Joker: Folie à deux – The Dark, Twisted Fate of Internal Conflict

The polarizing reception of Joker: Folie à deux shows how deeply we are attached to certain fictional characters. Whatever might be the reception of this film, the character design and writing of Arthur Fleck in Folie à deux will go down as one of the best representations of the psychotic villain in the history of cinema. Even though the film doesn’t cater to the fan service, it will definitely become one of the best depictions of the inner conflicts of a mentally challenged person swinging between reality and delusion. There is an interesting mental dilemma of identity common to both the Batman and the Joker. How they chose to deal with it made them who they are. The movie also points to the importance of inner compass for a healthy mental state altogether with surroundings nurturing empathy, kindness, appreciation, and love.

Character study of Todd Philips’s Arthur Fleck in Joker: Folie à deux

Recently Joker 2 or should I say Joker: Folie à deux released in theaters and people almost lost it. Most of the movie goers especially the comic book fandom was highly disappointed. There is another side of this same movie experience where people are really appreciating what the film presents in its narrative even though it is not completely loyal to the source material. Some are praising the liberties the film makers took to show the world what it means to become the truest of the villain of them all and why villains are praised more (maybe they deserve to be praised more) than the hero, even though hero wins in the end (this emotion is strongest in terms of the batman villains to be honest).

I am taking the side of what the Joker duo-logy presents itself to the audience rather than its correctness to the source material or the fan service. It is really a daring move from the creators of this second film to use all their creative power to show the world how dangerous character of Joker could be in real life. When I am saying this, I know fans can say that its just a movie and we only watch it for the sake of the entertainment; we do not want every movie to be a lesson on good or bad, right or wrong, truth or lie. But trust me when you are completely in the mood of bliss and entertainment, engrossed in the world created, even a lie would seem true and a wrong would feel right. It leaves an impression on our mind. A great entertainer can convince you to twist the ideas of certain truths in a person’s mind. Advertisements are a crude example to prove this point. Movies, cinema, stories are a potent media to change the minds, perspectives of the masses in an impactful way.       

Mark my words, after few years of “marination” this movie will go as one of the best materials to study the writing and the design of a psychotic person. The movie will definitely regain its value as the ‘cult classic’ in coming decades. I am not saying that people are fool to not appreciate this film; I am saying that some of the things which disappointed people are actually way ahead of their time, people will take time to get comfortable around them and appreciate them.

The ability of movies like this to create a polarization of opinions amongst audience shows how potent the medium of cinema and storytelling is! We are humans – we love stories (especially those which unsettle us)

I am taking this opportunity to show appreciation for how the character of Arthur Fleck is written in this Joker Duo-logy. This is not the critic of what the comic book says and what could have been done in a right way to make movie goers happy. As the makers of these movies had already said, it was pretty clear that we are not in for what is generally expected from the mainstream, fan-worshiped representation of Joker from comics. 

This is a story of a failed Joker to be very clear. The ways in which music and singing is injected in the narrative is highly effective. Most of the people found the musical aspect of the movie unnecessary and stretching but it had a proper intent. It is not draggy in any sense. You must understand how a psychotic person’s mind works in order to appreciate the whole movie.

(The fact that people despised this way of representing the Joker of Arthur Fleck, shows that most of us are sane and good-hearted people.)

I will be deep diving into the psyche of Arthur Fleck’s Joker and there will be heavy spoilers (if you care) I will try to touch the nuances in the character design of this Joker and why it all should make sense. For that you must accept that this is not the Joker which ‘our’ Batman had.

This is the Joker who found his way back to sanity but the society rejected him. (I will discuss this in detail further.)

Last warning – SPOILERS AHEAD!!!

Me and My Shadow

The cartoon poses a question – if a person has multiple dissociated personalities inside him and one of the hibernating personalities made him commit the crime which is not who he is generally; then how should the person be punished?

The answer has many aspects.

If we are pardoning the person because he is psychologically challenged then the masses who are watching this proceeding would consider that even a heinous crime can go pardoned if the person is not sane. This creates a gray area for the real perpetrators to commit more heinous crimes. Judicial system is well aware of such consequences that is why an example needs to be put in front of the masses.

To show men that crimes can be pardoned, and that punishment is not their inevitable consequence, encourages the illusion of impunity and induces the belief that, since there are pardons, those sentences which are not pardoned are violent acts of force rather than the products of justice.

Cesare Beccaria

Next question-

The mentally challenged person who committed this crime is also a human being in the end. If we go on giving capital punishments to every human being fitting in similar situations, then what human part are we supposed to preserve of the humanity through law and order?

The answer lies in the psyche of this psychotic perpetrator.

