Negative – Parts Per Billion

The Body Snatcher – Weighing Intent Against Action

Robert Louis Stevenson is known for his world-famous novels ‘Treasure Island’ and ‘Strange case of Dr Jekyll and Mr Hyde’ . His short story called “The Body Snatcher” throws light on the mentality and evolution of the dangerous psychopaths. The false sense of greater good, the ability to ‘suppress destructive thoughts’, ‘destructive actions’ to justify superiority keeps driving certain types of criminals to cross the limits of humanity, ethics, morality. It shows that even though the consequences of wrong actions may not get punished due to the limitations of the laws of the respective times, the punishment of wrong thought is almost instant which is the degradation of the person’s psyche through ‘guilt’ and ‘fear’ – and most of the time it goes unnoticed and builds over time resulting in even more grave dangerous acts. It shows how thought and action are equally important in the overall personality. The wrong act may not get punished but the wrong thought has already punished the mind.

Robert Louis Stevenson’s famous short story “The Body Snatcher”

The difficulty of literature is not to write, but to write what you mean; not to affect your reader, but to affect him precisely as you wish.
Robert Louis Stevenson

In storytelling, especially in visual storytelling media, there is an expression – “Show! Don’t tell.” It is very impactful because it makes the viewers to put their minds consciously in the narrative thereby it increases their engagement in the story; this makes them to consider the narrative as their own story. The emotional impact is very high. It is furthermore potent if the story is horror or thriller. More the viewers feel engaged, more scared they will be.

But there are some stories especially, some unconventional crime stories where there is no point of relatability because not every one of us is a criminal, not every mind thinks the way given psychopath, criminal is thinking in the story.

Now the impact of such stories is solely dependent on how they are written, expressed. The mastermind depicting, writing such stories knows that being a human we have all the tendencies of whatever good there is in the world and whatever bad there is in the world. It is just matter of which of those we give chance to flourish and which of those we suppress to make our ultimate personality. The master author uses that fine thread of slight ‘unnatural’ tendencies we have suppressed to make us simulate the real horrors the villains of his story would commit. These stories create impact and relatability through our urge to simulate the events to understand the end truth of the narrative. Inspiration from real events adds further more spice in such stories. (That is exactly why “Based on real incidents’ has remained an impactful (but still a cliché) opening for any horror story. We know that it’s a cliché but it creates a space in our minds that there could be a possibility of this happening in real life)

R L Stevenson wrote one such short story which feels like a normal depiction of a crime but in the very last sentences the horror of the story unfolds thereby leaving the readers shocked and scared. We will deep dive into this famous story written by Robert Louis Stevenson.

The Body Snatcher – Synopsis

This is a story of two young men who studied in the school of medicine in Edinburgh in early 1800s.

Macfarlane is now a Doctor and Fettes – old drunken but literate man was his companion in the past academic times. The main story starts unfolding as Dr. Macfarlane and Fettes see each other after long time unexpectedly which revives the memories of their wrongdoings in their shared past at the school of medicine.

Being a good and sincere lad, Mr. Fettes gets the job of maintaining the dissecting room held by Mr. K_, the teacher of anatomy. Macfarlane was assistant to Mr. K_. So, Fettes and Macfarlane were responsible for ensuring the smooth demonstrations of anatomy to the class by Mr. K_. In order to ensure the duty and credibility, Fettes and Macfarlane had crossed the limits in the ways they would source such dead bodies. There comes a day when Fettes is shocked to find out that the dead body he received is of Jane Galbraith – a lady he met in a good health just a day before. He tries to bring sanity in this matter by asking Macfarlane but Macfarlane rejects that idea of identifying and informing Police about the possible murder because that suspicion opens the possibility that all the dead-bodies they receive for dissection in the class of anatomy are results of crimes thereby making them immediate criminals.

Here we come to know that whenever there is shortage of dead bodies, Fettes and Macfarlane went to dig out the graves in the graveyards around Edinburgh.

One day Fettes discovers that Macfarlane has one acquaintance called Gray who has some sort of control over the behaviour of Macfarlane as if Gray knew something really dark about Macfarlane and revealing it would jeopardize Macfarlane’s reputation. Gray uses this trick of black-mailing to have a feast on Macfarlane’s money even though Macfarlane was not into it.

