A Modern Prayer to Perceive ‘The Silver Linings’

The acceptance of our dark side is the only way to start a new journey to the real happiness, fulfillment. Achieving real fulfillment becomes way easier and manageable once we start acknowledging our dark emotions, feelings of sadness and sorrow. Running away from such “low” lying emotions actually intensifies them in the abyss. Actually, such emotions have great contribution in the refinement of our character. Empire of the Sun’s new song called ‘Happy Like You’ talks about the acceptance of our dark side to make our personality whole for creating a newer and better version of ourselves.

Empire of the Sun’s song “Happy Like You”

The best piece of art can be attributed to the multiple perceptions, interpretations it creates in the mind of its subjects despite keeping its physical structure constant.

The beauty of a masterpiece is that people have their own opinion about that piece and nobody is wrong. The mere subjectivity and the possibility to invoke personal feeling in the mind of the observer or the enjoy-er of the art is the power every one of us has naturally. Most of the time very few of us unlock that power in a better sense. Music is one such power.

Recently, I came across newly released album named “Ask that God” by an Australian electronic duo called Empire of the Sun. All the songs on this album are banger and are complete redefinition of what the Empire of the Sun stands for. In my personal opinion, it is a crime to compare all the songs to choose the best one, (but you already know why I am writing this). One song that is looping in my head continuously and has occupied a larger portion of my brain for many days is “Happy like you” (this only shows that the song has conjured me thereby maintaining my previous point of not comparing good songs with each other).

Luke Steele and Nicholas Littlemore of Empire of the Sun

Actually, bringing the poetry into the bastardized territory of prose should be a crime, for it de-beautifies the very reason for it being so wonderful. But, in order for everyone to appreciate the multiple subjective point of views and its connections with the multiple facets of life it is trying to explain, a poetry must undergo its ‘deconstruction’ into prose.

That is the crime I am committing here. If there is any songwriting, poetry, lyrics meaning police anywhere, tell them that I am here waiting for them to tolerate all this prose I have written hereon.  

Jokes aside, I am deep diving into the song and its music video.

The song

The song is written by Luke Steele and Nick Littlemore of Empire of the Sun.

Happy Like You lyrics © Universal Music Publishing Group

You’re revolutionary
You’re like a phantom taking a leap
You’re heart is legendary
Bet you are feeling so high
You have a higher power
Telepathic talk to me
Make me whole again
Whole again whole like I used to be

Happy like you
Happy

The poet is asking the higher power for something that would make him feel complete like he was before. He is praising the power of this higher power so that it can bless him.

The words used by poet like revolutionary, taking leap, legendary heart are used to describe this higher power reflects what he exactly wants from the higher power. He wants to regain a lost part of his personality he was before going through this hardship. He wants the higher power to take the leap to come out of the sorrow, transcend the current state and bring about an “internal” revolution in a way.

Telepathic ability indicates the poet’s trust in the higher power. Poet knows that this higher power is his final resort to all that exists. That is why this power knows everything already and there is nothing required to be expressed formally to get things done.

Ultimately, it is a request to regain that precious part of the poet’s personality, that happiness which defined his whole personality.

Won’t you humanize me
Use all your wisdom
Show me joy in everything
I’ve been clouded by machines
Lost my way deep inside another screen

The rhetorical question posed by the poet is a slight indication of what he lost during his difficult times. He lost the things which made him human. He lost the ability to see the silver linings.

This is the exact spot we must understand that the person lost his personality in depression and mental battles. But why? and how?

Immediate forthcoming lines show what happened. The screens and “machines” indicate the influences of the mechanical world on our daily lives and the added powerful effect of social media which led to a dreadful state of depression.

It’s an irony that when we are ‘liking’ certain things on social media from other people’s lives, a deep-rooted sadness, envy, hatred is getting born out of the one-to-one comparison of lives. Everyone is conscious of these emotions due to social media but the penetration of social media, screens everywhere is so regular and normal that we are subconsciously (now mechanically) ignoring these emotions which take a toll on our minds when we are shocked with something really sorrowful.   

