Dune: Psychology in Science Fiction

Our identity is heavily influenced by the surroundings we live in. A healthy understanding of the gap between ‘labels given to us by our surrounding’ and ‘what we consider ourselves at core’ defines how we perform, how we behave in given situations. Frank Herbert effectively used these ideas of human psyche in his Dune Saga. The antihero story of Paul Atreides indicates psychological ideas of cognitive dissonance, confirmation bias, and Pygmalion effect. It is interesting to understand how our minds are so sensitive at the levels of self and group simultaneously.

How Frank Herbert used human psyche in the creation of Dune’s antihero?

We saw how some fantastic philosophical ideas come alive in the character arc of Paul Atreides. The discussion hereon is the extension of the previous philosophical one, now we will dive deeper into the psychological aspects of Dune Part Two.

There will be heavy spoilers for Dune Part Two hereon!!!

Existentialism in Dune Part Two

As Paul gets more and more involved in the events on Arrakis with Fremen, he finds out what needs to be done, he finds clarity and purpose. He is renouncing the leadership in the early part because he does not know what to do with it. The moment he decides to become the Lisan al-Gaib, the moment he finds the purpose of his being, he gets the clarity.

According to Existentialism, there is no other meaning to the life but the meaning you give it yourself. Existentialism says that man is born free and can chose any actions to live but in the end he/ she will feel like they lived for nothing. They will remove this ‘existential angst’ only when they decide what they want to do with their life. The moment people consider themselves responsible for the events and consequences in their lives, take deliberate actions to achieve them that is the exact the moment where they find the meaning in life. Then everything, every action every decision starts to make sense. You feel like you exist for something.

This existential journey of self-discovery is exactly what we see in Paul’s journey to become the Mahdi. Avenging his father’s life becomes the ultimate goal of Paul in early moments but later on things take different turn. This is existentialism on personal level.

Fremen of Arrakis are the best example of existentialism in masses. The Fremen people are able to sustain in the hostile environment of Arrakis not because that is the only choice. They also have a strong belief, a hope that someone from outer world will save them one day and make their planet the Paradise, the Lisan al-Gaib will come to save them. Although Paul and Jessica know that it is a story properly planned by Bene Gesserit, although there are also Fremen who oppose this prophecy (Chani is one of them) still it gives them all hope, a reason to live for, a reason to survive for. Everyone makes sense of this prophecy in their own ways, their own belief systems.

Do you see what is happening here?

There is one group who is religiously putting their faith in the hope of the messiah for their survival and on the other hand there is a group who dismisses this idea and think that they themselves have to take care of their survival. The messiah will be one of them, not someone sent from the outer world.

We know what happens in the end. But from an objective point of view we see that people create there own perspective for survival. It doesn’t matter who was right and who was wrong in the end. What matters is whether is guaranteed the survival of Fremen. No wonder Jessica considers the artificially planted faith for Lisan al-Gaib among Fremen as an act of giving them a hope.

In either way, some sort of meaning would ensure survival of the Fremen.

The meaning of the life given to us is the meaning we assign to it.

The Prophecy – A Perfect Example of Confirmation Bias

The Prophecy plays key role in deciding the fate of key characters in Dune Part Two. Although we are aware that the prophecy a highly detailed plan to get the hold on Arrakis there are certain moments which fool us in believing that the prophecy might really be true. There is one justification for the correctness and validity for the prophecy. Somehow any powerful member from Bene Gesserit could have unlocked the exact power to see the future like Paul or Lady Jessica this person who could have seen the future and made this prophecy. We get no such signs in the narrative, but the story has enough resources and reasons to make it a valid point.

The event of Paul riding an elder worm, the worm stopping for Paul and Jessica in Dune Part One while crossing the dessert, Chani’s teardrop bringing back Paul alive (although she is manipulated to do that) are such events which confuse us when we try to reject the Prophecy. Either Bene Gesserit were too good to plan the people and resources for making the prophecy a reality or the person who made prophecy also unlocked the powers which Paul unlocked.

It is very interesting when Fremen come in one-to-one contact with Paul and Jessica. They are so influenced by this prophecy that whatever Paul may do, they attribute it to the prophecy. In early part at Sietch Tabr when Stilgar (who is one of the fundamentalists) is having discussion with the Fremen elders, we are given a hint of this strong Confirmatory Bias in Fremen, especially the fundamentalists.

Stilgar – I saw things.
Elder – Stilgar, your faith is playing tricks on you.  

This is an indication to how a blind faith could drive people into looking for signs and making sense from anything that supports that faith.

You must understand that, the existentialism makes life as a meaningless affair – we try to calm our mind/ our senses by assigning a meaning, a perspective to make sense out of the creation. Cognitive Bias lies on the negative extreme of such existentialism. An existence where we are only accepting the events, signs which support out beliefs. This also the transition region where spirituality is converted into pure religion. Stilgar is the perfect example of one such religious follower suffering from Cognitive Bias.

It is also very understandable for the people like Fremen who have nothing hopeful to live and nothing to pivot on, the idea of savior from outer world fuels them to continue the fight for survival.  

There is subtle hint that Paul may not be the only messiah that Arrakis might have seen. The Emperor in his discussion with Princess Irulan mentions Muad’Dib as “some new Fremen Prophet”.