Upon the passing of night, Fettes understands that Macfarlane took care of the Gray Problem when he sees the dead body of Gray as a new subject for the dissection class. Macfarlane himself delivers that body to Fettes and it is now clear that he himself murdered him. But there is no chance to inform authorities and bring more trouble for Fettes. Macfarlane is not bothered by all this and rather feels free as the axe of Gray no more exists on his neck. He ensures Fettes that its just a matter of time that these dreadful memories will fade away and they both will be on their way as if nothing happened.

Fettes feels the same but both Macfarlane and Fettes have the event of Gray etched on the back of their minds as they now consciously avoid any direct or indirect conversations leading to Gray.

One day due to the shortage of subjects for dissection they go on the ‘resurrection’ hunt to a graveyard to dig out a dead body of an old farmer lady. They take a halt before going on to the main task of ‘resurrection’. They are caught in rain and darkness when they start to remove the dead body of the lady from the grave. They load that body in their small, congested cart in darkness. The body lies partly on their shoulders, is bothering them and is shifting continuously due to the uneven roads.

The uneasy dark and rainy environment, the dogs following the cart makes Macfarlane uneasy as if someone, something unnatural is watching them. So, Macfarlane asks Fettes to light the lamp so that they can at least check the dead body and keep it, adjust it properly in the cart so that they would continue the journey. Upon lighting the lamp both Macfarlane and Fettes are shocked to discover that the dead body they retrieved from the grave of the old lady is a dead body of Gray – a dissected dead body of Gray.

Inspiration From Real Incident

William Hare (left) and William Burke (right)

Robert Louis Stevenson’s short story “The Body Snatcher” was published in December 1884 and was based on infamous and real “Burke and Hare Murders” in 1828. Burke and Hare were owners of a lodging facility. Burke and Hare committed 16 murders to supply dead bodies in exchange of money to Dr. Knox who used them for dissections. This event led Dr. Knox to lose his credibility and fame. Dr. Robert Knox was a famous anatomist of his time. He was not convicted because he was not directly involved in the dealings of the dead bodies from Burke and Hare. Burke was hanged in public and Hare got immunity because he supported the state’s evidences and testified against Burke.

The way in which R L Stevenson knitted the story is what made the story interesting. He calls the anatomist doctor Mr. K_ when the readers had an informed notion of Burke and Hare Murders and Dr. Knox in those times. So, it makes the readers to find out themselves that mystery around “Mr. K_”. Mr. K_ of the story is no other than Dr. Knox of Edinburgh.

Psychopathic Tendencies – How Criminals Justify Their Crimes

For any average person, committing single murder is a huge, seemingly unnatural, inhumane and in the end an illegal act to fully commit. The consequences are dangerous. Then how come Burke and Hare committed 16 repetitions of this crime? They were just some small business owners.

In similar sense, Mr. Fettes and Mr. Macfarlane were just students of medicine and were doing their duties to ensure the supply of subjects for dissections. What made them to go on the streak of multiple illegal activities in the story? They were just doing their due diligence to Mr. K_.

Upon looking at the depths of the investigation of Burke and Hare Murder Case we will find that the first time they sold a dead body was for totally different reason. One of their lodgers died of old age while leaving a debt of 4 Sterling Pounds. Burke and Hare decided to sell the dead body to settle the debt. Note that dead bodies in those times were scarce for dissection and demonstration. They sold the body to Dr. Knox’s Private Anatomy School. Professor Doctor was not directly involved in the dealing. Burke and Hare received 7 Sterling Pounds for the body.

From hereon they decided to take the control of people’s lives for such beneficial business of dead bodies and started murdering the people who lodged in their facility. They killed 16 people in this way to deal for money in exchange of dead bodies. The careless murder they committed was to kill a beggar with clubfoot and his dead body was easily identified by a student due to this disability which made him to limp. Knox is said to make that body unidentifiable by removing the head and feet.