All I wanna be is happy happy happy like you 
All I wanna be is happy happy happy like you

 Once you pass through such horrible emotions of sadness and depression you start appreciating the person you were, how happiness made you the better version of yourself. This happiness made you feel like the greater, higher power itself. That happiness actually made you feel closer to the higher power. The poet urges the higher power to make him who he was before and just in the ways the higher power carries itself.  

You’re revolutionary 
Telepathic talk to me
You are imaginary
Bet you are feeling so high

Wish is a dream that comes true

The most difficult part of coming out of the depression is that it starts in mind of a person with such an intangible, non-physical thought/ idea and then it starts to affect the real events, objects, people around him/ her. So, even though fixing the reality around such person can help to come out of the depression; uprooting the deeply settled feelings of sadness, grief, sorrow has immense impact in the person’s fight against depression.

That is exactly why the wish to become happy shows that the poet whole-heartedly wants feel happy. The ‘wish’ indicates is readiness from inside to be realize happiness from intangibility to reality thereby highlighting the use of the expression “dreams that come true” here.

Time is a song that forms you 
Oh I hope you

The expression of ‘time’ which formed this higher power implies the time which need to given to person to heal when he/ she is in hardships. Give it some time, it will pass too. The poet has understood that over the time even though it will seem difficult but over the time every sadness will fade away. It’s just an ask from poet to the higher power to get the patience, courage for passing through this hard time.    

Won’t you humanize me
Use all your wisdom
Show me joy in everything
I’ve been clouded by machines
Lost my way deep inside another screen

All I wanna be is happy happy happy like you
All I wanna be is happy happy happy like you

Ultimately the influence of social media on our lives and the mere algorithmic, mechanical nature of our lifestyle is leading lives of many really happy people to a depressed, sorrowful life. The poet asks the higher power to make such people complete again and happy again just like the supreme power is. It also means that once we become happy and complete, we will become that supreme higher power again.   

From a simple explanatory point of view on any poetry/ songwriting, the song gives an impression of the man’s urge to regain his happiness, his identity when he is in the conundrum of depressive emotions and thoughts. The impact of depression is great because the factors causing it are within our hands (or I may say fingers’) reach – the social media and the screens.

I think the songwriters have taken this excuse of the depression from social media to show what an urge to overcome any depression means for any human being; what it means to redefine the personality and also complete the human being in a bigger picture.  

The video and its symbolism

The phone call –

The video starts with a phone call. The girl receives a call on her landline and then the frame shifts to a guy (Luke Steele – Emperor Steele) in a dark with a red hue and dark hat. This is indication of her having a call with her inner self. The low-lit room shown throughout the video is the metaphor of she having discussion with herself and her inner thoughts and emotions. The phone call is proof of she handling her emotions by herself, it is her own conscience calling her.

Frame from Empire of the Sun’s Happy Like You MV
A low-lit room –

Watching reflection in mirror and hand movements on her own body shows she is interacting with herself. It is like a self-talk one has with themselves while figuring out what needs to be done. The low-lit room shows that dark part of our personality which also need acknowledgement. Even though the song calls for the person to be happy, this low-lit room has bigger significance. It is an indication that the real happiness comes with our acknowledgement of our darker side. Darker not in the sense of negativity but more in the sense of left out emotions which also need proper attention.

Frame from Empire of the Sun’s Happy Like You MV
The colors –  

Even though the music video looks colorful with some dark theme, the choice of colors used in this video are specific; there are characters, colors to the people shown in the video. Hot, cold, and warm / Red, blue, yellow, greens sometimes – indicate respective emotions and the interaction of the girl with those emotions. It is like she is trying to understand them and accept their presence to find the answers.

Frame from Empire of the Sun’s Happy Like You MV
The window –

In the early part of the song, you will see the girl peeking through the blinds to see what’s behind the glass. It’s literally her peeking into her dark side of the mind.

