Media – Parts Per Billion

The Roadmap For A Creative & Fulfilled Life

The ten letters from an Austrian poet, novelist – Rainer Maria Rilke to a young poet undergoing the fear of mediocrity and criticism laid down a roadmap for a successful artistic and creative life. The beauty of Rilke’s letters is that they are not limited to those strictly in the creative professions; rather it is a roadmap for every person who want to live a fulfilled life involving continuous transformation of inner and outer riches. That is also why art is important in our lives. Rilke through his ten letters, implores the reader to cultivate authenticity, empathy, and patience to pass through all events of their lives.

In today’s times the written communication has become so handy and easy that you can send millions of sentences from one end of the globe to the another within few milliseconds. This convenience of communication has stolen away the sanctity, sanity and strength of the words and emotions they invoke which were actually supposed to transform our worlds in better constructive ways. After reading these letters from Rilke you will appreciate how effectively he distilled down the divine wisdom of life in few pages. A book costing less than one time meal can transform your whole life. This is the power of a true artist.

Rainer Maria Rilke’s Letters to a Young Poet

One of the biggest fears any budding artist carries inside them is the fear of mediocrity and the fear of the criticism. Creative pursuits can be followed by anyone and everyone but very of few them are able to rise-up as the real artists. At the same time, it is also true that a great master was once a starting novice. This is where lies an ambiguity; how could an artist develop his art to the greatness when today he/she is unsure about its end fate? This may feel a complicated question but the answer is simple or at least someone has already simplified the answer for us. Rainer Maria Rilke, the poet is the one of the artists who truly understood what it means to create an art or become a true artist.

The reason to mention Rilke out of the other artists is the way he provided that answer. Very few artists carry so much artistic power that even when they would sneeze or yawn, it feels artistic. Rilke was one of those effortless artists. Pardon my example of artistic yawn, for Rilke deserves far superior analogy for his works. A true artist’s life itself is an expression of art. This is only possible due to the authenticity. Authenticity is the core of great and true art.

The reason to choose Rilke to solve the riddle of the true artistry is the letters he wrote to a budding poet for giving feedback on his poetry. You will see the inner workings of Rilke’s genius artistic mind through these ten letters. You can call these ten letters as ten advises, ten rules to become a great artist rather a great human being. You would wish that someone would have given you exactly similar advises in your journey when you will read these letters. What strikes me the most in these letters it the relevance they still have today, that is what is an attribute of true art – it stands the test of time. I will throw some light on the key moments from these ten letters and would encourage you to read them for yourself. You will understand that very few pages of paper are enough to change the way you live your whole life.

Letter 1 – Art should fill the gap between what is felt and what is expressed

Criticism of art

Franz Kappus – a recruit in military academy felt the need to have an opinion on his poetry which is why he wrote letters to Rilke asking for his feedback. Rilke once studied in the same academy. Rilke writes following in response to Kappus.

“Things are not all as graspable and sayable as on the whole we are led to believe; most events are unsayable, occur in a space that no word has ever penetrated, and most unsayable of all are works of art, mysterious existences whose life endured alongside ours, which passes away.”

– Rainer Maria Rilke, Letters to a Young Poet

It is very interesting to see how Rilke found out the gap between the expression of any art and the interpretation of its observer, admirer. And that is exactly why art should exist and function. That is also why it is very easy to criticize given art but difficult to replicate it. Most of the pure creations of art, however fictional they may be have somehow emerged from some real-life events and are very personal. This fuels the pure artistic creation but it may also steal the perspective from the observers who haven’t gone through that real life experience in their own lives. That is exactly why criticism is the easiest task in any artistic journey. Rilke thus encourages the new poet to not worry about the criticism of others in this journey. Actually, bringing the intangibility into tangibility, unsayable and unseeable into comprehensible reality is the exact job of the artist. He would anyways face the criticism as he is the first one to bring them into the reality; others are yet to pass through the same experiences on their own level. Fear of criticism should not stop the process of artistic expression.

Artistic style is effect of the art not the cause behind it

“Nobody can advise you and help you, nobody. There is only one way. Go into yourself. Examine the reason that bids you to write; check whether it reaches its roots into the deep regions of your heart, admit to yourself whether you would die if it should be denied you to write.”

– Rainer Maria Rilke, Letters to a Young Poet

Many artists try to copy the style of other famous artists to create their own art because it is already proven technique that others are appreciating. It is the safest way. Some try to force things so that art would be created. Art should not force you to do certain things. The style created by these routes becomes pretentious and ‘cringy’. People will like it; it will become viral but it will be short lived.

Rilke thus advises the young poet to look for the reason he has chosen to walk this path. He wants the poet to make sure that the reason to go on this journey is to express the deep sayings of the heart. The art created from this deep urge of the heart will have its own style.