The answer is what this psychotic criminal considers himself. Trust me this is not an easy choice. Bear in mind that this in not a normal sane person we are talking about. It is more difficult when such person is carrying multiple personalities inside him. It is difficult for such person to submit to only one identity out of the many he carries inside. One of the reasons for a person to undergo personality dissociation and have multiple personalities is to have a coping mechanism to outside events. Same was the case with Arthur Fleck, the personality of Joker was his coping mechanism against the society. They are polar opposites. His problematic childhood is the key reason.

Who is the real Arthur?  – The interview with Dr. Beatty

This interview with Dr. Beatty should justify why the movie ultimately becomes a musical in overall. You will understand from this interview that the real opportunity for the personality of Joker to shine out was in the Murray Franklin show. Arthur was actually intending to commit suicide on national television but knowing this would eradicate the existence of the other personality – the Joker takes the charge of Arthur’s ‘body’. There he kills Murray and makes statement and vents out all those emotions he had suppressed. That is exactly why Arthur is not concerned and doesn’t remember that he murdered some people in that show; he associates to the music of the show on that day. Because in that musical moment he felt free.

Also, keep in mind that Arthur has other personalities other than Joker. His mother’s mirror personality is also inside his head. The changed accent of attorney in which Arthur talks with Mr. Puddles in not just a performance to mock the court, it is a personality Arthur created so that he can defend the adverse external conditions which Arthur is incapable of handling.

It’s not just about Arthur and Joker.

Joker’s (Not Arthur’s) Smoking Addiction

From Warner Bros. Joker: Folie à deux

Psychotic person resort to a habit which helps them to relieve the suppressed emotions or identities. It could be any small habit and mostly would seem harmless. In this case it is smoking. In the first Joker movie smoking is just a way to release the tension in his mind but as the Joker’s personality gets the hold of his ‘body’ the smoking intensifies. In the interview with Dr. Beatty when she asks Arthur if she can talk to the Joker inside him, the gaze that Arthur throws at the recording camera is more than enough to let us know that the smoking personality was the Joker himself. (Joaquin Pheonix is just perfect here!)

There is also a moment in Arkham Asylum when Arthur is watching Harvey Dent’s statement implying that only a fool would consider Arthur a martyr, this further reinforces Joker to consider himself more powerful and influential. He is smoking there too.

Before going live in interview with Paddy, Arthur’s attorney Maryanne tells him to stop smoking in front of the camera during the interview because it makes him look like a ‘cavalier’ – reckless. This is exactly where we should get a clear idea. The Joker is reckless, carefree – ‘cavalier’. Smoking becomes an extension of this very idea of recklessness that Joker has in his personality.

But for the good of Arthur, he controls Joker inside during interview. The moment he realizes that it’s just to create sensation, the Joker takes control and again smoking starts.

When Arthur’s private diary is being read out loud in court and when Ms. Dumond is testifying, saying that Arthur’s whole identity that his mother created was fake; you will see that Joker is just there absorbing everything because all these things are very uncomfortable for Arthur to handle. Arthur cannot handle such public humiliation and identity crisis. Joker is truly his coping mechanism.  

There is also a scene where the Joker breathes out the smoke into the Harley ‘Lee’. It is very dramatic and feels like they are exchanging their very souls, their identities. Now they are inseparable.

From Warner Bros. Joker: Folie à deux

(Todd Philips deserves appreciation for creating such characteristic moments throughout the movie. There is one moment in the start of movie where Arthur gets a lip cut during shaving and the blood drop flows down his chin creating a sad face. It is impressively symbolic of the state of the mind Arthur is in. Applauds to Todd again!)

The ‘Kick’ Dance

From Warner Bros. Joker: Folie à deux

The most characteristic attribute of Joker being present and active in Arthur is his dance. The specific step of kicking fiercely in the air is very poetic. This kick shows how reckless Joker is. The Joker is literally kicking the society which led to the downfall of an innocent person like Arthur, the society which created Joker himself. It is a tight slap to the degraded social system which led to the formation of such psychotic character.

Very subtle but the ‘kick dance’ has its purpose in the whole narrative and character of the Joker. Later ‘Lee’ mirrors the same dance showing that Joker and Lee are now in sync.

The Musical

I have never ever seen the medium of musical to demonstrate the state of the mind of the character especially a completely negative character. (I am not a big musical fan) Whenever I have tried to appreciate the musical it feels to break the continuity of the realism of the narrative and dreaminess of the character or given scene. Although there are many good examples where musical just fits in perfectly.

But, this musical in completely negative and dark setup is very impactful. I know most of the moviegoers absolutely thrashed the musical approach and underwhelming utilization of Lady Gaga but trust me it was all intentional. It was supposed to make you uncomfortable.

The unsettling musical is actually a peek into the psyche of Joker and how uncomfortable his character is. It’s a warning to those who glorify Joker as villain or consider him an anti-hero.