They had differences in their partnership which made them to split these acts for themselves. During an attempt to forcefully shift the lodgers to Hare’s establishment, Burke killed a lady and the lodgers who were shifting found the body while they returned to retrieve their belongings from Bare’s establishment. This was reported to Police but the dead body was already sold.

Looking at these events you will see that it is the rejection of morality and false sense of greater good and self-betterment which drives the criminal to commit the crime again and again. Burke and Hare got involved in these acts for the monetary benefits where it was easy to bypass the system and provisions like Dr. Knox’s anatomy demonstrations. Dr. Knox was driven to improve his credibility by flaunting his skills and demonstrations of dissections in the medical community.

R L Stevenson took this fine thread of reality to create Mr. Fettes and Mr. Macfarlane in his story. We will see that Mr. Fettes is shocked when he identifies a dead body of the lady he just met, that too in good health. Mr. Fettes had raised concern to Macfarlane but as Macfarlane was experienced and conditioned knowing that dead bodies once dissected were beyond any identification and legal jurisdiction. Actually, being a student of medicine, Macfarlane was expected to have a sense of the importance of life for any human being. The false sense that this will not get discovered by anyone practically and all of this was being done to maintain the reputation of his teacher thereby improving his credibility created a false sense of greater good in Macfarlane.

There is a section in this story where Macfarlane expresses how he feels about all these matters of dead bodies and Gray’s murder. He expresses following to Fettes in the story –

“The great thing is not to be afraid. Now, between you and me, I don’t want to hang-that’s practical; but for all cant, Macfarlane, I was born with a contempt. Hell, God, Devil, right, wrong, sin, crime, and all the old gallery of curiosities- they may frighten boys, but men of the world, like you and me, despise them. Here’s to the memory of Gray!”

The way he says all this shows that his mind has developed a false sense of greatness to justify his wrong-doings. Now he wants to prove his manliness. It’s like a defense mechanism to cover all the guilt which comes from committing such crimes. The criminal considers the motivations behind his criminal acts are way superior than the moral weight of what is right and what is wrong. (The word ‘CANT’ use in expression “for all cant” means a criminal act, deceitful act, falsehood. Macfarlane very well knew that what he was doing was a crime.)

In case of Burke and Hare it started with settling the debt for ensuring proper monetary gains for stable business of lodging. Then it snowballed into series of murders because they were never caught in action and had a way to come out of the murders. They created that ‘ecosystem’.

Same ecosystem can be seen in this story.

What could have actually made difference is the sense of reality and integrity. Integrity is the behavior which we carry when no one is watching. Fettes had chance to expose all this system when he discovered the young Lady’s dead body. But only because he felt that this action came with lot of difficult consequences and impossible to favor him in the end, he keeps mum.

Fettes found that exposing Macfarlane and Mr. K_ and getting them punishment is the most impractical and impossible event – the inevitable and that is where he made his first mistake. He went with the flow, the wrong one.

The same would be the case for Burke and Hare. They could have asked authorities for the settlement of the debt from the old dead lodger. But, considering it a tedious route they considered the ill- route to sell it.

However difficult it may seem; impractical it may seem there is always a right way to do right things. The environment in which you are deciding your action is also playing a huge role in your choices. First helplessness shows you the path, then guilt follows and in order to mask that guilt the person creates a sense of greatness which demands sacrifices. This is real and constant in every generation of humanity. Most of the times right things are the toughest one to act on and accept.

Stevenson beautifully brought these human tendencies in his story which go hand in hand with the reality we live even today.

The Ending Of The Story – Real Or Supernatural?

What hangs people…is the unfortunate circumstance of guilt.
Robert Louis Stevenson

Many readers argue that the ending is supernatural and spooky. Robert Louis Stevenson in a masterful way maintains the realism of the story till the end. And in the last few closing sentences he mentions dead and dissected body of Gray which was completely destroyed many days ago in the reality of Fettes and Macfarlane. It is practically impossible for a body completely dissected to show itself in deep grave at completely different location. So that body definitely was not of dead Gray.

There are evidences to support this. Before going to the ‘resurrection’ job, Fettes and Macfarlane had stay in Fisher’s Tryst where they had drinks. So, it’s pretty much possible that whatever happened was under the influence of alcohol.