Rilke was very well aware that the emergence of style is directly linked to its uniqueness of expression which is very personal thing. Hence, he suggests to go inwards. Every one of us lives their life in unique ways and if the art reflects that uniqueness, then it can easily create its own style. This is possible only when one has the urge to honestly put his own life in his art instead of copying or imitating the lives of others. This is also why one cannot separate the biography of a true artist from his art. So, study of an art is in a way the study of that human who created it, his philosophy of life.

“A work of art is good if it has risen out of necessity.”

– Rainer Maria Rilke, Letters to a Young Poet

Letter 2 – Art is more about depth than its aesthetics

“For under the influence of serious things irony will either fall away (if it is something incidental) or on the contrary (if it really belongs to you in a native way) it will gain strength and so become a serious tool and take its place among the means with which you will be bound to create your art.”

– Rainer Maria Rilke, Letters to a Young Poet

Art most of the times is meant for pleasure or to stir up the emotions. That is why aesthetics are one important part of any art. So, it is natural for any artist to work on improving the materialistic attributes of his art, the way it looks, the way it sounds, the way it smells or the way it feels to the skin – the way it triggers the senses. Rilke wants the young poet to care less for such aesthetic attributes and focus more on what needs to be said which was not said by others before. This is possible only when the artist shows his personal depth, his honest intent while expressing his emotions, thoughts, ideas through his art. If there is depth in the expression, the aesthetics would be automatically be built around it to fulfill that honest expression.

This shows why Rilke’s simple writings feel so artistic and pure to the core. Even his normal letter communication has an intent and depth.

Letter 3 – Solitude engenders the art

The solo journey of authenticity for the creation of true art has its shortcomings (I won’t use the word ‘disadvantage’ because Rilke explains the power of such solo journey many times in his future letters). The shortcoming is that as you are on your own, you may cross the paths which others have already passed, you may commit the same mistakes which others already committed. This wastes valuable time and resources. So, anyone would obviously think that at least if they start with some preconceptions of what others have already done, it would prevent them from potential failures in their own artistic journey. Rilke prohibits the young poet from embarking on such journey. There is a reason.

“Trust yourself and your instincts; even if you go wrong in your judgement, the natural growth of your inner life will gradually, over time lead you to other insights.”

– Rainer Maria Rilke, Letters to a Young Poet

The single most common attribute of any great artform which is the authenticity is possible when the artist successfully pours his/ her unique perspective into their art. This is only possible when they go on their own journey in their own ways even if others have already done that. Rilke focuses more on how you grew out of your failures, the failure which other have gone before but never learnt from them. For an artist, failures are less important than the personal journey of gathering personal unique perspectives and insights which world has never experienced before.

Solitude is important in such journeys because it demands the artist to go in his own ways without getting influenced by others. This isolation from the surrounding ensures the true expression of what was suppressed by the very surrounding itself. Being a social animal, we try to suppress certain aspects of our identity to melt and fit into the corners and molds of the society. Rilke implores the importance of solitude so that those hidden, personal and unique aspect will bring out the authentic perspective out of the artist.

“It is a lesson I learn every day amid hardships I am thankful for: patience is all!”

– Rainer Maria Rilke, Letters to a Young Poet

Rilke knew that failures shatter anyone completely and that is exactly why asks for patience in this journey.

Letter 4 – Artist must be careful about the limitations in the expression of art due to the tangibility of its materialistic media

Rilke cautioned the young poet about the media of the art. The media are purely materialistic which are expressing the immaterial, intangible ideas and emotions. So the chances are high that the limitations of the media will not successfully communicate the intangible expression of the artist. The art could immediately feel mediocre because the media failed even though the artist had an impeccable picture of that piece in his mind.

“…for even the best of us get the words wrong when we want them to express such intangible and almost unsayable things.”

– Rainer Maria Rilke, Letters to a Young Poet

Many of us are pursuing certain arts because it gives us certain type of pleasure, enjoyment, and entertainment. This is also one of the aspects of the materialistic limitation of the media of expression in art. The materialistic media excite our physical senses and also the intangible parts of our personality. Most of the times the goal is to excite the physical, materialistic aspects of our personality. Rilke advices to not focus on such materialistic pleasures during the creation of the art. Such art would excite physically but as physical things have materialistic limitations these limitations will restrict the expression of intangible and truly pure, authentic attributes of given artform.

