneakily establishes that even though entertainment may fill the void of solitude to some extend for a person, it will not stand the test of the time. The solitude makes the person to have thoughts inside them engulf themselves. Writing is one way to blurt out all that is going inside the mind of the person thereby consoling them that whatever was inside them is now physically outside, on paper. One peculiar observation about writers inserted by Chekhov here! When your thoughts try to eat you, devour you from inside, it is good to channel them outside through your creations, that is what is the basic characteristic of the greatest artists the world has ever seen.

Chekhov then describes the sixth year of the lawyer in confinement as the seeker of the knowledge. Again, the credit goes to the genius of Chekhov where he shows that when a person rises above his own materialistic existence, he seeks the understanding of the nature that he emerged from. When the person accepts his solitude then only his search for real truth begins. It’s like this solitude removed all the noise from his existence. The lawyer in solitude studying philosophy, languages and history shows the curiosity to know oneself better. Study of languages show the curiosity to understand and comprehend that which others had already said but your inability to hear restricted you to access that knowledge. Studying philosophy shows the urge to clear the clutter of thoughts going in the head, philosophy to some extent is the re-organization of what we think, how we think and how we decide our actions accordingly. Studying history indicates the ways to understand the reasons behind the present order of things, everything that exists in present has traceability to history which justifies the way things – traditions are perceived, handled in present.

From sixth to tenth year the lawyer studied the languages and mastered them like a commoner. It is very interesting choice from Chekhov to make his character study languages after studying some heavy fields like philosophy, history. It could have been science and technology but no, all the lawyer was interested in were the languages. Please understand that this is one of the most important creative choices made by Anton Chekhov.

When a person finds the truest, purest reservoir of knowledge, his search for anything greater than that ends there (obviously), the next stage for such enlightened person is to understand and find different interpretations of this pure knowledge.

“The geniuses of all ages and of all lands speak different languages but the same flame burns in them all”

The Bet

After completing ten years, the lawyer surprisingly moved to theology and gospels – the study of religion. It is surprising for a scholar who mastered six languages and deeply understood philosophy, history of humanity. Chekhov wants to highlight one important aspect of humans and their obsession with certain goals – destinations in life. When the destination people considered the most important thing of their life are reached, at that exact moment they become meaningless. The human mind becomes clueless after this event, whatever efforts they took to reach their feel worthless as if nothing in life was worth that or was worth that value. That is the moment when the person tries to detach themselves from all these theories, logics and philosophies. This is the moment when a person realises that there is totally different order and the entity which has designed this current order in which he exists. This is the person resorting to spirituality. When a person feels hopeless during continuous sufferings, purposeless even after achieving that important goal he desired for his whole life, spirituality becomes the last stop.

“A little philosophy inclineth man’s mind to atheism: but depth in philosophy bringeth men’s minds about to religion.”

Sir Francis Bacon

In the last two years Chekhov portrays the lawyer in solitary confinement as a the one who is drifting in the ocean of existence, he is on the verge of breakdown, he is sinking thus wherever he will find support he will cling to it. It is some sort of neurosis, especially the neurosis of the genius mind.

It is the true genius of Anton Chekhov where he shows his readers the journey to find the meaning of our existence, solitude intensifies the speed of this journey. And in the end, if one forces himself to understand the meaning of life in an absolute way, then he will definitely end up being the fool – the smartest and greatest fool the world has ever seen! Too much analysis, too much knowledge and too much logic can drain humanity from the person in a very tragic way. Even nihilism will look petty in front of such condition.

“A mind all logic is like a knife all blade. It makes the hand bleed that uses it.”

Rabindranath Tagore

The Time Vs The Resources

Please understand that major events in the Bet are flashbacks of the banker. And Chekhov has written these flashbacks as if the banker is regretting his decision of setting this bet. The banker knows that he has already lost the bet. He lost all his wealth during this time of 15 year and in addition to that peace of his mind just to prove some foolish point to some group of people.

You must appreciate how Chekhov manipulates the effect of time and resources in the bet. Through this manipulation, he shows significance of both time and resource/ money in human life and also the interplay between them. You will see that the lawyer had 15 years to build his upcoming life after successfully completing the bet. He was the victorious who would have had wisdom and wealth – he would have become practically invincible. But too much knowledge and time spent with books made him think about the worthlessness of life, as his mind was always fed with the simulations, experiences from the books he never got the hold of real-life experiences. This created a detachment from reality in his life experiences. Thus, it is not surprising that he considers the gift of life (which he was ready to live anyhow in the early time of the bet) as a worthless one as death can wipe it out in no time.