There is one more doubt that if it was real then at least one of them would have noticed the reality of the dead body. How can two men would have a shared delusion? A shared delusion can only be explained by a supernatural intervention.

The justification to opt out shared delusion is the shared guilt Fettes and Macfarlane had. It is a human tendency to make sense out of bunch of things which don’t make sense collectively when conditions are hostile. This sense is heightened when one is in hyperalert state, when one is in full fight or flight mode. Deep down Macfarlane knew the acts he is performing. The surrounding events just fuelled this sense of guilt and Stevenson beautifully created this environment in the minds of the readers.

You will notice that Macfarlane is completely unsettled and repulsive of minor things happening to him once they load the dead body. He hates the jumps that the body makes while going on an uneven track, he hates that ice-cold sackcloth flapping on his face, dogs following the cart on the road is unsettling to him (in reality we all know dogs would follow every vehicle going through their territory, especially in night), he also feels that the body has grown in shape (how would he know this if there was not enough light, as the lamp was not working?).

In this exact moment Stevenson injects this sentence for us readers which is a money shot –

“…and it grew and grew upon his mind that some unnatural miracle had been accomplished, that some nameless change had befallen the dead body, and that it was in fear of their unholy burden that the dogs were howling”

“The unholy burden” they both were carrying was the guilt they had suppressed long ago and not acted on it in rightful manner.

This guilt and intoxication are the main reasons behind the spooky conclusion of the story.

What Should Be Punished – The Action Or The Intent?

The Body Snatcher as a story and even the reality of Burke and Hare crime to which it is associated poses a very interesting question. What are the limits of judicial system, law and order?

As this statement from Kant goes, in order to be called a criminal in the eyes of the public, one must be seen to perform the crime or the evidences should support so. Thus ‘Law’ becomes more of a sociological term – ‘to arrest the degradation of human as a society’. On the other hand, Kant beautifully highlighted the unitary role of a person in the society. Simple logic says how a society is made of many ‘individuals’ coming together to interact for mutual benefit. Kant consciously asks for preservation of rights of others while achieving benefit otherwise society collapses (what is beneficial for one will not necessarily always be beneficial to others.) Which is why ethics prevent the degradation of the person on individual level. That is exactly where morality and integrity become more influential.

So, even though our generalized and biased, conditioned thinking makes us to weigh the wrong acts heavier than just their thinking about doing them, in the end they both weigh the same. Sometimes, even though these thoughts don’t get in the fruition of realised actions, they keep on affecting minor, seemingly insignificant decisions we make which ultimately create our personality and our psyche. Act of crime and thought of committing the same crime are same.

Friedrich Nietzsche posed this same dilemma of “what weighs heavy – action or intent?” in his book “Beyond Good and Evil”. I have discussed that in depth in the section “The Freedom of Actions” in my other blog post “The Free Spirit – Beyond Good and Evil “.

The gist of the things is that we will be able to appreciate the crime of ill-thinking when the stakes are really high as in any decision would have grave dangerous scale of destruction. If we will wait for the actions to be presented as wrong while we already know that it leads to wrong then even the thought of doing that action was wrong in the first place, even before the action’s ends were realized.

The Real Punishment – Where And How Does It Happen?

So, now that I have established that even the thought of doing wrong action is a crime then, one would definitely say that I must be a fool. Every one of us is always thinking of such ideas all the time – consciously and unconsciously. (Not of murdering someone obviously. Just recall the last time you cursed someone because they made your life miserable, or the thought that why bad things always happen with good people – especially ME!)

The answer is “It is really easy to fool our mind”. This is also where the core of the fiction in Robert Louis Stevenson’s short story The Body Snatcher and the reality of ‘Burke and hare Crime’ is overlapping.

Burke and Hare thought that their crimes were justified because of the profits of their business. Fettes and Macfarlane thought that their acts were justified for their survival and reputation.