Confirmation Bias is the prejudice where we try to accept the proofs which support our beliefs and reject those which don’t. Fremen people demonstrate such high levels of confirmation bias because Arrakis is the only reality they live in. People living outside the Arrakis like the emperor, Bene Geserit very well know that this is an intentionally planned act. And they very effectively implant such prophecies over the generations. It also shows how difficult it is to reject and go against the conventional beliefs especially the religious ones.

Did you ever have had an encounter with people who tell that this was already written in the older documents, scriptures? When we made certain scientific breakthroughs only then we are seeing them clearly mentioned in older writings, how is it possible? It feels counterintuitive but I would say going by the data instead of the intuition always helps to break such biases.

It feels against our mind because our mind only accepts that which will support the current beliefs. If the current belief gets falsified then our mind will start looking for another belief system which is much more like an existential angst – the existential confusion and the sadness that comes with it. If one meaning is falsified the mind must stick itself to a newer one otherwise life will feel worthless.

Image source: sketchplanations.com by Jono Hey

Cognitive Dissonance and Identity – What Makes Paul to Seek the Ultimate Power?

The confirmation bias is more powerful when it comes to the questions like ‘who you are?’, ‘what is your identity?’

Generally speaking, you are the best person who knows who you are (except your parents and some people close to you). What would happen if you are presented with the data, proofs which indicate that your parents are not your parents, your friends are not really your friends? They are just some paid actors (just like in the movie Truman Show).

Paul is portrayed as the Prince belonging to the House Atreides which is powerful and believes in fairness, justice, and the truth. The ideas associated with House Atreides support constructiveness, upliftment of those who are getting used for others’ benefits. Paul also strongly associates himself with these ideas even when his house is attacked by Harkonnens. He never tries to take advantage of the Fremen beliefs for personal gains. That can also be explained by one of the reasons he has to reject the Fremen Prophecy.

Then what makes Paul to accept this prophecy even when he knows that there are more proofs to reject the prophecy than to accept it?

It is when he knows the truth about his identity. The moment when he drinks water of life.

Upon understanding the ultimate truth, we come to know that Paul’s mother Lady Jessica is the daughter of Baron Vladimir Harkonnen. Paul understands that he is as Harkonnen as his villainous cousin Feyd-Rautha.

This is where his identity of Atreides filled with justice clashes with the cruel and much more powerful identity of Harkonnen. You can see him telling his mother that this is the way they survive – by being a Harkonnen.

When a person goes through such uncomfortable events where his/ her beliefs clash it creates a in harmony. These are the events where the person is confused about what exactly he/ she should believe in. As the early beliefs which were true for him, on which the person lived whole life were inherently false what defines him now?

Paul faces this cognitive dissonance about his identity. He himself is a Harkonnes – the Harkonnes whom he was considering the villains of his life and the lives of the Fremens.

What identity would Paul chose makes him the hero or the antihero in the end.

And Paul chooses the Harkonnen identity which make him the antihero. Please understand that he could have chosen a fair Atreides or Fremen ways to fight for the cause. The circumstances created around Paul supported him to become as ruthless as the Harkonnens. The Emperor and the great houses denying his ascension further fuel his wish to remain ruthless to justify the actions. The moment Paul associates himself with the Harkonnens, he justifies his urge for power as a valid one. Paul forgets his Atreides roots which could have made him the hero of the Dune’s story.

The Pygmalion Effect – Is Paul Really the Messiah?

The difference between a lady and a flower girl is not how she behaves, but how she’s treated.

Pygmalion by George Bernard Shaw

One factor in Paul’s journey to become the leader of the Fremen and ultimately the Emperor can be largely credited to the support system created around him. It is clear that he goes through many hardships and sacrifices to achieve his goal but you cannot deny the inherent public support he receives through Fremen. It only because of the support from the Fremen people you will see Paul build the confidence even though in Dune Part One this was the exact person who tried to deny future leadership in front of his father.

How a person refusing leadership of his own house later accepted the leadership of the most controversial group, that to in very adverse conditions? Leading house Atreides was Paul’s birthright, an easy one. But, leading Fremen in clear opposition of the House Harkonnen, the emperor and the great houses was one very daring act to follow. What gave him all this strength?

The answer is – Pygmalion Effect

In psychology, Pygmalion Effect is the effect where high expectation from a person lead them to perform highly and effectively even in adverse condition.

Pygmalion word comes from the story of a Greek sculptor called Pygmalion who falls in love with his sculpture so much that the statue comes to life.

It’s like worshiping the rock can make it a God which could ultimately is believed to fulfill wishes.

The Bene Geserrit propaganda very smartly takes advantage of this idea. They create such support system around Paul which create one powerful leader in the universe who in his early life was not considering himself worthy.

Pygmalion effect highlights how the environments in which we live, how the people around who put their trust in us can boot our performance. According to Pygmalion effect, if a high performing person can deliver poorly if the environment and people are not supportive, it also is true the opposite way, any low performing person would deliver exceptionally when he is trusted by the people and the environment around him.

Pygmalion effect is also known as Rosenthal Effect in psychology.  Robert Rosenthal and Lenore Jacobson conducted a study on classroom students where they found that the students who are inherently reinforced to be the smarter perform better whereas students who are told that they are worthless already show under-performance.