Every musical had clear purpose and it also landed perfectly. You have to be slightly ‘mad’ and must fool yourself for the given moment to appreciate importance of musical in the whole narrative of the Joker. I will reiterate that people not appreciating the Joker musical is a subtle proof that the real society we are living in is still in a healthy mental condition in overall. If you didn’t like the musical, it is totally fine, and that was the intent of the creators.

Joker strongly associates himself with music, that is the pivot of his identity. Music allowed him to express freely and also supported his recklessness. The moment he discovered ‘Lee’ in music session that bond with music got further reinforced. That is exactly why his delusions, their delusions are fully filled with music.

Now, it’s lyrics appreciation time:

The opening cartoon song
Everyone needs love
There are already enough mountains

What Arthur helplessly wanted was appreciation and love from his people around. “Mountains” used here and used extensively in further narrative of the movie indicate the hardships, difficulties in everyone’s life. Even after these difficulties, if you are loved you can come over these mountains. Sadly, exactly opposite happens with Arthur.

In later parts of the movie, where Lee says that we will build a mountain from hill. She is actually saying that we will raise chaos everywhere and make other people’s lives difficult because they deserve it.

The Arkham Asylum musical  
From Warner Bros. Joker: Folie à deux
For once in my life, I have someone who needs me
For once in my life
I won’t let sorrow hurt me
Not like it has hurt me before
For once I have someone
I know won’t desert me
And I am not alone anymore
For once I can say this is mine and you can’t take it

This is Joker singing in Arkham realizing that people may consider him a martyr and he has also got the company of ‘Lee’. The sense of belonging to something for a person like Arthur through accepting the identity of Joker made him feel invincible. This is exactly what is sung in this asylum scene. Arthur wanted somewhere to belong and someone to care for him in the end.

The ‘B-Ward’ movie scene –

When the patients are watching the movie where Arthur and Lee are sitting together there is musical which goes like this:

We are all entertainers
Everything that happens in life
Can happen in a show
You can make’em laugh
You can make’em cry
Anything can go
Anything

We must understand that there are lots of creative choices while making a sincere film. Even though it feels useless, this movie musical scene has a purpose. It is exact reflection of how Joker thinks. For him it is all a performance, it makes him free, same goes for Lee. But sadly, society questions Arthur if he is doing a performance and not Joker. The very lyrics here show why Joker is reckless. This delusion of performance enables him to remain carefree, reckless in the ‘real’ reality. 

The Hotel Arkham Dance –
From Warner Bros. Joker: Folie à deux
In our minds, we’d be just fine
If it were only us two
They might say that we’re crazy
But I’m just in love with you

This shows how pivotal ‘Lee’ is for Joker. She fuels him. As Arthur is meek, loveless and innocent nobody appreciates him, loves him or cares for him. Being bold, carefree, dashing through Joker, at least he gets ‘Lee’ to love him, appreciate him. The identity of Arthur needs something to lean on, to fulfill his humanly needs – mental and physical. These needs would only get fulfilled if Joker comes out as dominant one. If not Arthur then at least Joker would make this personality free. This song is just about that. Even though delusional but Joker gets all the mental support to justify his personality in reality through ‘Lee’.

The interview with Patty

Before this interview Arthur has full control over the Joker, he has suppressed him to demonstrate his innocence. But the moment Arthur realizes that this interview is just happening for the sensational content, he loses it all and allows Joker to take control. (while starting to smoke characteristically in front of the camera!)

I’m wild again
Beguiled again
A simpering whimpering child again
Bewitched
Bothered and bewildered
Am I
Lost my heart but what of it
She can laugh and I can love it
Although the laugh’s on me
I’ll sing to her
Bring spring to her
And long for the day
When I cling to her
Bewitched
Bothered and bewildered
Am I

Here, Joker is making statement that he is the in-charge of Arthur’s body thereby his complete identity. When he realizes that Arthur will not get any help and it is just a sensationalism in the society, Joker shows the society that he is not alone anymore for the society to take care of him, He has someone who care for him now. This is his way of telling the society that it can go ‘freak’ itself now. The society pretending to help him to create one more drama is a conniving move for Joker. So this song is the final warning to the society that he doesn’t need this pity help from the people. He has his ‘Lee’ to love and appreciate him.

From Warner Bros. Joker: Folie à deux
Lee’s makeup song

Most of the scenes when Joker and Lee are sharing the screen while singing are the delusions running in the mind of Arthur. In the third act of the movie when Lee is singing alone while applying all make-up, she is alone. This is where the reality of what Lee is becomes clear.