Deep down they were completely engulfed in the guilt of their wrongdoings. So, if we follow the before-explained thought of Immanuel Kant, we will see that real actions from law will ensure realistic punishment but the punishment of the mind is instant, the guilt is injected immediately. This guilt if is “real”, it will immediately start eroding your personality and psyche. Which will eventually lead to unnatural events and acts of crime in real world.

I am saying the feeling of guilt to be “real”, because (again) it is really easy to fool our mind. One has to train mind to distinguish the difference between impulses, responses and their encouragement or suppression. One will realize that whenever there is suppression of wrong thought like guilt in this case, it leads to the defense mechanism – creating a cover up with false sense of greater good or the false security of not getting caught in action, on not having enough evidences. Even though they are not caught in society, the guilt has already passed its sentence on their personality, their self-image and psyche. Now such persons have just accepted what they have become. (This is how a psychopath would start their journey to justify all their crimes).

I am posing this also from the other perspective of ‘false-guilt’. Sometimes we consider ourselves guilty when in reality we were not responsible for those events. This false guilt will start taking even the good things you have.

The only way I see to handle any wrong thought is to not let it grow out of its own boundary of creation, not to feed it further. Not to mask it or suppress it but just let it remain there. The overgrowth and flourishing of good thoughts will eventually diminish its influence. It’s natural to have right or wrong thoughts for given stimulus. Response, reaction lies in our territory. You must understand that even the act of suppression demands extra efforts which requires extra involvement, this extra involvement is unconsciously feeding that wrong thought, thus suppression on mental level is not suppression rather it’s a feed. Which exactly what we keep on missing when judging between an action and its mere thought.

Egg Or Chicken? – Action Or Thought?

You will appreciate the dilemma created due the practical limitations of the world we live in. As it is really difficult to enter immediately into the mentality, psyche of the others – we have to always go by the external attributes of everyone around us to measure the rightness or wrongness. That is why act imposing guilt must also be supported by the thought of guilt. This is very important when the psyche, the mind of person is not normal or completely evolved. So, one may think that the importance of ill-intent is less important, it also plays equally important role in judiciary decisions.

In court, the thing we punish is the criminal intention. -the mens rea, the guilty mind. There is an ancient rule: actus non facit reum nisi mens sit rea – “the act does not create guilt unless the mind is also guilty.” That is why we do not convict children, drunks, and schizophrenics: they are incapable of deciding to commit their crimes with a true understanding of the significance of their actions. Free will is as important to the law as it is to religion or any other code of morality.
William Landay, Defending Jacob

Conclusion

Robert Louis Stevenson is known for his world-famous novels Treasure Island and Strange case of Dr Jekyll and Mr Hyde. The short story called “The Body Snatcher” throws light on the mentality and evolution of the dangerous psychopaths. The false sense of greater good, the ability to ‘suppress destructive thoughts’, ‘destructive actions’ to justify superiority keeps driving certain types of criminals to cross the limits of humanity, ethics, morality. It shows that even though the consequences of wrong actions may not get punished due to the limitations of the laws of the respective times, the punishment of wrong thought is almost instant which is the degradation of the psyche through ‘guilt’ and ‘fear’ – and most of the time it goes unnoticed and build over time resulting in even more grave dangerous acts. It shows how thought and action are equally important in the overall personality of a person. The wrong act may not get punished but the wrong thought has already punished the mind.

References-

BBC Article – Anatomy and crime – Burke and Hare: The body snatchers
The freedom of actions – The Free Spirit – Beyond Good and Evil
Cover image credit –Mortsafe in Colinton Kirkyard by Kim Traynor

A Modern Prayer to Perceive ‘The Silver Linings’

The acceptance of our dark side is the only way to start a new journey to the real happiness, fulfillment. Achieving real fulfillment becomes way easier and manageable once we start acknowledging our dark emotions, feelings of sadness and sorrow. Running away from such “low” lying emotions actually intensifies them in the abyss. Actually, such emotions have great contribution in the refinement of our character. Empire of the Sun’s new song called ‘Happy Like You’ talks about the acceptance of our dark side to make our personality whole for creating a newer and better version of ourselves.

Empire of the Sun’s song “Happy Like You”

The best piece of art can be attributed to the multiple perceptions, interpretations it creates in the mind of its subjects despite keeping its physical structure constant.