Pygmalion effect shows us that we internalize or identity based on the surroundings we live in. No wonder they say that when you want to be a great man be in the company of great people. This internalization of or beliefs lay the foundation of our performance. That is exactly why so many Fremens believing in Paul gave him the power to stand against the Harkonnens, the Emperor, the Great Houses – entire Universe.

This is exactly why Pygmalion effect is highly associated with the self-fulfilling prophecies. The declaration of such prophecy irrespective of the knowledge of the future conditions people to create ways for such prophesied person; the person who show some signs aligning with the prophecy gets a boost which ultimately follows the prophesied path as the environment now completely supports that path – that is the path of least resistance leading to the glory.

Supporting environment creates high performers

Paul could have chosen another path to fight just like Chani chooses in the end but the Pygmalion effects kicks in, leading him to become the antihero – a high performing powerful antihero.    

You should appreciate that Pygmalion effect also shows how the opposite and downgrading environment will create a villain. A famous and itching question can be answered using this explanation. If baby Hitler was killed way before, would it have prevented the occurrence of the future world war? The answer is – NO. The conditions were developed in such way that even after killing baby Hitler someone else would have risen among that much hatred who would have led to the end effect, the name would have been different but the acts would be roughly same and inhumane. That is why our environment is an important part of our identity, even if the environment is hostile, what we consider ourselves at the core is equally important.

Nonsupporting environment creates low performers

(You can see that, even in adverse nonsupporting conditions of cognitive dissonance and identity crisis, a person can chose to remain good, can choose one identity over the other. I have discussed such scenarios in pop culture before. Read more about that here.) 

The Prophecy – Does ‘Free Will’ Really Exist in Dune?

The identity which Paul chooses after a cognitive dissonance about his origin and the Pygmalion effect from his environment make his the prophesied Lisan al-Gaib. Now it feels like it truly was the plan all along. This goes against the idea of free will.

Existentialism is based on the idea that as man is born free. It is in his mind, his responsibility to assign the meaning to his/ her own life. The ways and reasons for which Paul consistently rejects the prophecy is because he knows he is not ‘the one’. He knows that he is the son of Leto Atreides and should avenge his father’s death, hence his only purpose was to use the ‘desert power’ to defeat the Harkonnens and the Emperor.

Paul despises everything that is connected to the Prophecy. It is his interest in Fremen people and purpose of completing the vision of his father which drives him into becoming one of the Fremen. You will see Paul rejecting the idea of him being the Messiah in the early discussions with Chani.

The creation of prophecy and instilling the faith into Fremen for Paul indirectly always pushes him into doing what is expected. Paul never makes any decision out of the box. There are chances where he could have created other opportunities but the people around him, his blind followers could never let that happen. Paul is center of attraction for everyone that is why he is always bound to do what they want, otherwise he knows that he will lose that advantage and desert will immediately consume him like any common outsider. The advantage of being the center of attraction of your followers is that your followers will justify your every action; But in the end, you will also be bound to their expectations.

The powers of Bene Gesserit to manipulate people to do what they want, the unfolding of events leading to the war during the Fremen rebellion against the Harkonnen, the necessity to prove injustice with Leto Atreides to the Great Houses ultimately make the realization of prophecy possible.    

That is exactly why Paul gets tied up in the expectations of Fremen, his own self-respect and his own duty as a son. He knows he can avoid this path but chooses that path because that is how he will have ultimate power.

On the other side you will see Chani, she is fighting the same war but can chose her own ways to accomplish that goal. Remaining out of the focus of the religious followers gives her more freedom.

Lady Jessica also falls victim to the prophecy. Stilgar informs her in Sietch Tabr that if she doesn’t become the Reverend Mother she would have to die and Fremen people won’t save Paul. Even when she knows that the prophecy is false, she accepts it as a way to get things done according to her wishes. But again, the pressure from the faithful Fremen followers force her to follow the prophecy. Things doesn’t go right for her in the end. Lady Jessica also faces the cognitive dissonance like Paul about her origin as Harkonnen and chooses the predefined path of being the Reverend Mother.

One must appreciate how Frank Herbert created the story of Dune where the psyche of person drives the narrative. Frank Herbert was heavily influenced by Carl Jung’s archetypes and Dune reflects those archetypes. Dune also gives the psychological justifications behind the blind hero worship through some important character arcs.

It becomes very important to notice our end goals and whether our surroundings, our people are supportive of that. We as humans, are the beings of infinite capabilities, what we consider ourselves internally at core becomes very important in the end. Otherwise, the world is already prepared to overwhelm us with its preconceived notions of living a life.  

References and further reading:

  1. Confirmation bias sketch from Sketchplanations by Jono Hey
  2. Cover Image by Johannes Havn from pexels.com
  3. Dune: Philosophy in Science Fiction
  4. The Pygmalion Effect: Definition & Examples by Ayesha Perera on Simply Psychology.org
  5. The Batman- The superhero who ‘unlearned’ – Journey of a person through cognitive dissonance
  6. Existentialism – Zima Blue and Existentialism
  7. Biases and Delusions – Steering on the borders of rationalism and insanity
  8. Answering the questions on existence of “the existence”
  9. The Existence – Why? How? And What?
  10. Dune’s Ornithopters and Biomimicry

Dune: Philosophy in Science Fiction

The focus of Dune saga is on the ill-effects of hero worship. Frank Herbert warned his readers about the life altering consequences of granting too much power in the hands of a person who refrains to be questioned by his followers. The character arc of Paul Atreides depicts a moral dilemma. It also shows how power and aesthetics play a vital role when one is justifying actions, character and intent.