“Physical desire is a sensual experience, no different from pure contemplation or the pure sensation with which a fine fruit sates the tongue; it is a great and endless feeling which is granted to us, a way of knowing the world, the fullness and the splendor of all knowledge. And that we receive this pleasure cannot be a bad thing; what is bad is the way almost all of us misuse the experience and waste it and apply it as a stimulus to the tired parts of our lives, as a distraction instead of as a concentration of ourselves into climactic points”

– Rainer Maria Rilke, Letters to a Young Poet

(It’s like even though loud music excites you that does not mean that you will keep on listening to it forever; it will surely feel boring after some time. This ‘boring’ feeling is due the material aspects like your eardrums getting tired after repeated exposure.)

That is why Rilke asks to ignore the materialistic pleasure while creating and expressing the art. The pleasure is the byproduct of authentic art, it should first invoke that which was not realized by the person who is consuming that art. Even though the person might have gone through that experience before but it was the artist who showed this person what the observer didn’t felt before.

Letter 5 – Art is one of the very few things which could last forever

“…and you slowly learn to recognize the very few things in which something everlasting can be felt, something you can love, something solitary in which you can take part in silence.”

– Rainer Maria Rilke, Letters to a Young Poet

Rilke here was writing about his time in Rome, Italy. You will see that he describes Rome with hot weather, empty, difficult to settle in, lifeless and museum-like dead and still feeling. But Rilke then pointed out the creations of Michaelangelo which are still beautiful in this dead stillness. In a smart way Rilke shows that the art which is created in pure solitude, silence and love could still remain relevant and still express that authentic expression of the artist. Even though Rome was boring for him that day, Michaelangelo’s art inspired Rilke to redefine the artistic venture to inspire his young poet. That artistic creation in Rome was alive and inspiring people around it like Rilke. It is true still today.

Letter 6 – The ‘final’ destination is solitude and only solitude

“What is needed is this and this alone: solitude, the great inner loneliness. Going into oneself and not meeting anyone for hours – that is what one must arrive at.”

– Rainer Maria Rilke, Letters to a Young Poet

You will find Rilke reiterating the great importance of solitude in his every letter to the young poet. And there are important reasons behind it.

Solitude makes the artist to look inwards which prevents him from copying other styles, it prevents him from mediocrity.

If the artist would depend on other external techniques for artistic creations; once these techniques fail for any reason unknown to the artist the whole journey is futile and great failure.

Failing inwardly is way important to recover because artist would know each and every reason for its end fate into failure. This creates new opportunities for improvements and learnings which lead to unique style of artistic expressions.

Solitude makes the art more personal. Even though we are all same inside and outside on human level what separates us are our unique life experiences and the unique personal perspectives created from those experiences.

Solitude prevents the artist from the hesitation of expression thereby making his art more potent. Any artist who can shake the people to their core rarely hesitates, this is possible only when he has detached himself from the influence and opinions of others. This strength comes when one submits himself to solitude.

Letter 7 – Only solitude can create ‘real’ love.

“I believe that love remains so strong and powerful in your memory because it was your first deep experience of solitariness and the first inner work that you undertook on your life.”

– Rainer Maria Rilke, Letters to a Young Poet

Most of the art is revolving around love. There is a reason why it is so. Love allows the person to appreciate the very reason of being himself. Many would say that love makes the person complete because his other half part in his lover empowers him but that is not the case in reality. You should appreciate how Rilke points out this fantastic observation about our human nature and its definition of love.

The love which we feel for others and consider it as a fulfilling in the form of the other person who loves us back is solely a result of – we carefully and intentionally working on ourselves inwardly. We consider love as a completing emotion not because others make us feel special through it; rather it is because love inspires us to willingly work on ourselves so that our lover would appreciate our love for them and love us back.

True love inspires a person to love themselves, to work on themselves, improve themselves so that their loved ones would love them back. This is only possible when one has completely appreciated solitude. Solitude is the ultimate and authentic form of love. When you would start loving yourself honestly you would appreciate what your loved ones are looking for when they are looking for love.

So, however paradoxical it may seem, our love for others starts with our love for ourselves and only ourselves. (bear in mind that we are not talking about selfishness) Rilke pointed out this observation.

Letter 8 – Sadness is the blessing in disguise

Letter 8 is my most favorite letter. Not because it glorifies sadness or pain which is a common tool for any great art. (Some newcomers, wannabes are ready to harm themselves mentally, physically to invoke such feelings for creating true expression of their art – I feel its too pretentious and inauthentic.)

I like this letter because it asks the artist to observe his sadness in greater depth instead of running away from it. The mere nature of life as a pursuit of happiness prevents us from appreciating its other lesser known but glorious aspects which are hiding in plain sight behind sadness and pain. Rilke knew this hence he implores the young poet to study and appreciate sad experiences constructively.

“If it were possible for us to see further than our knowledge reaches, and a little beyond the outworks of our intuitions, perhaps we should then bear our sadness with greater assurance than our joys. For they are the moments when something new enters into us, something unknown to us; our feelings shy and inhibited, fall silent, everything in us withdraws, a stillness settles on us, and at the center of it is the new presence that nobody knows, making no sound.”