The beauty of a masterpiece is that people have their own opinion about that piece and nobody is wrong. The mere subjectivity and the possibility to invoke personal feeling in the mind of the observer or the enjoy-er of the art is the power every one of us has naturally. Most of the time very few of us unlock that power in a better sense. Music is one such power.

Recently, I came across newly released album named “Ask that God” by an Australian electronic duo called Empire of the Sun. All the songs on this album are banger and are complete redefinition of what the Empire of the Sun stands for. In my personal opinion, it is a crime to compare all the songs to choose the best one, (but you already know why I am writing this). One song that is looping in my head continuously and has occupied a larger portion of my brain for many days is “Happy like you” (this only shows that the song has conjured me thereby maintaining my previous point of not comparing good songs with each other).

Luke Steele and Nicholas Littlemore of Empire of the Sun

Actually, bringing the poetry into the bastardized territory of prose should be a crime, for it de-beautifies the very reason for it being so wonderful. But, in order for everyone to appreciate the multiple subjective point of views and its connections with the multiple facets of life it is trying to explain, a poetry must undergo its ‘deconstruction’ into prose.

That is the crime I am committing here. If there is any songwriting, poetry, lyrics meaning police anywhere, tell them that I am here waiting for them to tolerate all this prose I have written hereon.

Jokes aside, I am deep diving into the song and its music video.

The song

The song is written by Luke Steele and Nick Littlemore of Empire of the Sun.

Happy Like You lyrics © Universal Music Publishing Group

You’re revolutionary
You’re like a phantom taking a leap
You’re heart is legendary
Bet you are feeling so high 
You have a higher power
Telepathic talk to me
Make me whole again
Whole again whole like I used to be 

Happy like you 
Happy

The poet is asking the higher power for something that would make him feel complete like he was before. He is praising the power of this higher power so that it can bless him.

The words used by poet like revolutionary, taking leap, legendary heart are used to describe this higher power reflects what he exactly wants from the higher power. He wants to regain a lost part of his personality he was before going through this hardship. He wants the higher power to take the leap to come out of the sorrow, transcend the current state and bring about an “internal” revolution in a way.

Telepathic ability indicates the poet’s trust in the higher power. Poet knows that this higher power is his final resort to all that exists. That is why this power knows everything already and there is nothing required to be expressed formally to get things done.

Ultimately, it is a request to regain that precious part of the poet’s personality, that happiness which defined his whole personality.

Won’t you humanize me
Use all your wisdom 
Show me joy in everything 
I’ve been clouded by machines
Lost my way deep inside another screen

The rhetorical question posed by the poet is a slight indication of what he lost during his difficult times. He lost the things which made him human. He lost the ability to see the silver linings.

This is the exact spot we must understand that the person lost his personality in depression and mental battles. But why? and how?

Immediate forthcoming lines show what happened. The screens and “machines” indicate the influences of the mechanical world on our daily lives and the added powerful effect of social media which led to a dreadful state of depression.

It’s an irony that when we are ‘liking’ certain things on social media from other people’s lives, a deep-rooted sadness, envy, hatred is getting born out of the one-to-one comparison of lives. Everyone is conscious of these emotions due to social media but the penetration of social media, screens everywhere is so regular and normal that we are subconsciously (now mechanically) ignoring these emotions which take a toll on our minds when we are shocked with something really sorrowful.

All I wanna be is happy happy happy like you 
All I wanna be is happy happy happy like you

Once you pass through such horrible emotions of sadness and depression you start appreciating the person you were, how happiness made you the better version of yourself. This happiness made you feel like the greater, higher power itself. That happiness actually made you feel closer to the higher power. The poet urges the higher power to make him who he was before and just in the ways the higher power carries itself.

You’re revolutionary 
Telepathic talk to me
You are imaginary
Bet you are feeling so high 

Wish is a dream that comes true

The most difficult part of coming out of the depression is that it starts in mind of a person with such an intangible, non-physical thought/ idea and then it starts to affect the real events, objects, people around him/ her. So, even though fixing the reality around such person can help to come out of the depression; uprooting the deeply settled feelings of sadness, grief, sorrow has immense impact in the person’s fight against depression.