What a world, what a life 
I’m in love
I’ve got a song that I sing
I can make the rain go
Anytime I move my finger
Lucky me can’t you see, I’m in love
Life is a beautiful thing
As long as I hold that string
I’d be silly so and so
If I should ever let it go

 This clarifies that Lee is manipulating Arthur to reinforce the Joker in him and using him to justify her own delusions. She knows she has all the strings in her hands to create the delusions she wants with Joker.

The Guard’s humming in Arkham asylum in the last part of the movie

When Arthur truly accepts the reality and rejects the persona of Joker he is actually on the path to new and healthy life.

When Arthur is sitting in front of the TV in asylum after this event, the asylum guard Sullivan sings this near him and another guard asks him not to sing this again.

We are not crowd 
My echo, my shadow and me

The guard is hinting Arthur that reality is the only thing where we truly exist. Whatever Arthur thought of himself having a different personality to take charge of his body while committing a crime is just a lie. It’s Sulivan’s way to mock Arthur to show that he will get the punishment in the end by court.

Another guard fears that this might trigger Joker to defend the joke on Arthur that is exactly why he tells Sullivan not to sing it in front of Arthur again. This also shows that Arthur is really trying to bring himself back to reality as this doesn’t trigger him. There was some hope for his recovery.

The Cognitive Dissonance – inner conflict for real identity

From Warner Bros. Joker: Folie à deux

During the proceedings of the court when the events of Arthur’s childhood are brought in light again to prove that the Joker is a defensive identity that Arthur has created to cope with the trauma and adversities in his life, you will understand that what Arthur lacked was clear identity.

The identity crisis actually led to the creation of intense defense mechanism through the creation of his shadow as Joker. There are specific reasons behind this:

  1. Arthur learns that what his mother told him about his parenthood was a lie
  2. He learns that even though his mother told him that his purpose was to make people happy, she was not a big fan of his jokes. Ms. Dumond in her testimony clarifies this, which shakes Arthur to core
  3. Arthur had created his whole personality around making people happy. The career choice to become a standup comedian was all driven by this sole thing. This is what defined his life

But the moment when Arthur realized that all the truths on which he created his life and his character were lie, he undergoes cognitive dissonance. Cognitive dissonance is a state when a person enters in paradox about the truths that made him who he is today.

Same cognitive dissonance happened for Batman when he learnt that his parents also took help of the very criminals he is fighting against today to hide their family’s dark truths in the past.

My point here is that both Batman and Joker underwent the state of the cognitive dissonance, the identity crisis, what they stand for. How they came out of this cognitive dissonance made them hero and the villain.

Batman chose to move away from the only motto of vengeance quoting that ‘Vengeance cannot change the past’. Batman then decided to stand as a symbol of hope for the degrading society.

Arthur – Joker in this case blamed society for the very state of mind he is in now. And there is nothing wrong in it. The very situations, events, people that Arthur got exposed to, made him chose that side. If he would have got proper support from the society and people, there really was a hope for him.

That is exactly why you must appreciate the act of Arthur to not become Joker in the end of this movie. Although the guards of Arkham had beat him to show that he is really weak in reality and Joke is not the reality. Arthur arguably had less privilege than Bruce Wayne to chose the right side and even after these hardships Arthur in this movie choosing reality of Arthur instead of delusion of Joker is a bold move. This makes Arthur’s character transformation far bigger, better and glorious than the transformation of Batman. (I am not saying that Joker is superior than Batman morally. I am saying the mental efforts that Arthur took to reject his Joker personality are way bigger, humongous than the mental efforts that Batman took to redefine his identity.)

There is very symbolic moment of Arthur running away from the Joker persona in the end of the movie to show how badly he wanted to escape that delusion.

From Warner Bros. Joker: Folie à deux

You know what? This is exactly where the city of Gotham went wrong. People wanted an agent of chaos. Not the guardian of hope. Chaos is more sensational and attractive.       

The Society and The Sensationalism

You should closely observe how Arthur behaves in the interview with Patty. He has dialed down Joker perfectly. But the moment Arthur understands that these people are not here to help him or work with him, they just want something sensational to show to the people watching TV, he loses the hope for the society. This is where Joker truly gets reinforced.

The way in which the character of Arthur Fleck is designed by the writers, it is a result of the overall failure of the social systems. The rising unrest in common people led to the reinforcement of Joker in Arthur Fleck even though he knew that he committed crimes.   

Common people of Gotham somehow, anyhow wanted the rich and powerful people to be held accountable for the problems they were going through. Even though it was a group motive it was a very selfish motive. Joker doing certain murders was just a sensational direction people wanted so that they would get this feeling of redemption against the corrupt system.

From Warner Bros. Joker: Folie à deux

Arthur was just a person in need of fame and appreciation for who he was. Only sad thing was that people only loved his Joker persona. That is exactly why Arthur chose the delusion of Joker to satisfy the delusion of redemption from riches for the society.