– Rainer Maria Rilke, Letters to a Young Poet

What a pure and real thought!

Rilke beautifully convinced us that we learn more, develop better, create better if we let new and unknown things inside ourselves. Sadness is highly associated with unfamiliarity, uncertainty which is also why it is invoked in such conditions but that is the exact reason for an artist to explore the unexplored territories of humanity. These new, unknown experiences actually develop and amplify the artistic attributes in better ways than any happiness, joy or pleasure would.

“The quieter, the more patient and open we are in our sadness, the deeper and more unerringly the new will penetrate into us, the better we shall acquire it, the more it will be our fate, and when one day in the future it ‘takes place’ (that is, steps out of us towards others) we shall feel related and close to it in our inmost hearts”

– Rainer Maria Rilke, Letters to a Young Poet

Rilke strongly proposes the creative person to not be swayed by the sadness and get carried away with it. Rilke demands patience. For patience will make the person to study this feeling of sadness and what it is actually pointing to. As we are the creatures craving for happiness and running away from sadness it is natural to consider sadness as a hostile feeling. But this less acquainted sadness is actually carrying the gifts of our better futures for when we pass through them, we are transformed. A true artist is always looking for a new perspective towards the world we are living in. And transformation is a coal mine which holds the diamonds of creative, new, and radical artistic perspectives with immense depth. Rilke wants the young artist to capitalize the sadness with the tool of patience to learn a totally different perspective towards the world.

“Perhaps everything terrifying is deep down a helpless thing that needs our help.”

– Rainer Maria Rilke, Letters to a Young Poet

Rilke also showed that the very thing we are scared of is also scared of us for it too is clueless about the unknown. The way Rilke said this shows how important empathy is for any artist. Empathy will help any creative person rather any human being to make amends with the uncomfortable, sad feelings. So, patience and empathy are the most important tools to live a life full of transformations. These transformations, especially the inner transformations will fuel your art.

“Do not think that the person who is trying to console you lives effortlessly among the simple, quiet words that sometimes make you feel better. His life is full of troubles and sadness and falls short of them. But if it were any different, he could never have found the words that he did.”

– Rainer Maria Rilke, Letters to a Young Poet

Rilke then turns the face of inner patience and empathy outwards. If you are this much careful about your inner world in a creative pursuit, think how others are feeling when they pass through similar emotions, feelings. People in your surrounding world are also transformed by such events. Especially, people who are always nice to others, extend hand to others in need, create a safe space for others to get comfortable. They are not doing it because it is nice, it makes them look good or because they want that greatness of good deeds. They do it because they know what it means to be helpless, sad, being thrashed by the events out of their control. Only because they kept their inner world alive, they underwent this constructive transformation which made them a better human they are today.

Rilke wants the artist to appreciate such people living around him. I might be overstating here but only an empath with a strong inner compass can see these qualities in all people. He can look through the people for who they are. This is important aspect of any creative journey.

Letter 9 – Life is right, whatever happens

“All feelings are pure that focus you and rise you up. An impure feeling is one that only comprises one side of your nature and so distorts you. Any thoughts that match up to your childhood are good. Everything that makes more of you than you have hitherto been in your best moments is right.”

– Rainer Maria Rilke, Letters to a Young Poet

Rilke beautifully explains what is right and what is wrong. You have to appreciate that this idea of right and wrong is not based on some religious ideas or some scientific evidences. Although most of the times people resort to either of these given ideologies. What Rilke explains is the way of inner judgement born out of pure solitude. When you isolate your inner world from the external influences, you will realize that the inner child filled with all the curiosity, intrigue and innocence is still there waiting to explore the world. You will find that this is what you are actually but the outer influences made you to twist and morph your core. You will understand that you feel things differently when you are looking inwards. The feelings will remain the same but how you respond changes drastically.

In order to appreciate this I will pose an example: look out for the authors who wrote murder mysteries, psychopathic thrillers or some melodrama with tragedy. The thing to observe is how they are in real life; some actor who played a deadly sinister villain and then look how he/she is in real life. You will see that most of the times the gap between how they live and what they portray is totally different rather polar opposites. This way of artistic performance is only possible when one is aware of what emotions they are going through. They know why they are feeling this and are masters of artificially creating them too. This awareness is possible only if the person has cultivated his inner world deeply.