That is exactly why the wish to become happy shows that the poet whole-heartedly wants feel happy. The ‘wish’ indicates is readiness from inside to be realize happiness from intangibility to reality thereby highlighting the use of the expression “dreams that come true” here.

Time is a song that forms you 
Oh I hope you

The expression of ‘time’ which formed this higher power implies the time which need to given to person to heal when he/ she is in hardships. Give it some time, it will pass too. The poet has understood that over the time even though it will seem difficult but over the time every sadness will fade away. It’s just an ask from poet to the higher power to get the patience, courage for passing through this hard time.

Won’t you humanize me
Use all your wisdom
Show me joy in everything
I’ve been clouded by machines 
Lost my way deep inside another screen 

All I wanna be is happy happy happy like you 
All I wanna be is happy happy happy like you

Ultimately the influence of social media on our lives and the mere algorithmic, mechanical nature of our lifestyle is leading lives of many really happy people to a depressed, sorrowful life. The poet asks the higher power to make such people complete again and happy again just like the supreme power is. It also means that once we become happy and complete, we will become that supreme higher power again.

From a simple explanatory point of view on any poetry/ songwriting, the song gives an impression of the man’s urge to regain his happiness, his identity when he is in the conundrum of depressive emotions and thoughts. The impact of depression is great because the factors causing it are within our hands (or I may say fingers’) reach – the social media and the screens.

I think the songwriters have taken this excuse of the depression from social media to show what an urge to overcome any depression means for any human being; what it means to redefine the personality and also complete the human being in a bigger picture.

The video and its symbolism

The phone call –

The video starts with a phone call. The girl receives a call on her landline and then the frame shifts to a guy (Luke Steele – Emperor Steele) in a dark with a red hue and dark hat. This is indication of her having a call with her inner self. The low-lit room shown throughout the video is the metaphor of she having discussion with herself and her inner thoughts and emotions. The phone call is proof of she handling her emotions by herself, it is her own conscience calling her.

Frame from Empire of the Sun’s Happy Like You MV

A low-lit room –

Watching reflection in mirror and hand movements on her own body shows she is interacting with herself. It is like a self-talk one has with themselves while figuring out what needs to be done. The low-lit room shows that dark part of our personality which also need acknowledgement. Even though the song calls for the person to be happy, this low-lit room has bigger significance. It is an indication that the real happiness comes with our acknowledgement of our darker side. Darker not in the sense of negativity but more in the sense of left out emotions which also need proper attention.

The colors –

Even though the music video looks colorful with some dark theme, the choice of colors used in this video are specific; there are characters, colors to the people shown in the video. Hot, cold, and warm / Red, blue, yellow, greens sometimes – indicate respective emotions and the interaction of the girl with those emotions. It is like she is trying to understand them and accept their presence to find the answers.

The window –

In the early part of the song, you will see the girl peeking through the blinds to see what’s behind the glass. It’s literally her peeking into her dark side of the mind.

There is a glass window with blinds between a person and the girl. The person can see her doing all her activities. What girl sees is only her reflection, this absolutely support the symbolism of her having an internal conversation about the overall depressive state of her mind.

The sadness, grief –

You will see one person (Nick Littlemore – Lord Littlemore) with the black tears seemingly away from the window in certain snippets of the video, who appears and goes withing few moments. This is that deep rooted feeling of sadness which the girl is trying to acknowledge. One person closer to the glass window observing the girl’s activity is her conscience and the grief is away from the glass lying in the deep abyss of her mind. I say the guy closer to the window is her conscience because it has symbolically shown with multiple colors and hues showing the variety of emotions one carries in themselves.

The rain in the end symbolizes new beginning, renewal.

The creators of Music video deserve special applause

A deep dive into this ‘prayer’

For me this is not a simple song, it’s a prayer and I have a very strong reason to justify my point. A prayer from a literal, grammatical point of view is a request to higher powers which have better control of the reality than us. We surrender to such higher powers to show that we are humbled and are in a need for help through such prayers.