The real Folie à deux is not just about the shared delusion between Joker and Lee. It is between Joker and the society. It is between Todd Phillips’s Joker and the fandom. Deep down we too wanted this Joker to do some scandalous acts, exceptional crimes, and sensational interviews. We paid for the movie tickets to see the chaos that Joker creates in society thereby glorifying him as one of the best villains.

But, in reality we cannot handle such sensationalism. On surface it feels great while reading some spicy news, conflicts in our day to day lives but the moment they start affecting our very lives we know how horrible these things can turn out.

This movie actually made an effort to show how twisted a psychotic criminal is inside even though his life may seem sensational and happening outside.  

The Loneliness and Kindness

There are many moments where Arthur clearly says that all he wanted was someone to understand him and love him for who he is. The only reason Arthur submits to Joker’s persona was the fact that this is what the surrounding around him wanted from him. The DA wants him to be the Joker so that they can punish him. This would also make him a martyr among the common people of Gotham. People of Gotham wanted him to be the Joker because it was their way to vent out their anger for the riches and powerful of the city. Harley wanted him to be the Joker because he symbiotically supported her delusions, he was ready to do whatever she wanted.

You will realize that there were also some moments where this was possible, it was possible to tell Arthur that he is not alone. Some events actually do happen but not everyone is thinking the same about him. That is what creates conflict in Arthur’s mind. There is a scene where Arthur is singing a book with good intent but the moment the guard mocks him, Joker takes over and signs maliciously.

You see this is intense when the person is challenged mentally, such people are ready to resort to any part of their persona provided that they get what they long for. That is successfully depicted in the psyche of Arthur Fleck.

Conclusion

A society on moral, social, political decline – a degenerate society – a society on the brink of collapse – will always reject Arthur and welcome Joker.

It is very evident from this duo-logy that the surroundings, society plays a crucial role in the character development of every person. We chose certain attributes of who we are based on what we actually want. This is decided by how society responds to our actions. Based on the such selected attributes, then our behavior, action on such attributes and the reaction from society on such action mold our personality. This is roughly how our personality, our identity is created. If we are fully dependent of society to define who we are, then our personality would exactly reflect what the society. That is what happened with Joker. Arthur was completely empty inside. You will see this when he accepts all his crimes honestly while ending with a Joke.

- Knock, Knock
- Who’s there?
- Arthur Fleck
- Arthur Fleck who?

It shows that Arthur accepted that he was nobody. Society just poured inside his empty jar of personality, made him the agent of chaos.

That is why having an inner compass is very important in personal development. Our internal beliefs may sometimes get challenged and it is completely fine to change them, upgrade them. But the moment one starts to pivot his/her identity purely on outside factors it may create internal conflicts, mental conflicts. That is where Arthur lost his battle for personal identity. Even though the ideas are fictional they prepare us for the adversities occurring in reality, that is for me is the real power of storytelling. May everyone in reality find their true identity in a healthy and sustainable way.

We are full of biases and we are always in search for the things which reinforce our internal belief system. It is a normal human tendency to justify one’s identity. Those who are ready to change and modify their understandings about the surrounding are closer to the reality and those who are stubborn to change their belief system will get hit by the reality until they have learnt their lesson.

This Joker movie indirectly keeps on highlighting how difficult it is to gauge what goes in the mind of a mentally challenged person. Most of the time our instincts repel us from such people but what such people need is a sense of being loved and sense of belonging. If they are felt loved in reality, maybe there is some hope that they will let go of their delusions. Being kind is the only way.  

For me the movie actually presents a choice in front of the audience for the fate of the Joker. As a human being Arthur coming out of his Joker persona was a very healthy and hopeful character development. But that is not what we wanted from him. We, just like the people of Gotham city wanted him to create chaos. This movie shows that hidden dark part in our minds. I am not saying that all of us are sadistic. I am saying we all have a dark part in our psyche and its normal. Everyone should be aware of their own darkness to remain mentally healthy. It improves decision making.   

My favorite moment from Warner Bros. Joker: Folie à deux

Further reading:

The Batman- The superhero who ‘unlearned’

Dune: Psychology in Science Fiction

Our identity is heavily influenced by the surroundings we live in. A healthy understanding of the gap between ‘labels given to us by our surrounding’ and ‘what we consider ourselves at core’ defines how we perform, how we behave in given situations. Frank Herbert effectively used these ideas of human psyche in his Dune Saga. The antihero story of Paul Atreides indicates psychological ideas of cognitive dissonance, confirmation bias, and Pygmalion effect. It is interesting to understand how our minds are so sensitive at the levels of self and group simultaneously.

How Frank Herbert used human psyche in the creation of Dune’s antihero?