Dilemma of morality in the character arc of Paul Atreides

Dune Part Two shows how any person would react when thrown into the events where morals and ethics clash. Dune Part Two is about the creation of the antihero and his blind hero worship. It is important because it breaks down and effectively depicts the stages in which even a humble and good-hearted person can degenerate. Surrounding around such person has big role in it.

The focus of Dune saga is on the ill-effects of hero worship. Frank Herbert warned the readers of Dune about the life altering consequences of granting too much power in the hands of a person who refrains to be questioned by his followers. Superficially, Dune feels like a story where Bene Gesserit – a low lying powerful sisterhood planting an extremely powerful but manipulable Messiah to control the galaxy and how this Messiah ruins that plan. Deep down, Dune successfully amalgamates many philosophical, psychological concepts like Existentialism, Hero worship/ herd mentality, confirmation bias, free will and determinism.

Denis Villeneuve’s Dune Part Two has successfully translated the vision of Frank Herbert’s 1965 Sci-Fi which is more relevant than anything in the current times of 21st century. In Dune Part Two you see the transition of a young, humble, calm boy into an aggressive, extremely powerful leader – a leader who is worshiped like the God by his followers. As a fan of Sci-Fi movies, I would say Denis Villeneuve’s Dune movies have made justice with what the source material wanted to convey. (Historically, Dune series is known to be one of the most difficult materials to adapt into visual media)

The discussion hereon is not a movie review rather it is about how some fantastic philosophical, psychological, spiritual, and political ideas are brought together to create a more relevant story which is purely fictional. Despite being a fiction, it successfully depicts some important real-life scenarios and dilemmas we face in our very real lives. This all is credited to Frank Herbert and Denis Villeneuve’s vision.

There will be heavy spoilers for Dune Part Two hereon!!!

After watching Dune Part Two it is obvious that it is all about how an antihero is created. There is a moment in the end when you will lose the sympathy for Paul’s character because of the choices he makes and it is intentional. The movie gives us multiple viewpoints to justify why Paul Atreides becomes who he is. Obviously, his antihero arc creates a deep void in our heart. When I started to understand the narrative from Paul’s perspective, I stumbled upon some of the important ideas we use to justify our actions, decisions.

Boundaries of Right or Wrong – What is Moral? What is Ethical?

Let us understand the stages in which Paul is always rejecting the leadership – the prophecy of Messiah he is offered every time.

Rejection 1 – Paul has not demonstrated any grand act yet. He lacks clarity, vision.

Right from the beginning, Paul knows what it means to become the Lisan al-Gaib – the Messiah. You will see him rejecting the concept of becoming the prophesized leader. In Dune Part One you will see that he asks Leto Atreides, his father – What if he does not want to be the leader, the future of house Atreides? In response, Paul understands from Duke Leto that leadership is not a personal choice and when there will be a moment in which people will choose him as their leader and he will have to answer that call. The fear of leadership in Paul here is created due to very superficial simulation of future possibilities. He hasn’t even landed in Arrakis – the desert Planet. Here, Paul is just a well behaved, properly trained royalty who hasn’t tasted the reality of life yet. He theoretically understands the burden of leadership, the burden of the expectations of the people and that why humbly rejects it – as it is the ‘right’ thing to do. Understand that Paul’s rejection in this instance is because he doesn’t consider himself worthy. It is unethical for him to accept leadership which is granted just from the birthright. Understand that prophecy of Messiah is not apparent here, this is the leadership of his House.

Rejection 2 – The prophecy is just a clever plan. There is clarity on what and how events will happen but no clarity on what will cause them.

When Paul lands with his mother Lady Jessica on Arrakis he looks at the local Fremen people chanting his name as the one who was promised to free them from this exploitation of the foreigners – the Harkonnens for the precious Spice Mélange. Here, Paul understands from his mother that the religious Bene Gesserit sisterhood has planted a very meticulous storyline – a prophecy to ease out their path on Arrakis. The knowledge of ‘the prophecy’ being just a clever plan of Bene Gesserit sisterhood consoles Paul that he will always have the choice to reject the future responsibility of leadership. This rejection of leadership is due to understanding of the underlying truth and how hopeless people are getting fooled. Utilizing such false knowledge for self-benefit makes Paul uncomfortable.

Rejection 3 – Paul has clarity but doesn’t want to take the advantage of the Fremen Faith

After the death of Leto Atreides, Paul escapes to Fremen territory with Lady Jessica. Fremen accept him as he shows his skills in a fair fight. From this moment his goal is to survive with Femen’s to acquire the ‘Desert Power’ as desired by his father Leto Atreides. He still despises the Bene Gesserit Propaganda. He knows he will be fooling the Fremen by following the said prophecy. It is not ethical to utilize others’ faith for the personal benefit. That is why Paul is just trying to learn the ways of Fremen to avenge his father’s unjust murder orchestrated by the Emperor through House Harkonnen.