This song may not have that feel of “conventional” prayers, hymns due to its electronic and not so ‘religious-feeling’ notes, melodies but there is no written rule on the ways to compose a prayer anyways.

On first thought it’s weird, how can a prayer in electronic music make sense spiritually?

I say why not! I would say the composition itself dares the modern listener to appreciate the feeling of awareness of our higher self – hidden inside our own selves. It is like tapping into that unconventional, unexplored hidden, darker part of our own conscience.

The song mainly focuses on visiting and acknowledging the darker parts of our mind, especially when we are in deep sorrow. Abandoning such dark emotions thinking that they are not part of your personality actually intensifies them and when you are feeling weak and defeated – these emotions will easily cover your whole personality.

My point to call this song a pious prayer is that it makes the listener, the singer acknowledge their emotions. Good or bad whatever they are, they together make the personality whole. It also makes them to accept their urge to improve themselves in life. Even though we are asking the higher powers to grant us the powers to become our better version it is actually we – ourselves acknowledging our darker side to improve and build upon them for the better and evolved version of our selves.

The most important act to come out of any negative, depressed feeling is the acceptance of the fact that they are an inseparable part of our personality and only this time they have charge over our personality and we can take control from them anytime we want. You can only cure a person who really want to be cured and live ahead. The feeling to come out of such sorrows has to come from inside and it becomes easy once we accept our darker side of emotions, feelings.

So, the best way to handle any challenging emotional state, any darker emotional state is to first acknowledge them. Acceptance of something wrong or abnormal is the first step to effectively work on handling them. It becomes very difficult to accept that we ourselves are the originator of our emotional responses and its totally normal. We just feel that it is difficult to control our emotions because mostly they are triggered by the external stimuli and that is where the real trick happens. You see, the illusion that our emotions are uncontrollable is created by the assumptions that one need to control his/her surroundings to achieve what they want to become happy. That is why when such person fails, they are immediately drowned into the feelings of sadness. This also does not mean that you should always control your emotions and avoid expressing yourselves.

What I am trying to make point about is that the moment we start segregating our emotions as good and bad we end up in an illusion of happiness instead of the real happiness. Instead of avoiding and dumping, controlling your sad, dark emotions deep down, their acceptance as one more normal part of our personality helps us in a better way to achieve the real happiness.

Being sad justifies the moments of happiness and that also does not mean that you must remain sad – suffer more to be happy in bigger ways. You see, all happinesses in the world are same. Actually, they are not even same, they are subjective – to be precise, there is nothing to compare between any type of happiness. But due to the social media and the screens, we are always trying to compare our happiness with other people’s happiness. That is where the origin of the problem lies.

Looking on the other side of the shore same goes with the sadness; no two sadness must be compared. Acknowledgement itself is more than enough.

Working on sadness is like hugging an annoying crying kid; just a tight hug without any intent. The kid will stop crying.

Once we have accepted all our emotions as a natural part of our personality then only can we have the chance to recreate our personality. This requires humbleness and in most cases when people are thrashed with the reality and the sadness, when they are helpless the final resort is the spirituality where the help from almighty is requested. The moment you attribute this power to any object especially human-like object the religion starts taking shape (that would be topic or another discussion!) But without diverting the topic, only when we are humbled then we seek help from others. Prayer allows you to do that without any feeling of shame. That is exactly why I feel this song is a prayer. It allows you to accept your darkness, understand it and asks you to use it to create new happiness.

I will stick to Kierkegaard on this, we have to understand that when we are praying to the higher powers to handle our lives in a better way, we are actually asking the forces lying inside our own selves which hold the capacity to create the better version of ourselves.

We are capable of creating better times for ourselves on a condition that we acknowledge every part of who we are. It is just our mechanical nature to categorize certain things as good or bad sad and happy which takes charge of our whole personality. You will appreciate this more once you closely observe the stories behind the creation of all types of the masterpiece humanity has ever seen. All those great things had that unconventional, hidden dark side which triggered the creation of something totally new and radical.

So, in order to become truly happy, one must accept their dark sides that is where the potential to have completely new beginnings lies.