We saw how some fantastic philosophical ideas come alive in the character arc of Paul Atreides. The discussion hereon is the extension of the previous philosophical one, now we will dive deeper into the psychological aspects of Dune Part Two.

There will be heavy spoilers for Dune Part Two hereon!!!

Existentialism in Dune Part Two

As Paul gets more and more involved in the events on Arrakis with Fremen, he finds out what needs to be done, he finds clarity and purpose. He is renouncing the leadership in the early part because he does not know what to do with it. The moment he decides to become the Lisan al-Gaib, the moment he finds the purpose of his being, he gets the clarity.

According to Existentialism, there is no other meaning to the life but the meaning you give it yourself. Existentialism says that man is born free and can chose any actions to live but in the end he/ she will feel like they lived for nothing. They will remove this ‘existential angst’ only when they decide what they want to do with their life. The moment people consider themselves responsible for the events and consequences in their lives, take deliberate actions to achieve them that is the exact the moment where they find the meaning in life. Then everything, every action every decision starts to make sense. You feel like you exist for something.

This existential journey of self-discovery is exactly what we see in Paul’s journey to become the Mahdi. Avenging his father’s life becomes the ultimate goal of Paul in early moments but later on things take different turn. This is existentialism on personal level.

Fremen of Arrakis are the best example of existentialism in masses. The Fremen people are able to sustain in the hostile environment of Arrakis not because that is the only choice. They also have a strong belief, a hope that someone from outer world will save them one day and make their planet the Paradise, the Lisan al-Gaib will come to save them. Although Paul and Jessica know that it is a story properly planned by Bene Gesserit, although there are also Fremen who oppose this prophecy (Chani is one of them) still it gives them all hope, a reason to live for, a reason to survive for. Everyone makes sense of this prophecy in their own ways, their own belief systems.

Do you see what is happening here?

There is one group who is religiously putting their faith in the hope of the messiah for their survival and on the other hand there is a group who dismisses this idea and think that they themselves have to take care of their survival. The messiah will be one of them, not someone sent from the outer world.

We know what happens in the end. But from an objective point of view we see that people create there own perspective for survival. It doesn’t matter who was right and who was wrong in the end. What matters is whether is guaranteed the survival of Fremen. No wonder Jessica considers the artificially planted faith for Lisan al-Gaib among Fremen as an act of giving them a hope.

In either way, some sort of meaning would ensure survival of the Fremen.

The meaning of the life given to us is the meaning we assign to it.

The Prophecy – A Perfect Example of Confirmation Bias

The Prophecy plays key role in deciding the fate of key characters in Dune Part Two. Although we are aware that the prophecy a highly detailed plan to get the hold on Arrakis there are certain moments which fool us in believing that the prophecy might really be true. There is one justification for the correctness and validity for the prophecy. Somehow any powerful member from Bene Gesserit could have unlocked the exact power to see the future like Paul or Lady Jessica this person who could have seen the future and made this prophecy. We get no such signs in the narrative, but the story has enough resources and reasons to make it a valid point.

The event of Paul riding an elder worm, the worm stopping for Paul and Jessica in Dune Part One while crossing the dessert, Chani’s teardrop bringing back Paul alive (although she is manipulated to do that) are such events which confuse us when we try to reject the Prophecy. Either Bene Gesserit were too good to plan the people and resources for making the prophecy a reality or the person who made prophecy also unlocked the powers which Paul unlocked.

It is very interesting when Fremen come in one-to-one contact with Paul and Jessica. They are so influenced by this prophecy that whatever Paul may do, they attribute it to the prophecy. In early part at Sietch Tabr when Stilgar (who is one of the fundamentalists) is having discussion with the Fremen elders, we are given a hint of this strong Confirmatory Bias in Fremen, especially the fundamentalists.

Stilgar – I saw things.
Elder – Stilgar, your faith is playing tricks on you.  

This is an indication to how a blind faith could drive people into looking for signs and making sense from anything that supports that faith.

You must understand that, the existentialism makes life as a meaningless affair – we try to calm our mind/ our senses by assigning a meaning, a perspective to make sense out of the creation. Cognitive Bias lies on the negative extreme of such existentialism. An existence where we are only accepting the events, signs which support out beliefs. This also the transition region where spirituality is converted into pure religion. Stilgar is the perfect example of one such religious follower suffering from Cognitive Bias.

It is also very understandable for the people like Fremen who have nothing hopeful to live and nothing to pivot on, the idea of savior from outer world fuels them to continue the fight for survival.  

There is subtle hint that Paul may not be the only messiah that Arrakis might have seen. The Emperor in his discussion with Princess Irulan mentions Muad’Dib as “some new Fremen Prophet”.