There is a glass window with blinds between a person and the girl. The person can see her doing all her activities. What girl sees is only her reflection, this absolutely support the symbolism of her having an internal conversation about the overall depressive state of her mind.

Frame from Empire of the Sun’s Happy Like You MV
The sadness, grief –

You will see one person (Nick Littlemore – Lord Littlemore) with the black tears seemingly away from the window in certain snippets of the video, who appears and goes withing few moments. This is that deep rooted feeling of sadness which the girl is trying to acknowledge. One person closer to the glass window observing the girl’s activity is her conscience and the grief is away from the glass lying in the deep abyss of her mind. I say the guy closer to the window is her conscience because it has symbolically shown with multiple colors and hues showing the variety of emotions one carries in themselves.  

Frame from Empire of the Sun’s Happy Like You MV

The rain in the end symbolizes new beginning, renewal.

Frame from Empire of the Sun’s Happy Like You MV

The creators of Music video deserve special applause

A deep dive into this ‘prayer’

For me this is not a simple song, it’s a prayer and I have a very strong reason to justify my point. A prayer from a literal, grammatical point of view is a request to higher powers which have better control of the reality than us. We surrender to such higher powers to show that we are humbled and are in a need for help through such prayers.

This song may not have that feel of “conventional” prayers, hymns due to its electronic and not so ‘religious-feeling’ notes, melodies but there is no written rule on the ways to compose a prayer anyways.

On first thought it’s weird, how can a prayer in electronic music make sense spiritually?

I say why not! I would say the composition itself dares the modern listener to appreciate the feeling of awareness of our higher self – hidden inside our own selves. It is like tapping into that unconventional, unexplored hidden, darker part of our own conscience.

The song mainly focuses on visiting and acknowledging the darker parts of our mind, especially when we are in deep sorrow. Abandoning such dark emotions thinking that they are not part of your personality actually intensifies them and when you are feeling weak and defeated – these emotions will easily cover your whole personality.

My point to call this song a pious prayer is that it makes the listener, the singer acknowledge their emotions. Good or bad whatever they are, they together make the personality whole. It also makes them to accept their urge to improve themselves in life. Even though we are asking the higher powers to grant us the powers to become our better version it is actually we – ourselves acknowledging our darker side to improve and build upon them for the better and evolved version of our selves.

The most important act to come out of any negative, depressed feeling is the acceptance of the fact that they are an inseparable part of our personality and only this time they have charge over our personality and we can take control from them anytime we want. You can only cure a person who really want to be cured and live ahead. The feeling to come out of such sorrows has to come from inside and it becomes easy once we accept our darker side of emotions, feelings.

So, the best way to handle any challenging emotional state, any darker emotional state is to first acknowledge them. Acceptance of something wrong or abnormal is the first step to effectively work on handling them. It becomes very difficult to accept that we ourselves are the originator of our emotional responses and its totally normal. We just feel that it is difficult to control our emotions because mostly they are triggered by the external stimuli and that is where the real trick happens. You see, the illusion that our emotions are uncontrollable is created by the assumptions that one need to control his/her surroundings to achieve what they want to become happy. That is why when such person fails, they are immediately drowned into the feelings of sadness. This also does not mean that you should always control your emotions and avoid expressing yourselves.

What I am trying to make point about is that the moment we start segregating our emotions as good and bad we end up in an illusion of happiness instead of the real happiness. Instead of avoiding and dumping, controlling your sad, dark emotions deep down, their acceptance as one more normal part of our personality helps us in a better way to achieve the real happiness.

Being sad justifies the moments of happiness and that also does not mean that you must remain sad – suffer more to be happy in bigger ways. You see, all happinesses in the world are same. Actually, they are not even same, they are subjective – to be precise, there is nothing to compare between any type of happiness. But due to the social media and the screens, we are always trying to compare our happiness with other people’s happiness. That is where the origin of the problem lies.

Looking on the other side of the shore same goes with the sadness; no two sadness must be compared. Acknowledgement itself is more than enough.