Feelings are one inseparable part of this inner world. They could be of sadness, happiness, pleasure, anger, anxiety, or jealousy. On surface, it may seem that feelings emerge from external factors but what people always forget, is that one can consciously recognize those feelings and select a constructive response towards them; especially when the feelings are negative. Feelings if mishandled could be devastating and if recognized properly can bring about a revolution in the inner world and the external world thereafter. The very volatility of feelings is their strength and weakness simultaneously. What Rilke wanted is to acknowledge every such emotions for they are not there to remain forever. And that is exactly why he defines the right-ness and wrongness of feelings in completely radical ways. That is also why the childlike innocence is very important for there is no prejudice when one is passing through given emotions. Feelings are the response to reality and not a way to become sad or happy. Rilke wants every artist to use this in their creative pursuit. This is the secret of authenticity – to feel everything that you are feeling instead of getting flown away with it, let it pass but don’t get overwhelmed by them.

That is exactly why life filled with so many multitudes of emotions, feelings would make sense even when they are not on helping term with you. You will see that even such ‘bad’ feelings will open new portal to new creative journeys. For any artist cultivation of emotions especially the negative ones thus become highly important.

Letter 10 – Art is a part of life, life is bigger than art but at the same time, life is futile without art

“Art too is only a way of living, and it is possible, however one live, to prepare oneself for it without knowing; in every real situation we are nearer to it;…”

– Rainer Maria Rilke, Letters to a Young Poet

It is not compulsory to end your artistic journey into the creation of your magnum opus or the masterpiece of your life. What art should do is to make you appreciate the life around you on deeper and richer levels. Once one learns this, they will find art in every aspect of life, which by the way is also an artistic take on living life. The life you are living itself is a masterful creation. Rilke wants the creative person to honor that beautiful creation by remaining worthy of it.

So, this is it. I would recommend every person to read through these 10 letters written by Rainer Maria Rilke to Mr. Kappus. They are not some letters intended to communicate with each other. These 10 letters are guidelines for the people on their creative journey whatever it may be.

That is exactly how a simple scribble by true artist becomes a sermon to whole world. People worship it forever. Authenticity, empathy, and patience make it happen.

The American Scholar – The Books, The Actions, Intellectual Humility and The Dictionary of Life

Part-2 Ralph Waldo Emerson’s Ideas of a True Scholar for the Modern World

Ralph Waldo Emerson’s essay called “The American Scholar” made an attempt to move people out of their immediate achievements of separation from the English Government and inspired them to create something new, create and value the processes for building strong future generations and deep knowledge of nature. Even though this essay was more relevant for the American generation which was largely dependent on their English legacy, it still remains relevant because of the crispness of truth it holds for every new generation of humanity. The speech/ essay will always transcend the understandings of every generation. See Part 1 to understand how Emerson sets up the ideas of the nature, the knowledge, the purpose of education system and the true scholar in the starting part of his world famous essay.

Now, moving on to Emerson’s advise for a true scholar.

Books – The Mind of the Past and its Blind Worshipers

Emerson wants to establish the ways in which the past wisdom was transferred to the next generation. He refers to it as a distillation process. Over the period of humanity, the crude things in experiences, events lost their unwanted parts and went on to become concise, crisp through books. This process created the truths, the facts. The cruder the event, the experiences the less crisper the truth. Emerson explains the imperfections in this process of truth generation by giving analogy of Vacuum Pump. As no vacuum pump can generate the perfect vacuum, no machine can give out exact amount of work to the exact amount of energy input, the process of creating the truth is also not completely efficient. Thus, it is absolutely impossible to establish the ultimate truth in a single attempt, in single past. The best version of the truth we have today is the truth that has stood the test of time, the truth which has been upgraded over the time. It is very interesting to understand how Emerson thought over the ideas of the books and the evolution of truth through them. He connected a very technical idea of efficiency of any mechanical system to a more abstract idea of the extent of the truth value of knowledge.

Emerson also highlights that the age-old books will not stand the test of today’s truths as there will be may stages of evolution in between which will lose their footprint over time. For example, the idea of the earth being carried on the back of the turtles, the elephants, the snake’s head the earth being flat is lost to the ideas of eclipses, the seasons and the actual images of the earth (even though there are still some admirers to these ideas! And it is also important to understand how people interpreted them)

Thus, Emerson in a sense warns every scholar, every person to not become just an admirer, a follower, a worshiper of the book. Because, the understanding and the experience with which the book was written, the truth was conveyed will not exactly be the same experience, the same understanding for the reader. The inefficiency of the system is the boundary of the reader which can only show him the limited understanding of the truth.