Confirmation Bias is the prejudice where we try to accept the proofs which support our beliefs and reject those which don’t. Fremen people demonstrate such high levels of confirmation bias because Arrakis is the only reality they live in. People living outside the Arrakis like the emperor, Bene Geserit very well know that this is an intentionally planned act. And they very effectively implant such prophecies over the generations. It also shows how difficult it is to reject and go against the conventional beliefs especially the religious ones.

Did you ever have had an encounter with people who tell that this was already written in the older documents, scriptures? When we made certain scientific breakthroughs only then we are seeing them clearly mentioned in older writings, how is it possible? It feels counterintuitive but I would say going by the data instead of the intuition always helps to break such biases.

It feels against our mind because our mind only accepts that which will support the current beliefs. If the current belief gets falsified then our mind will start looking for another belief system which is much more like an existential angst – the existential confusion and the sadness that comes with it. If one meaning is falsified the mind must stick itself to a newer one otherwise life will feel worthless.

Image source: sketchplanations.com by Jono Hey

Cognitive Dissonance and Identity – What Makes Paul to Seek the Ultimate Power?

The confirmation bias is more powerful when it comes to the questions like ‘who you are?’, ‘what is your identity?’

Generally speaking, you are the best person who knows who you are (except your parents and some people close to you). What would happen if you are presented with the data, proofs which indicate that your parents are not your parents, your friends are not really your friends? They are just some paid actors (just like in the movie Truman Show).

Paul is portrayed as the Prince belonging to the House Atreides which is powerful and believes in fairness, justice, and the truth. The ideas associated with House Atreides support constructiveness, upliftment of those who are getting used for others’ benefits. Paul also strongly associates himself with these ideas even when his house is attacked by Harkonnens. He never tries to take advantage of the Fremen beliefs for personal gains. That can also be explained by one of the reasons he has to reject the Fremen Prophecy.

Then what makes Paul to accept this prophecy even when he knows that there are more proofs to reject the prophecy than to accept it?

It is when he knows the truth about his identity. The moment when he drinks water of life.

Upon understanding the ultimate truth, we come to know that Paul’s mother Lady Jessica is the daughter of Baron Vladimir Harkonnen. Paul understands that he is as Harkonnen as his villainous cousin Feyd-Rautha.

This is where his identity of Atreides filled with justice clashes with the cruel and much more powerful identity of Harkonnen. You can see him telling his mother that this is the way they survive – by being a Harkonnen.

When a person goes through such uncomfortable events where his/ her beliefs clash it creates a in harmony. These are the events where the person is confused about what exactly he/ she should believe in. As the early beliefs which were true for him, on which the person lived whole life were inherently false what defines him now?

Paul faces this cognitive dissonance about his identity. He himself is a Harkonnes – the Harkonnes whom he was considering the villains of his life and the lives of the Fremens.

What identity would Paul chose makes him the hero or the antihero in the end.

And Paul chooses the Harkonnen identity which make him the antihero. Please understand that he could have chosen a fair Atreides or Fremen ways to fight for the cause. The circumstances created around Paul supported him to become as ruthless as the Harkonnens. The Emperor and the great houses denying his ascension further fuel his wish to remain ruthless to justify the actions. The moment Paul associates himself with the Harkonnens, he justifies his urge for power as a valid one. Paul forgets his Atreides roots which could have made him the hero of the Dune’s story.

The Pygmalion Effect – Is Paul Really the Messiah?

The difference between a lady and a flower girl is not how she behaves, but how she’s treated.

Pygmalion by George Bernard Shaw

One factor in Paul’s journey to become the leader of the Fremen and ultimately the Emperor can be largely credited to the support system created around him. It is clear that he goes through many hardships and sacrifices to achieve his goal but you cannot deny the inherent public support he receives through Fremen. It only because of the support from the Fremen people you will see Paul build the confidence even though in Dune Part One this was the exact person who tried to deny future leadership in front of his father.

How a person refusing leadership of his own house later accepted the leadership of the most controversial group, that to in very adverse conditions? Leading house Atreides was Paul’s birthright, an easy one. But, leading Fremen in clear opposition of the House Harkonnen, the emperor and the great houses was one very daring act to follow. What gave him all this strength?

The answer is – Pygmalion Effect

In psychology, Pygmalion Effect is the effect where high expectation from a person lead them to perform highly and effectively even in adverse condition.

Pygmalion word comes from the story of a Greek sculptor called Pygmalion who falls in love with his sculpture so much that the statue comes to life.

It’s like worshiping the rock can make it a God which could ultimately is believed to fulfill wishes.

The Bene Geserrit propaganda very smartly takes advantage of this idea. They create such support system around Paul which create one powerful leader in the universe who in his early life was not considering himself worthy.