There is a discussion between Lady Jessica (who is now Reverand Mother) with Paul where she says that the prophecy has given Fremen people something to hope for and to fight for. This is the exact moment when Paul actively and aggressively rejects what she says.

Paul – It’s not prophecy. 
It’s a story that you keep telling.
It’s not their story, it’s yours.
They deserve to be led by one of their own.

His rejection to leadership here is because it is unethical to play with other people’s faith.

Rejection 4 – Paul loves Chani. He knows the moment he accepts ‘the prophecy’ he will lose her.

There is a scene where Chani tells Paul that the Fedaykin worship him now, they count his victories. Chani (who doesn’t believe in the prophecy) warns him that people have already started worshiping him and this will not end well. To counter Chani’s fear Paul positively clarifies that he is not the Messiah and will always be a Fremen warrior – the Fedaykin. Paul mentions several times to Chani that he will love her as long as he breaths. As the prophecy goes, he should reserve his hand for the most strategic alliance which is with the Princess Irulan – the daughter of Emperor. Here, the rejection is due to the love he has for Chani.  

Rejection 5 – Paul knows that while becoming the Mahdi, he will lose his comfortable connect with Fremen. He will have blood of billions on his hands.

Upon the encounter with Gurney Halleck, Paul clarifies certain important things. Gurney is surprised that even after having following of 200 people and millions more, why isn’t Paul taking advantage of the prophecy to avenge the death of his father? Paul tells Gurney that the moment he becomes the Messiah, he no longer be friends with Fremen, because even his Fremen friends will worship him as the God – Lisan al-Gaib. He considers it unethical to utilize the innocent beliefs and trust of the people for him for his personal benefit.

Gurney Halleck – With thousands of these guys you can take control of the entire planet. It’s your father’s dream. What you are afraid of?
Paul – Worship, Gurney. They used to be friends, now they are followers. 

Gurney tells Paul that he holds the ability to avenge his father by accepting the prophecy. Then Paul clarifies that the moment he becomes the Messiah, the galaxy will be thrown into the holy war leading to deaths of billions of people. Paul doesn’t want their blood on his hand.

The rejection of prophecy here is due to fear of losing personal connect with the people who define and respect you. It is also because Paul wants to preserve his character.

At the end of the Dune Part Two, you know what exactly happened!

Are Morality and Ethics Objective?

So, even after having at least 5 concrete reasons to reject the prophecy, why does Paul decide to become the ruthless Messiah, Lisan al-Gaib? What made him lose all the ethical and moral standards he had preserved in him?

Simple and superficial answer to these questions is – the circumstances!

Deep down the answer is totally different. Let us understand what are morals and ethics

Morality is the sense of judging a decision, event or an action being proper or improper. Morality is the sense of what is right and what is wrong.

Ethics are detailed down, systematic small-small actions which show what doing good is. The opposite act of doing a good act will be doing a bad act.  

Morality are the universal standards for right and wrong and ethics are the rules to implement this morality in daily practice.

Question – How is it decided whether certain act is good or bad?

This is where the trick starts.

The base line to decide morality or ethics is always changing. It is like deciding ‘What level of big picture are you talking about?’

Frank Herbert was very intentional while creating such moral ethical dilemma through Dune series. As you are introduced to Paul right from the start of his journey, from a kid to the Messiah, you know why he did what he did. His Great House was betrayed by the Emperor and the Harkonnens. They tried to kill him, his pregnant mother, and his people. The responsibility to handle Arrakis was forced down on his house by the Emperor. He had every reason to kill his enemies. Whatever act Paul did to avenge his father/ his house was right and justified.

Does that mean that “whatever” and “everything” that he did and would do is right?

The death of billions of people he would cause (as seen in his visions) will it be justified?

Many Fremens devoted and died to Paul’s cause, will their deaths be justified?

You will see that the moment you shift from Paul’s personal baseline of morality to the baseline of the ‘good for all’, you will appreciate why the same Paul – the Messiah – Lisan al-Gaib – the Savior is also ‘the destroyer’ for remaining others. Thus, it is important to define that baseline while judging his actions.

Philosophy of Morality

There are two ideas on how to decide this baseline for morality of given things.

Immanuel Kant says the duty assigned to you; your obligation decides the morality – The duty-based definition of morality.

Immanuel Kant

John Stuart Mill says that whatever is good for most of all should be good for one – The utilitarian definition of morality.

John Stuart Mill

Lawrence Kohlberg’s stages of moral development give us a structured view about how the baseline to justify morality of anything works. This single image deserves a detailed explanation but it is self explanatory.

Morality needs understanding of “the big picture”

In Dune’s case, it was Paul’s duty to avenge his father’s unjust death hence he was right. Whereas letting his followers kill billions of people belonging to the houses who were not accepting his ascension as the Emperor was wrong – immoral. He commanded to destroy such opposing Great Houses just to establish respect for him out of fear. The intent was not pure.

For Fremen, the act of destroying everyone opposing their leader is way better and important than living a life of slave. At the same time same Fremen killing billions in the name of their Mahdi is bad.