Working on sadness is like hugging an annoying crying kid; just a tight hug without any intent. The kid will stop crying.

Once we have accepted all our emotions as a natural part of our personality then only can we have the chance to recreate our personality. This requires humbleness and in most cases when people are thrashed with the reality and the sadness, when they are helpless the final resort is the spirituality where the help from almighty is requested. The moment you attribute this power to any object especially human-like object the religion starts taking shape (that would be topic or another discussion!) But without diverting the topic, only when we are humbled then we seek help from others. Prayer allows you to do that without any feeling of shame. That is exactly why I feel this song is a prayer. It allows you to accept your darkness, understand it and asks you to use it to create new happiness.  

I will stick to Kierkegaard on this, we have to understand that when we are praying to the higher powers to handle our lives in a better way, we are actually asking the forces lying inside our own selves which hold the capacity to create the better version of ourselves.

We are capable of creating better times for ourselves on a condition that we acknowledge every part of who we are. It is just our mechanical nature to categorize certain things as good or bad sad and happy which takes charge of our whole personality.  You will appreciate this more once you closely observe the stories behind the creation of all types of the masterpiece humanity has ever seen. All those great things had that unconventional, hidden dark side which triggered the creation of something totally new and radical.

So, in order to become truly happy, one must accept their dark sides that is where the potential to have completely new beginnings lies.

The Boy and the Heron (君たちはどう生きるか) – Bittersweet Reality of the Artistic Legacy

Studio Ghibli’s masterpiece The Boy and the Heron (君たちはどう生きるか, How do you live?) tries to answer one complicated question on artistic legacy. On surface, it is a story of boy coming out of the melancholy of his mother’s death and his new beginnings. Deep down it is a love letter from a creative father on his creative legacy to his son who wants to go on his own journey. It shows how difficult it is to make others appreciate a personal piece of creation, emotion and how to leave a truly influential legacy behind.

A creative father’s love-letter on his legacy to his beloved son

We are always in a pursuit of creation of something to ensure better coming days. Survival is one aspect of it but as the time moved on, we have comfortably brought ourselves to ensure our sustenance. Most of us can live a basic life and rarely worry about what to eat tomorrow. Once such stage is achieved, you will see that our efforts to create and accumulate still have never stopped. Now we are creating and accumulating for even better days than other, once this is achieved, we continue creating and accumulating so that our new generation will see better days. This act of creating a legacy is not just a matter of survival, it is also matter of preserving some part of ourselves even when we won’t physically exist in this world.

It is easy to see what happens to the materialistic legacy like wealth, but it becomes very tricky to handover the moralistic, value based, character-based legacy to the next generation because of the differences in the ways to live and understand the life. The passage of time alters some truths to the new generations thereby changing their mindsets and moral compasses. Even though our animal drives, emotions are exactly the same the motivations behind them change over time.

Now, imagine that you created such precious legacy which is close to you, which defines you, people appreciate it adore it but your next generation is unable to carry it forward. How do you handle such rejections? what is the resolution? Is it good? Is it bad? Is there any way around? As you love your legacy, should you force them to see the value in your legacy? And if you truly love them, should you force them in the first place to carry that legacy?

Studio Ghibli’s recent movie The Boy and the Heron (君たちはどう生きるか, How do you live?) is an attempt to answer one such complicated question on artistic legacy. Hayao Miyazaki-san has again given a masterstroke by creating a very personal yet relatable artistic narrative.

I have tried to explain the overall purpose of the narrative in this movie and will try to uncover what was the real core of movie based on the events in the life of Hayao Miyazaki-san.

The story and the meanings behind it

You will find megatons of explanations on the symbolism, personal connection of Hayao Miyazaki-san, his life, his childhood, his parents, and his colleagues from Studio Ghibli in this movie. There are many theories and cross references between the previous Ghibli movies too. I will not go into those details. I will focus on what the narrative stands as a whole.