For banker it is totally different story. He was the one who was so sure about the future abundance of the wealth he would have had that the pledged money was nothing for him in the early years. The lack of knowledge and the abundance created illusion for him. When the bet was about to end, he was consumed by the idea of loss of his dearly 2 million. The banker even makes an attempt to kill the lawyer in secret to win the bet. The character of banker seems shallow right from the beginning of the story but we must not forget that he too is a human being. Before the setup of bet, the banker was of the opinion that a good life must be painless life otherwise the life should not be lived. But as the bet proceeds you will find the banker in the continuous pain and fear for the loss of his money. Even with this pain he prefers living though it. He chooses painful life now.

Let us understand one scenario, what if the banker went on to become wealthier and wealthier as the bet went on to completion. He would not have felt a single regret to let the lawyer win the bet. Rather the character of the banker would have definitely honored the lawyer for his willpower and genius that he had become during his solitary confinement. The “supposedly” wealthy banker would have humbly sponsored the lawyer for the rest of his life. But Chekhov did not let that happen with the banker’s character. This shows how we human beings set our ideals, our philosophy of life, our way of making decisions, our way of thinking and our motivations based on how we feel about ourselves. Our ideals or philosophy of life never take a moral guidance system – it rather follows the pathways of how we experience life around us and how we feel about it. A cold-blooded criminal will never feel regret for killing another human being and at the same time a sage will punish himself for losing his temper on a child who broke his meditation practice. Your calls for right or wrong are heavily influenced by how you feel about yourself, others come later.

So, it is really important to understand how we decide right or wrong. Most of the time these decisions are influenced by how we were feeling in that decision making moment.  

No wonder Chekhov shows mirror to his readers through his short yet highly effective writing.

 The Conclusion

So, we will again come back to the question we asked at the start of this discussion. Can 10 years be traded for the 10 million? If these 10 years were full of pain and suffering, one would surely trade them for the money. If these 10 years were filled with happiness, joy and fulfillment then 10 million would look worthless in front of them. This shows how foolishly we are trying to justify our lives by attaching it to a single defined destination. We are always forgetting the multitudes of spectrum our lives have. We always try to justify our life with a single event – good or bad and forget that this too shall pass. The profoundness of life allows us to define the life in every possible way, that is actually a curse and a boon. That is exactly why living life with the decisions we take is the biggest bet a person can play. Anton Chekhov shows this side of life through a simple bet between a lawyer and a banker.

Life will never be a single conclusion, it will always remain multifaceted, full of possibilities. That is why whatever call we take for the life to become something ahead is going to be new trick every time. When we discuss the quality and quantity of life, we are again ignoring the spectrum of endless possibilities life has.

Salvation either through the pursuit of knowledge or through the pursuit of resources – both are foolish moves to live a fulfilled life. Life will never associate itself to single adjective, single attribute, single absolute ideology, philosophy – otherwise it will become monotonous- mechanical – lifeless. You will see that so called “enlightened” genius lawyer in the end literally becomes mad and despises everything that life can offer – the same lawyer who considered living life in any condition is good than death when the bet was to start.

“To be overly conscious is a sickness, a real, thorough sickness”

Fyodor Dostoevsky

Anton Chekhov was the master of bringing two exactly contrasting ideas through the portrayal of realistic life. That is exactly real life is – full of paradoxes. That is what makes Chekhov’s stories so special.

“What a fine weather today! Can’t choose whether to drink tea or to hang myself.”

Anton Chekhov

Chekhov establishes these important aspects life granted us like the abundance of time and resources, the knowledge, the possibilities and pathways to self-discovery. The real freedom is neither to let go of life with an escapism/nihilism nor degrade it through materialistic exploitation. The real freedom is the harmony between time, resources, practical curiosity and most importantly people around us. Life has possibilities to offer, let us live our lives on the spectrum rather than polarizing them to an ideology. It is crime to let life take a side on a shore than to let it flow through the vast ocean of possibilities.

(There is a third part of this story which was not known to public for many years. In this newly revealed ending, the banker remained in guilt even when the lawyer had technically renounced the prize money by losing the bet. One day, the lawyer returned to the banker and asked for the money he won. The banker gave the lawyer the prize money in order to bring his mind at peace.)

Source for reading:

The Project Gutenberg eBook of The Bet, and other stories