“Hence, instead of Man Thinking, we have the bookworm. Hence the book-learned class, who value books, as such; not as related to nature and the human constitution, but as making a sort of Third Estate with the world and soul. Hence the restorers of readings, the emendators, the bibliomaniacs of all degrees. This is bad; this is worse than it seems.”
The American Scholar, Ralph Waldo Emerson

Emerson expresses his sorrow for the fate of the books. He calls the people who blind worship the books “the Bibliomaniacs” and “the Emendators” as in the editors of the truths who create their versions of the truth. Emerson expects a true scholar to not become a book worshiper or a past worshiper. Worshiping the past is the death of the evolutionary thinking thereby restricting the flow of generational distillation of true knowledge. Emerson wants a true scholar to lose the idea of a book lover, book worshiper and become a genius. In some way Emerson tries to define a genius. For that he uses the idea of “an active soul”. An active soul is free from the blind influences of the past and thereby the books. It is not following a defined orbit around the truths from the books, rather an active soul itself is capable of creating a system around which others will orbit. The teachings of the schools/colleges, the subjective truths of past from books are questioned by this active soul further called as the genius by Emerson. This Genius is responsible for the creation of the next version of the absolute truth; there is a sense of progression this genius brings. For that he should break out of the past, come out of merely following the books, look forward to the future. Emerson mentions how mere worshiping of Shakespearean pieces killed the future creative progression of English literature. Many creators became over influenced by Shakespeare thereby nothing original happened for 200 years in literature.

Someone might think here that Emerson is undermining the importance of the books, rather he further explains the impact of books in the hard times of any true Genius, any true Scholar. Books serve as the best companion anyone can have in their idle time, they are the kick starters of every genius mind, they are there to initiate the spark in every creative mind but not to drive it.

“When he can read God directly, the hour is too precious to be wasted in other men’s transcripts of their readings. But when the intervals of darkness come, as come they must,—when the soul seeth not, when the sun is hid and the stars withdraw their shining,—we repair to the lamps which were kindled by their ray, to guide our steps to the East again, where the dawn is.”
The American Scholar, Ralph Waldo Emerson

Emerson gives the examples of some great English poets like Chaucer, Marvell, Dryden. He says that even after passage of many long years the ability of these poets to connect with our minds is really fascinating which is possible only because of the books. This also means that these ideas of poets wee futuristic, visionary enough that they are relevant after hundreds of years. Books are the best option to carry this vision.

Innocence of Knowledge and Awareness of Media

Emerson warns every person of the books they are consuming. He explains this with the analogy of survival of human body. The very innocent nature of human mind and the knowledge both can be conditioned with any thought from the book leading to the fact from the book to become the ultimate truth for the person. Emerson wants everyone to not accept the truth of the books for the truth of life. He wants every true scholar to become a selective reader and follower of the books. Emerson explains that the books display only that part which its creator wanted to show to the readers, this also means that whatever we are reading is just a small part of the authors life not the whole. Thus, when a powerful person, scholar (mentally and physically) encounters books, he holds the power to materialize, personify any and every thought from the books. It is the skill of a true scholar to selectively find the ideas and the versions of the truth, instead of going full on literal and thereby accepting them as truth. In simple words, Emerson expects every reader to get the hold of the ideas and inspirations from the books and not blindly follow them word to word. A genius, a true scholar thus knows what to pick from every book.

In our daily lives today, books are not the only source of information. Emerson’s warnings have become more real in today’s times. We must understand that every information we get from media is not a knowledge hence we must be selective and aware about the content we are consuming. Emerson was not highlighting only the academic noise of knowledge in schools and colleges; he was also highlighting the overall noise of information around us in our daily routine. This noise has become more effective in our generation through social media, portable/digital media, user selective media. Beware of the media you are consuming, try to find the pattern in your content and break out of it. Otherwise, your “curated content” will keep on narrowing your perspective.

Building on this Emerson shifts his focus to the educational institutes. He clarifies that though books and learnings from the past are inseparable and important part of learning and educational institute have done a great work in executing this part, they have completely exploited this part to worse extents. Educational institutions have also established a business on these tools of knowledge to grow rich in materialistic forms. Hence, Emerson also reminds the policymakers to realize the truth that even single part of the absolute truth, the knowledge is powerful enough break this whole commercialized system of education.

Emerson also predicted the future that if the educational systems keep on commercializing the book following, past following, mugging/ cramming up the books culture, create an assembly line of scholars and professionals, even though these colleges will have fat bank balances, funds, even though they will grow richer and richer, their importance/ quality of the education they provide will go on degrading; these institute will lose their public importance.

And look what is happening with most of the education systems of our generation.

Action Speaks Louder Than Words (and that is not the end of the story)

“There goes in the world a notion that the scholar should be a recluse, a valetudinarian, —as unfit for any handiwork or public labor as a penknife for an axe. The so-called “practical men” sneer at speculative men, as if, because they speculate or see, they could do nothing.”
The American Scholar, Ralph Waldo Emerson

Emerson never fell short while explaining the importance and power of new ideas, knowledge they create and the legacy they leave behind for future generations. But he made sure that people wont’s god worship the ideas they have. He wants every thinker to execute their ideas, convert them into actions.