It is obvious that it is a story of a boy who lost his mother and his journey of getting over that melancholia of her loss and acceptance of his new mother. You will also notice in the end credits that the creators have thanked a book called “The book of lost things” by John Conolly. Once you check out what this book is all about, I think you will get new perspective beyond the symbolism and references in the movie. Miyasaki leveraged the narrative of this book to create the structure of his narrative. The book also draws inspiration from Genzaburo Yoshino’s book “How Do You Live?” (君たちはどう生きるか, Kimi-tachi wa Dō Ikiru ka)

Two books which inspired ‘The Boy and The Heron’

This is the story of the all emotions that are invoked when a person loses their loved ones. The first question that comes in mind when such loss happens is “How Do You Live?”

This is how the story is built –

The tower created around the rock is a portal where you can physically access your emotions. Just like in Interstellar how Astronaut Cooper was able to physically access the dimension of time.

Birds are representation of the free flying feelings, emotions we have.

The book that the great granduncle left unread is the same book Mahito’s mother read and then it got handed over to Mahito, which is the book called “How do you live?” The book is about the conversations of a boy who lost his father and the boy’s uncle.

The great granduncle already knew that the rock from space can allow him to create the world of his dreams. That is exactly why he built a tower around it for protection. Upon going through the loss of loved person in his life, he saw himself in the role of the person who will lead and help his descendants to handle their own pain of loss. But as the great grand uncle was always into books and had his own internal dreamy world, he used the powers of the rock from space to create his own world.

The act of leaving the book unread to disappearing into something is pointing towards that intense moment when you have to act on things because the author said exactly what you believe in. You feel this urge to act and create that thing because the author, the person who you don’t even know feels exactly the same. You feel an unexplained deep connection.

So, the rock from space and tower built around it is a portal where things can enter and exit in space, time. The moment when Himi lost her mother, she accessed the portal, confronted her emotions but also met her future son Mahito.

She realized that even though she lost her beloved mother, she will have an opportunity to have her own son who will love her deeply. Even when she will not be there with Mahito, her sister will love him equally. This gives her peace. That is exactly why when grannies are telling the story from Himiko’s childhood to Shoichi (Himiko’s husband and Mahito’s father) they say that she was grinning to ears – happy like anything when she came out of the mysterious tower.

The great grand uncle can call anyone to enter the tower. That is why grannies are scared if Mahito gets taken by the tower in the start of the story.

Kiriko has also accessed the portal in the search for young Himi before, that is why her younger version is available in this dreamy world and knows the ways of this world. Her older version entering into the portal along with Mahito closes the loop of time paradox if you think it through.

Natsuko is called into the portal to make young Himi aware that her future son will have a caretaker and lover when she will not be there for him. This helps young Himi to get over her own loss of mother. It’s that feeling of love you create for your people when you realize how deeply you loved the person you lost. You realize that your people also deserve to get the love that you received from your lost loved ones. That brings the person out of the melancholy of the loss of loved ones.

Natsuko is called into the portal to make up her mind that Mahito is also her son. She is also called into the portal to make Mahito accept that his step mother also deserves the same love that he has for his own mother. The great grand uncle is the orchestrater of all these events.

The grey heron is Mahito’s mind personified, his conscience. Heron is always guiding, helping Mahito. Mahito has this feeling that his mother is alive somewhere because he never saw her dead body. Heron attracts, teases Mahito using same understanding. Somewhere in a hidden corner of Mahito’s mind he thinks that there is still a chance to save his mother and bring her back. He is just looking out for an opportunity. Heron teases this opportunity to Mahito.

Heron like every person’s mind is paradoxical in nature. Heron is equivalent of Jiminy Cricket from the story of Pinocchio.

Most of the events between Mahito and the grey heron are Mahito’s dreams until he personally enters the tower where all his emotions can be accessed physically. That is where he is able to get the hold of the Heron, that is where the power of the seventh feather is functional, because Mahito has heightened awareness and access to his emotions.