For Jessica, survival of her children was more important than anything. She had also promised Leto Atreides that she will save her children not as Bene Gesserit but as a mother first. That is why she eases out the path laid for Paul which guarantees his and his sister’s survival. You will understand that Jessica fears becoming the Reverand Mother, she knows that she will have to carry the pain and memories of all those who came before her but upon hearing to the clarification from Stilgar, she realizes that it is the only way to ensure the survival of her children. So, she controlling the Fremen and spreading the prophecy of the Messiah (despite knowing it as just a clever plan) feels moral.

Stilgar strengthening the events from the prophecy in the minds of Fremen ensure betterment of his people. If his actions to spread and strengthen the path for Paul would lead Fremens people to a better life then his actions are well justified. But, the moment he blindly follows every order from Paul to obliterate everyone opposing him his actions become wrong.

When it comes to mere survival of Feyd-Rautha, Baron Harkonnen, Rabban, the Emperor, Princess Irulan, Reverend Mother Mohiam someone would feel that their actions are justified. (But, we already have many other reasons to assign them villainy.)

It’s like checking which one is more wrong – Killing an ant or murdering a person!

The moment you favor the life of the person than an ant, you will feel bad for what kind of animal you are. And the moment you favor life of that ant over the person you will feel bad as a human being.

Taking any life is bad in the end, but what if it’s about survival. Then it goes in the direction which poses question – whose life is more precious?

The Trolley Problem – Which lever will you pull?

Do you see how this streak goes on and on! This will not end until the questioner will be satisfied with comfortable answer!

One must appreciate the genius of Frank Herbert’s writing which created such important intersecting points in his story.

Power and Aesthetics

So, final question – what ultimately is the right or wrong?

The answer is how deeply are we able understand the scenario (and we may never understand every aspect most of the times.)  Actions are always changing with respect to the circumstances, killing a murderer will always be justified and right at the same time killing a Saint is wrong.

This reminds me of Nietzsche’s quote:

Thus, the dilemma grows bigger.

What is right and what is right is highly dependent on your limits, your capabilities, your ability to reverse the things to exactly how they were before. If you don’t hold that capacity, then you immediately lose the power to justify your actions.

Which is exactly why what Paul believes is completely wrong, it shows how Paul character has made transition…

“He who can destroy a thing has the real control of it.”

The power will enable him to destroy any given thing; but can he reverse that destruction if things did not turn out the way he intended? The ability to restore the consequences of your decisions decides whether you hold the power to assign good or bad.

If Paul does not bear the capacity to reverse or at least restore the impact of his decisions, then he is wrong to send his followers in that direction.

I think, this is the warning Frank Herbert gives to the real-life leaders and followers among us. This is exactly where powerful people go wrong and take their blind followers with them.

So, even though his intent was to avenge his father by becoming the Messiah, the path he would choose is wrong.

The path Jessica chose to control the Fremen through prophecy is wrong. The plans Bene Gesserit orchestrated to plant a powerful yet manipulatable person on Arrakis just to have control over Spice are wrong. There are always multiple choices,

(The conclusion of the Paul Atreides’s story and ‘Dune: the God Emperor’ will make us change our current opinions. That we will discuss again when the time is right.)  

Anyways words fail me when such real-life scenarios are flawlessly presented through fiction. There is no need for anyone to teach us what is right or wrong in such stories. The dynamics of the events and the characters show us the mirror. We always have such inner compass inside ourselves, stories like this are the greatest calibrator of such inner compasses.

The power to restore the consequences of our action is the real power, I think. This idea somewhat frees the justification of our actions from the dilemmas of morality.

There is more to discuss about Dune, find out here….

(Movies Scenes from Warner Brother’s Dune: Part Two)

Further reading:

  1. Dune : Psychology in Science Fiction
  2. Existentialism – Zima Blue and Existentialism
  3. Answering the questions on existence of “the existence”
  4. The Existence – Why? How? And What?
  5. Dune’s Ornithopters and Biomimicry

Kantara – Breaking The Illusion of Materialistic Possession

Almost everyone is aware of the impact created by Rishabh Shetty’s blockbuster “Kantara”. The movie is an epitome of the huge power that cinema holds. Not only content/ story-line but the whole ensemble Kantara carries is a lifetime dream of every true movie maker. The movie stands out on cast, characters, cinematography, music, action, emotions, the balance between fact and fiction and what not. Not only as a great entertainer but also as a conveyor of the cultural heritage we Indians hold – Kantara shines out. The movie can truly become the flag bearer of both the Indian Movie Industry and the Indian heritage/ Indian culture. This will not be a movie review or the explanation of the story or the connections Kantara carries to the real life events or traditions. . We will try to find the hidden layer Kantara carries which is common in our very human nature.

The following content will be more relevant to those who have watched Kantara already and may be spoiling to those who haven’t.  

Movie Poster of Rishab Shetty’s “Kantara” (2022)

Kantara- the mystical forest and the folklore

As the literal meaning goes, the story is created in the forest in order to carry the suspense and create a curiosity in the minds of the characters of the story and the audience. And this mystical nature of the forest is effectively used in Kantara to show what faith is actually made up of. Faith, I would say here is used to understand the limits of our own existence and respectful fear of the unknown. There is a moment when the faith of people is questioned through questioning the existence of Panjurli – The Demigod, which is answered through the sudden disappearance of the person/ performer who carries the demigod through him.