“(The action) It is the raw material out of which the intellect molds her splendid products. A strange process too, this by which experience is converted into thought, as a mulberry-leaf is converted into satin. The manufacture goes forward at all hours.”
The American Scholar, Ralph Waldo Emerson

Emerson has identified one common trait that scholars of all generations hold. All scholars, intellectuals are known to be recluse, always in their own mind and there is nothing wrong about it. The ideas sometimes can carry them far away from the reality. Sometimes new and original ideas are so rare and powerful that one has to embark on a solo journey to discover them completely. One has to understand when this pursuit over-influences their mind, it takes a toll over their minds. The separation of our intangible mind from reality eventually has a bad ending. The neuroticism, the inability to communicate such feelings to others, conversion of such thoughts to some extreme explosive actions and consequences thereafter are one part of intellectual society. The mad geniuses, super smart but cunning villains in our pop culture and real-life stories of smart criminals, smugglers, murderers, sociopaths are the exact reflection of such people in today’s society.

Emerson wants every scholar to come out of their overthinking and the comforts of the world of their own ideas. Emerson knew and made others aware that anything is possible in your own world and as it is created by your own ideas, you get attached to it. You will never want it to disappear and will avoid to test them with the reality. This goes on and on and your mind will be full of many new ideas. They will keep on expanding but they will never become real.

Emerson wants every true scholar to test their ideas in reality and break out of the comforts of the world in their own minds.

“Drudgery, calamity, exasperation, want, are instructors in eloquence and wisdom. The true scholar grudges every opportunity of action passed by, as a loss of power.”
The American Scholar, Ralph Waldo Emerson

Emerson gives advice to future scholars in advance that this fascination of their own beautiful ideas, the comforts of the worlds in their minds may seem beautiful but it is addictive and never-ending- it’s like analysis paralysis leading to inaction.

We always fear that our beautiful ideas will cease to exist when tested with reality, it feels like a part of us is died and deep thinkers, over-thinkers can connect with this on different level. But one must also accept that the death of such non-real ideas is one integral part of the process of the discovery of absolute truth. Death of “wishful thinking” is also one important aspect of every true scholar rather every person’s character development. Emerson instructs that this process of testing ideas through real and concrete actions will be boring, more problem creating, anger generating-frustrating but one has to endure through them. One must not lose the opportunity to test their ideas in reality.

“(Action)…It is the raw material out of which the intellect molds her splendid products. A strange process too, this by which experience is converted into thought, as a mulberry-leaf is converted into satin. The manufacture goes forward at all hours.”
The American Scholar, Ralph Waldo Emerson

Emerson gives the example of our childhood events and how they made us who we are today. We are what we did and what happened to us in our childhood. We are not what we used to think in our childhood. (Like how most of us wanted to become a Pilot and Astronaut and look how many of us really want that today).

The ideas not converted to action lose their existence in two ways. Either (and most of the times) they change instantly into new idea, something else due to their fickle nature or they get rotten in a corner of our mind thereby indirectly disfiguring our adult mind. It is very interesting observation by Emerson; he identifies that our behavior, habits, inspirations are rooted in our childhood. Further on and most importantly Emerson points out that it is not our whole childhood that gets carried over in our adult behavior, habits, inspirations; it is the events and our actions, our responses to events in our childhood that shape us in future. Childhood thoughts, ideas converted into actions are actually etched on our personality forever. And only thoughts and ideas limited to our minds are lost forever. Same is happening with us every day, it is just that Emerson makes everyone aware of the importance of converting our ideas into actions by presenting a very intimate and common example.

“The new deed is yet a part of life, -remains for a time immersed in our unconscious life.”
The American Scholar, Ralph Waldo Emerson

Emerson puts one excellent insight in front of everyone. The actions and not ideas become the subconscious part of our life. These actions solely initiate the cascades of event which are always unfolding in our current life events.

“Cradle and infancy, school and playground, the fear of boys, and dogs, and ferules, the love of little maids and berries, and many another fact that once filled the whole sky, are gone already; friend and relative, profession and party, town and country, nation and world, must also soar and sing.”
The American Scholar, Ralph Waldo Emerson

The Dictionary of Life

“Of course, he who has put forth his total strength in fit actions has the richest return of wisdom.”
The American Scholar, Ralph Waldo Emerson

The great thing about Emerson’s persona is that not only he instructed the scholars but he also gave the directions to start from. Emerson makes everyone aware of the types of actions they can take and their consequences. He wants everyone to understand the nature of outcomes from the action we will take to bring our ideas into reality. As actions will be driven by ideas, there will be times when actions following one wrong idea will not yield good and favorable results. Some actions will feel worthless, unidirectional, single faced, niche and they will only reveal their nature after we see their results. So, does that mean that if actions are more important than ideas and if actions are anyways most of the times going to be worthless then why actions should be one important part of a true scholar? After all most of the times, they are not proving the point of their superiority over the ideas. At least ideas give some type of comfort to our mind.