The illusion of his mother in bed is a reminder to Mahito that she only exists in his dreams not in reality.

The starving Pelicans are the feeling one gets when they realize that they won’t be loved in the ways and to levels they used to before because of the loss of loved ones. These feeling to be loved, the huger to be loved by that person pushes the person to meet his loved one in afterlife. You will see the pelicans pushing Mahito in graveyard so that he can meet his mother. Pelicans are his feelings from the void of love which are pushing him to die to meet his mother in afterlife.  

Kiriko saves Mahito from his urge to die, maybe she has done same to Himi in past too. The mark left on Kiriko’s head by swamp thrasher is intentional creation to make Mahito comfortable. The fact that they both share some common pain brings comfort to Mahito. The thrasher bird is a symbol of self-reflection, it is like upon getting settled and being calm Mahito realizes that dying is not the solution to meet his mother – Himi.

Warawara and the phantoms are the attempts of great grand uncle to show everyone entering this world that life and death are part of existence. The person must accept and will have to support both, feed both to ensure that the reality remains ‘real’.

The event of giving proper burial to the dead severely injured pelican is Mahito’s acceptance to detach himself from the urge to be loved by his dead mother. This is him making amends with death and urge of being loved.

The moment Mahito accepts the weird and paradoxical nature of heron is the moment when he gets a clear direction to meet Natsuko. He literally repairs his conscience to get the clarity.

The Parakeets are the defense system of mind. They are the logical emotions, feelings that we use to defend from the sad feelings, they make sure that the system of our mind remains intact. Parakeets are the indicators of love and colors in life, when we are deeply saddened these emotions of love and colors become intense, defensive to save our mind. Here in the extreme case, they have become so strong, disciplined, and militarized that they are ready to consume their own host – Mahito. Parakeets show life, colors, happiness, anti-sad emotions, and the defense mechanism to create good for everything. That is why they have rules, moral values – the indication of what is allowed and what is not for the betterment of the host. They make sure that the person remains sane by choosing what is best for him instead of getting overwhelmed by all other emotions.

Parakeet king is the ultimate personification of such defense mechanism, he just wants to make sure that the world inside the host’s mind remains intact otherwise the host will go mad, this world will collapse.

The important conflict Mahito must resolve is to find his mother. Where the great grand uncle gives him the test. You should appreciate the role of great grand uncle in this whole narrative. The very first time when Mahito is inside the tower with Kiriko, the great grand uncle could have immediately met him and resolved everything in his mind.

But he makes Mahito to go through whole journey because you cannot force any emotion on the person just by telling the truth. His/ her defense mechanism will strongly and willfully reject that truth. Only when that person will go through personal experience, then only he/ she can appreciate the value of truth. Uncle thus gives Mahito this final test of truth once he overcomes the obstacles in his mind.

Mahito is given the taste of truth by showing him that even though he could not save his mother Himi he can now save another mother Natsuko. This is the Natsuko who enters the portal with a feeling if she would ever truly be able to love Mahito while having her own baby. This is conflict resolution for Natsuko too. She develops true love for Mahito when Mahito lets go of his attachment to mother Himi to save Natsuko because he doesn’t want that to happen again. And Natsuko also realizes that it’s her loving sister’s son in the end who deserves the same love like her coming baby deserves.

Only upon the resolution of this conflict when Mahito gets the access to the portal to meet the great grand uncle. 13 grave stones are the 13 movies created by Hayao Miyazaki-san. Which arranged in many styles create different world. They create an escape to different reality where people can manifest and physically live their dreams. For uncle these 13 gravestones are the purpose of his life, they define who he is and are his legacy. Great grand uncle asking Mahito to arrange these 13 gravestones is Miyazaki-san’s way to order his son Goro-san to carry his legacy in the exact ways Miyazaki-san intended. Mahito noticing the difference between wooden blocks and the gravestones is an indication that his life interests do not lie there, wood here as a part of tree – the life against the gravestones show that this is not how Mahito would live his life.