The thing about folklores is that they lose some obvious and vital details as they are passed from one generation onto the next generation. When repeated enough most of the details are lost but the core of the folklore remains the same. This loss of details and the loss of information in the story actually makes it a great folklore. This also creates the feeling of irrelevance with the current generations which leads to doubts of what could have actually happened.

Faith becomes the ultimate tool to convey the unknown nature of the unknown- the one which cannot be interpreted or understood with the current understandings we carry. Faith is responsible for the livelihood of the villagers in Kantara and the same faith (in a reverse and negative way) is also responsible for the sad endings in the family of the landlords.

The evolution of real story of the first meet of the King and the Panjurli to the folklore creates faith in villagers but at the same time creates arrogance in the generations of the landlords.

The revisions of the same story – History repeats itself

To understand the complete world of Kantara we need to have some pivot in the story. The four Panjurli – holy demigods are the best pivot to explain the transition of folklore through each generation. If the story of Kantara is understood through each generation of the persons carrying the holy presence of Panjurli, you will find that the story is actually repeating itself.

The real meaning from “Kantara” reveals itself when understood from four cycles

At first, the story is folklore hence one should accept that many details are lost in the handing over from generations. The idea folklore actually conveys is the urge of the king to spread his presence by claiming as large as possible part of land and have an authority over it. This pursuit is never ending as there is no end to greed of land which is the main reason for the insomnia the King suffers from. The pursuit of greed actually makes him to lose his peace of mind. The meet with the villagers and the Panjurli is the treaty of King with nature to settle down the turbulence in his mind. (Otherwise, which king would like to portray himself as the defeated one in his own folklore) The resistance for acquisition of villagers from the forest and the unrest due this resistance to the king are the real part which gets lost from the folklore during its evolution. The very first demigod of the story solves this problem and carries the symbol of the eternal promise between the protector and the consumers of the land.

The next demigod carrier is Shiva’s father where again due to the inherent nature of landlord’s son (who will be the next protector of the land) questions the treaty, the promise by questioning the presence of the demigod. The cycle of establishing explicit ownership is again repeated here, but ends in bad way. The King at first is smart and humble enough to accept his defeat against the very nature which created him but the modern son of landlord misses the point by taking the folklore literally. Hence, the reason Shiva’s father had to prove the presence of God in a mystical way. (If one thinks deeply enough and for those who still don’t want to accept the explanation of mystical disappearance there is one way to explain what could have actually happened. Shiva’s father sacrificed his life to the unknown and cruel animals of the forest in order to prove the presence of the unknown. The landlord’s son anyway could have died of natural death but the events of disappearance of Shiva’s father would never allow or put enough further to question the villager’s faith. Which also proves the point and does not create any contradiction.)

The next demigod carrier is Guruva where there is already one landlord called Devendra Suttooru. Devendra is also as smart as the ancestral King but is cunning enough to fool the innocent and forgiving holy demigod. In addition to this, the Forest officer Murali also thinks that he can establish control over the forest by using the government power. The beautiful thing to understand that the situation depicted this time is very complicated hence Shiva’s influence also adds indirect presence of the demigod in the story. Where the demigods share their characteristics in two different persons. Guruva officially represents the innocent and honest side of the demigod thereby resisting the authority of landlord Devendra in a soft manner and on the other hand Shiva already carries the honest, innocent but strong and dominating side of demigod Panjurli and sometimes like Guliga. (One must understand that Guliga only presents himself when the landlord’s intentions and acts become clear)

So, two cycles of the repeating story we are watching simultaneously in the movie in detail. Where in the end, people with the desire to control the nature either lose their lives or lose their intention of authority and develop the respect for the creator.

The point of highlighting the four repeating cycles in the Kantara is that even though each generation in every cycle has enough knowledge of what is right and wrong, even though they have knowledge of what has happened before, most of them try to challenge/ overthrow the past learnings in spite of knowing their consequences. I think, this is human nature. Even though we have done progress from the caves to the mars and solar system through hundred maybe thousands of the generations, some of the fundamental personal, societal problems are always repeating in every generation. Which is why such problems though are already solved remain unsolved for each generation.

History is never antiquated, because humanity is always fundamentally the same.

Walter Rauschenbusch

Illusion of authority, possession and ownership

All four cycles of repeating the histories confirm one consistent human trait that is the authority or ownership of something. At first, the king expects to own as many lands as possible thereby landing in misery. Then the modern son of landlord thinks that whatever land there is his own by ancestry and he should enjoy the perks of it. This also has a bad ending. The next generation one is more evolved and actually addresses two aspects of authority. One is the ownership of the possession of materialistic goods and the another one the possession of power to do anything and control everything.

You will see that the landlord Devendra Suttooru has greed for his “so called” ancestral land but is cunning enough to figure out different and unconventional ways to acquire it. But this ultimately ends in him exploiting the limits of the patience and innocent nature of the demigods. He fails to realize real power of the respect, authority, guardianship villagers thereby the demigods had granted him.