Emerson says that a true scholar’s life is not only about thinking beyond limits and taking actions on it. If thinking and acting on them was the only purpose of life then everyone would have craved for acting on the ideas which is not the reality. Systematic thinking and bringing them into reality through actions is just one dimension of being a true scholar. Before being true scholars, we are human beings, we have lives.

“If it were only for a vocabulary, the scholar would be covetous of action. Life is our dictionary.”
The American Scholar, Ralph Waldo Emerson

Actions, Pasts, Ideas are part of that bigger life. Hence, Emerson focuses ono living the life, which is possible through having different types of experiences, be mindful of each and every experience in your life. Hence the concepts of Actions, Pasts, Ideas are just “vocabulary”, where life is bigger than that, life is a “dictionary”.

In simple words, the things that we are trying to learn and think beyond and bring them into the reality are a just part of bigger reality that is life. So, Emerson wants every true scholar “to be alive” to live through the life they have. Emerson wants everyone to have a life relevant scholastic aptitude, which anyone can have (though it sounds “sophisticated”)

Getting things done for proving worth of ideas is not the final job of a true scholar. Life is bigger than ideas and their execution.

The Great Principle of Undulation in Nature and Influence of Popular Opinions

When Emerson suggests every true scholar to live a live of rich experiences, be aware of the reality around them – he gives everyone the idea of one confusion that will always tempt them to have a bias. Emerson says that the “Polarity” is the law of nature.

In his own words-

“…inspiring and expiring of the breath; in desire and satiety; in the ebb and flow of the sea; in day and night; in heat and cold;”
The American Scholar, Ralph Waldo Emerson

These extremes in every natural phenomenon creates a wave, an “undulation” in nature. Which is one inseparable part of life thereby every human soul. Every idea, every action a scholar takes will have a wavy nature, there will be some part of idea, of actions which will dominate over their opposite one for a time. Emerson says that actions, ideas, knowledge, thinking these are just the resources for a true scholar. Even after losing these resources a true scholar will not lose his character, he will not lose who he is, his identity.

“Thinking is the function. Living is the functionary.”
The American Scholar, Ralph Waldo Emerson

Emerson establishes this to warn every true scholar and remind their real pursuit in life. Emerson through this wants to communicate that there will be times when a scholar will have temptation to follow a popular opinion, he will feel bad for not getting proper recognition for his/her achievements. Things will happen which will force them to give up on their lively pursuits, to give up on living for some materialistic means. In such moments, a true scholar should never give up on his character.

“Character is higher than intellect.”
The American Scholar, Ralph Waldo Emerson

Emerson actually removed a fine line which used to exist between the uneducated, working class and the studying class or so-called scholastic class – educated class. Emerson clarified that a scholar is not the one who joins one institution, secures a diploma/ degree, attends office, decides actions, creates policies and drives the “less intellectual” life around him. What is important to become a true scholar is “the character” – “the attitude”. Every person can have that; hence Emerson instructs every scholar to have that intellectual humility and not get fooled by the popular opinions of “white collar jobs” of scholars. He indirectly establishes that people who did not come from the system have more power to create a disruption in the system, to create a new and positive change in the system.

“Not out of those on whom systems of education have exhausted their culture comes the helpful giant to destroy the old or to build the new, but out of unhandselled savage nature; out of terrible Druids and Berserkers come at last Alfred and Shakespeare.”
The American Scholar, Ralph Waldo Emerson

This really holds true in today’s times too. There are many proofs from famous startups, fortune companies, literary and art schools that formal education is not the indicator of creative disruption in our society. Revolutionary people were never dependent on the systems to create new ideas and bring about new change. Thus, Emerson’s age-old ideas resonate with the facts of today.

A true scholar according to Emerson is the one who has this intellectual humility; who understands that having and creating great ideas, executing them to reality is just a part of life. A true scholar is not limited to thinking, executing and learning only. A true scholar has the purpose of living a life beyond the system created; a true scholar being an active part of his society and can come from any part of it. This idea itself is very powerful.

There will one last – third part on how Emerson closes his ideas, requests, guidance to the scholars of every generations.

– End of Part 2 –

Read Part 1 Ralph Waldo Emerson’s Ideas of a True Scholar for the Modern World from here.

Read Part 2 Ralph Waldo Emerson’s Ideas of a True Scholar for the Modern World from here.

Read Part 3 Ralph Waldo Emerson’s Ideas of a True Scholar for the Modern World from here.

The American Scholar by Ralph Waldo Emerson