As a punishment uncle sends Mahito to parakeets. Parakeets are the structured constructs, rule, laws which ensure that the world has order even though the person may hate them. Goro Miyazaki-san chose the career of an architect because he wanted to do something different from his father. Hayao Miyazaki-san asked Goro-san to create artistic movies exactly in his “Ghibli” style but Goro-san’s artistic creations never matched the Hayao Miyazaki-san’s Ghibli vibes. It’s like his creative powers were restricted due to the parakeet like strict construct, high expectations and extreme criticism of Hayao Miyazaki-san. The great grand uncle had some hope that Mahito will accept what he wants him to appreciate.   

Mahito’s own conscience – the Heron comes to rescue him in the end. Grand uncle asks Himi to leave this world and also tells that Mahito should also leave with her. He is hoping that there is one more chance to convince Mahito to take care of what he had created. When Mahito and Himi meet the great grand uncle to bid goodbye the uncle presents Mahito some stone without malice. It is uncle’s attempt to show Mahito that even though his creations have their challenges, rules, restrictions Mahito still has freedom to do anything with these new stones free from Malice. It’s uncle’s attempt to convince Mahito to not lose the grip on the legacy. It is Hayao Miyazaki-san’s desperate way to reconvince his son Goro-san that he just needs to create for the studio Ghibli by using some new things – new experiments but just keep studio Ghibli alive. He wants Goro-san to create so that the world of Ghibli will bring bounty, peace and beauty into people’s lives. It’s not just a selfish request for continuing the legacy. It is a request to maintain the core of his legacy – Miyazaki-san’s legacy.

Mahito responds to great grand uncle by saying that he has his own challenges, his own malice, his own limitations which make it difficult to carry this legacy. Mahito wants to return to his own real world even when it has some darkness, bad things. When uncle asks him that Mahito’s reality is a chaotic world full of murderers and thieves Mahito responds by showing that he has good, caring, and loving people along with the heron – his conscience to support him there.

This is also important moment for Himi where she is relieved that even when her son will lose her, Mahito will have enough support system to take care of him. This is one more reason for young Himi to return happy to her reality.

Uncle then ordering Mahito to just stack the stones for last time would be equivalent of the discussion happened between Hayao Miyazaki-san and Goro-san on the creation of one last project for Miyazaki-san’s peace of mind. Maybe Miyazaki-san just like the great grand uncle wanted to play a trick on Mahito – Goro-san to convince him to continue the legacy.

Finally, the Parakeet king trying to arrange the blocks by himself is the futile attempts of the admirer of great grand uncle’s creation to ensure their own survival. But as there is no personal connect between them, the Parakeet king doesn’t know the ‘art’ of arranging the stones. When the attempt fails and the world collapses as the great grand uncle had already expected, he instructs everyone to leave the tower and return to their respective reality.   

You must appreciate that there would have been a proper intimate discussion between Hayao Miyazaki-san and Goro-san on how to take over this legacy and continue the future of studio Ghibli. Rearrangement of 13 blocks shows advice to use the styles and ideas of Hayao Miyazaki-san’s movies to create further new stories.

The resolution of Mahito returning to reality is Hayao Miyazaki-san’s way to show that the path has already been chosen and good thing is that it is more real than anything possible. It could be ugly, full of malice, murderers, death, grief and detachment but is far better than dreamy and perfect world. Looks like Goro-san successfully convinced his father Hayao Miyazaki-san that his father’s reality of Studio Ghibli is not the only reality, only legacy which deserves to exist. Hayao Miyazaki-san also realized that if he truly loves his son, he would let him go on his own path, to create his own art. Just because he is too attached to his creation does not entitle his son to carry it forward, especially as a burden.

It’s poignant to come to this fact but it is what it is. That also doesn’t stop either Hayao or Goro-san to create the world they want. (there is a rumor that Miyazaki-san is working on his next film.)  