The interesting and mostly unnoticed one is the lust of Murali for the power of authority he would hold over the forest. You need to understand that Murali is Deputy Range Forest Officer. The main Range Forest Officer is not there to control the government matters.  Now, Murali has full chance to use and implement his power and enjoy the perks of it. That is why he is seen beating the villagers who present him their hunt in order to project who has the real power here. The arrogance or strict nature he carries with his staff and villagers is not only because he is a top officer, it is also because he wants to present is power dominance. You will see that when Murali visits Devendra Suttooru, he keeps all the gifts offered and also establishes that he as a government representative will not shake hands with devendra. Murali objecting the traditions of the Bhoota Kola further highlights that the power of authority government has given him enables him to control everything according to his desires. The initial intentions of Murali and Devendra are nothing but the same- the intentions of authority and intentions of possession.

The power of government authority that Murali carries
Rishab Shetty’s “Kantara” (2022)

The exploiters in each of the cycles – The King, The Modern landlord, Devendra Suttooru and Murali forgot that the things they are trying to claim actually don’t belong to them. These things don’t even belong to the villagers of the forest. They belong to the nature who is just allowing them to use them for their existence. The faith of the King and changes in Murali in the final stages makes us aware of breaking their illusion.

The King carried the lands and he was not at peace with himself, Murali even after having government authority faced death and hardships, modern landlord/ Devendra Suttooru having lordship and respect of the villagers faced bad consequences. They thought that the things which were handed to them as a duty belonged to them and exploited them for their own benefit which has no limits and exactly this degraded them. It is only with the villagers you will find that the use of minimal means and resources actually represents the respect for the one who offers everything. This is seen as a reality in their lifestyles and symbolically shown in the Bhoota Kola.

There is also one more interesting illusion of ownership which is Shiva’s ownership on himself.

Acceptance of the truth- the liberation

The ownership of Shiva is multifaceted and hence deserves special explanation. You have to understand that the nonchalant nature, the careless attitude of Shiva is not because of not having a father figure. Rather his mother is depicted more capable of filling that gap. The real reason of Shiva’s careless attitude is because of the life he will enjoy having. The sudden disappearance of his father into the mystical forest and not being able to find his body has deep impact on the initial character of Shiva. Shiva thinks that once he accepts himself as a demigod carrier for Bhoota Kola, there are huge chances of him losing himself from the body thereby distancing from the pleasures of living a life. Shiva fears that just like his father he will disappear into nothing without enjoying the life to wildly extents. Shiva completely wants to own his body, his life and hence also exploits this ownership. That is the exact reason you will find Shiva doing unholy activities like forbidden boar hunting, trees cutting. Shiva thinks that he will easily run away from the holy responsibility by doing such activities.

Shiva’s degrading activities ensure that he will never become the holy carrier.
Rishab Shetty’s “Kantara” (2022)

If you observe the character of our protagonist Shiva carefully, you will realize that even before accepting himself as a carrier of Panjurli and Guliga, he demonstrates all of their characteristics. He is the only person whom villagers will approach when they are questioned about their existence in the forest and the use of the resources available in it. You must understand that his cousin Guruva (who is the carrier of the holy demigods by then) should be the one whom villagers should actually approach but that is not happening in the story. Someone would say that Shiva carries the blood of his father who was the previous Panjurli and hence people believe in him but that is not the case. People already believe in Shiva because he is the only one who has demonstrated all the characteristics of the protector and has the guts to confront the unknown amongst all in the village.

If you remove the Shiva from the initial parts of the Kantara, you will realize that it was very easy for the landlord to fool the villagers to acquire the forest lands, it was really easy for forest officer Murali to use the power of government to bring forest under his control in his absence. Only the presence of Shiva makes the intentions of landlord and the forest officer to last longer in the test of time. Shiva was already the Holy Panjurli for his generation even though Guruva was carrying the godly presence and even before people and he himself realized this.

When Shiva finally bears his father’s torch and understands the ultimate vision of the creator
Rishab Shetty’s “Kantara” (2022)

It is at the end of the story Shiva has to accept the possession (rather directly gets possessed) of Guliga thereby understanding the ultimate fact that not even his body is owned by him. His body belongs to nature, the unknown and the greatest one who remains at the end of every cycle, at the end of everything. Shiva as a Panjurli at the end of the story is not because last Panjurli – his cousin Guruva is dead; no one is there to carry the tradition further. It is only because Shiva accepts the truth that the body in which he exists is owned by nature and not him.

The true value of a human being can be found in the degree to which he has attained liberation from the self.

Albert Einstein

That is why you will find Shiva uniting with his father in the final pursuit of real freedom – liberation at the end of the story. The real freedom for Shiva becomes renouncing his body, his materialistic way of existing. This is the real takeaway of the story. Every main character in Kantara is behind owning things whereas the reality is that nothing belongs to anyone. They are just allowed by nature to use the things and the authority for their own existence. Renouncing the illusion of owning everything, renouncing the feeling of being entitled for everything and accepting the nature of reality thereby existing humbly, sustainably, harmoniously with and within it is the real liberation. This is what Kantara represents- the humbling nature of reality, the nature and the extents of what we can know- what we can never know.

“Possession of material riches, without inner peace, is like dying of thirst while bathing in a lake. If material poverty is to be avoided, spiritual poverty is to be abhorred! It is spiritual poverty, not material lack, that lies at the core of all human suffering.”

– Paramahansa Yogananda