The Curse of the Intangible Value of an Artistic Creation

For any true artist, it is the expression through creation which matters him/ her the most. The art they create is exactly who they are, it is a part of who they are. For such artist who has realized that they will have to leave all this creation behind in the end, search for the true successor who can appreciate their creation is crucial.

And the problem with artistic creation is that they are very intimately connected to the person who created them – the artist. It’s like the bond of a mother and child – she has carried that child for 9 months in her belly, it’s a piece of her body and soul. In similar sense, that art held its root in the artist’s mind and the artist kindled it in his mind to finally bring it into the reality. The fundamental problem with emotions is that you have to pass through those feelings to appreciate them in true sense. You can intellectualize other person’s emotions, write about them, create narratives/ stories out of them. You can make philosophies about how and why people have certain emotions, why they feel sad, happy, melancholic. You can also simulate pain to induce the feelings of emotions in a person, you can simulate happiness by triggering certain chemicals and suppressing others. But, you must accept that unless and until you yourself don’t pass through that real-life emotional experience, you will never be able to appreciate and understand how others felt when they had similar feelings. You can be highly empathetic, sympathetic but they too are bound by the limitations of you own mind. You can be a highly intellectual person who has already figured out what action would lead to what emotion, what is good for your mind, what is bad for you, you may create a whole internal defense system to handle the anticipated emotional responses but the experience you will have when you pass through that emotion will be very personal and the art created after the passage through such emotions cannot be attributed to any tangible value.

Now think of handing over such a creative legacy to you descendants. You are confident about this handover to your children because they are your immediate physical extension and if you are lucky then maybe your immediate mental extension too. But, as I already clarified in previous paragraph about the curse of intangibility, the intangible subjectivity of any artistic creation, there is no guaranty that you descendants will resonate with what you believed that art to represent.

It feels cruel to realize this fact but believe me it is the reality. Others, especially the people you call yours are not entitled to appreciate the things exactly to the levels you appreciate. I agree that they should at least not disrespect it but you can never force other people to appreciate ‘your’ valuable things at your exact same level. This journey has to be made solely by themselves which will never be in your control. You may force them, influence them, punish them- abuse them mentally, physically but you cannot force others to generate the same respect, same value for the things you love. It’s purely an internal and voluntary journey.

That is why having people who resonate with how you appreciate certain common objects and common emotions is a blessing. This also does not mean that people who perceive something different for the same objects are bad. There can be cases where they perceive something even better than what you perceive and where they do not even care but that’s not your fault. In order to find clarity in these cases you have to accept that emotions are double edged sword. It will cut both ways. Even when you have anticipated, planned, intellectualized them, you cannot escape your emotional responses. What you can do is to observe them sincerely and let them pass. You are not your selective emotions; you are above them. Emotions are not your creator rather you are the creator of your emotions. The moment you accept this you will see the truth that not everyone, not even your own blood is bound to experience the life around you in the exact ways you want them to. The moment you will appreciate what I am trying to put down in words, I think you will feel liberated. Please understand that this is not just about any artistic creation, it is about everything you call your life – mental, physical, tangible, intangible. To live a life with this intensity could be a blessing (on personal level if this intensity is not anticipated well in advance or not controlled then it is one cruel curse to carry.)

I think this is exactly what Hayao Miyazaki-san was struggling with. But as the movie resolves I think there is still hope for him, for the studio and in the end for all of us rooting for his next movies. It definitely is not a sad ending and even if it is a sad one we know what great things they made us feel about ourselves, how they gave us better perspectives towards life. I think that his true legacy is all his admirer, we people altogether whose lives he changed through his creation. Even though his movies won’t be there, what they have made us feel – that legacy of having a perspective towards life will keep on affecting new generation through us.   

To be honest, for me it’s a love letter of a father to his son who doesn’t want to follow his father’s legacy and wishes to go on his own journey.       

The Father Son – Hayao Miyazaki and Goro Miyazaki

  • All movie scenes from Studio Ghibli – Hayao Miyazaki’s movie The Boy and the Heron