Pygmalion effect highlights how the environments in which we live, how the people around who put their trust in us can boot our performance. According to Pygmalion effect, if a high performing person can deliver poorly if the environment and people are not supportive, it also is true the opposite way, any low performing person would deliver exceptionally when he is trusted by the people and the environment around him.

Pygmalion effect is also known as Rosenthal Effect in psychology.  Robert Rosenthal and Lenore Jacobson conducted a study on classroom students where they found that the students who are inherently reinforced to be the smarter perform better whereas students who are told that they are worthless already show under-performance.

Pygmalion effect shows us that we internalize or identity based on the surroundings we live in. No wonder they say that when you want to be a great man be in the company of great people. This internalization of or beliefs lay the foundation of our performance. That is exactly why so many Fremens believing in Paul gave him the power to stand against the Harkonnens, the Emperor, the Great Houses – entire Universe.

This is exactly why Pygmalion effect is highly associated with the self-fulfilling prophecies. The declaration of such prophecy irrespective of the knowledge of the future conditions people to create ways for such prophesied person; the person who show some signs aligning with the prophecy gets a boost which ultimately follows the prophesied path as the environment now completely supports that path – that is the path of least resistance leading to the glory.

Supporting environment creates high performers

Paul could have chosen another path to fight just like Chani chooses in the end but the Pygmalion effects kicks in, leading him to become the antihero – a high performing powerful antihero.    

You should appreciate that Pygmalion effect also shows how the opposite and downgrading environment will create a villain. A famous and itching question can be answered using this explanation. If baby Hitler was killed way before, would it have prevented the occurrence of the future world war? The answer is – NO. The conditions were developed in such way that even after killing baby Hitler someone else would have risen among that much hatred who would have led to the end effect, the name would have been different but the acts would be roughly same and inhumane. That is why our environment is an important part of our identity, even if the environment is hostile, what we consider ourselves at the core is equally important.

Nonsupporting environment creates low performers

(You can see that, even in adverse nonsupporting conditions of cognitive dissonance and identity crisis, a person can chose to remain good, can choose one identity over the other. I have discussed such scenarios in pop culture before. Read more about that here.) 

The Prophecy – Does ‘Free Will’ Really Exist in Dune?

The identity which Paul chooses after a cognitive dissonance about his origin and the Pygmalion effect from his environment make his the prophesied Lisan al-Gaib. Now it feels like it truly was the plan all along. This goes against the idea of free will.

Existentialism is based on the idea that as man is born free. It is in his mind, his responsibility to assign the meaning to his/ her own life. The ways and reasons for which Paul consistently rejects the prophecy is because he knows he is not ‘the one’. He knows that he is the son of Leto Atreides and should avenge his father’s death, hence his only purpose was to use the ‘desert power’ to defeat the Harkonnens and the Emperor.

Paul despises everything that is connected to the Prophecy. It is his interest in Fremen people and purpose of completing the vision of his father which drives him into becoming one of the Fremen. You will see Paul rejecting the idea of him being the Messiah in the early discussions with Chani.

The creation of prophecy and instilling the faith into Fremen for Paul indirectly always pushes him into doing what is expected. Paul never makes any decision out of the box. There are chances where he could have created other opportunities but the people around him, his blind followers could never let that happen. Paul is center of attraction for everyone that is why he is always bound to do what they want, otherwise he knows that he will lose that advantage and desert will immediately consume him like any common outsider. The advantage of being the center of attraction of your followers is that your followers will justify your every action; But in the end, you will also be bound to their expectations.

The powers of Bene Gesserit to manipulate people to do what they want, the unfolding of events leading to the war during the Fremen rebellion against the Harkonnen, the necessity to prove injustice with Leto Atreides to the Great Houses ultimately make the realization of prophecy possible.    

That is exactly why Paul gets tied up in the expectations of Fremen, his own self-respect and his own duty as a son. He knows he can avoid this path but chooses that path because that is how he will have ultimate power.

On the other side you will see Chani, she is fighting the same war but can chose her own ways to accomplish that goal. Remaining out of the focus of the religious followers gives her more freedom.

Lady Jessica also falls victim to the prophecy. Stilgar informs her in Sietch Tabr that if she doesn’t become the Reverend Mother she would have to die and Fremen people won’t save Paul. Even when she knows that the prophecy is false, she accepts it as a way to get things done according to her wishes. But again, the pressure from the faithful Fremen followers force her to follow the prophecy. Things doesn’t go right for her in the end. Lady Jessica also faces the cognitive dissonance like Paul about her origin as Harkonnen and chooses the predefined path of being the Reverend Mother.

One must appreciate how Frank Herbert created the story of Dune where the psyche of person drives the narrative. Frank Herbert was heavily influenced by Carl Jung’s archetypes and Dune reflects those archetypes. Dune also gives the psychological justifications behind the blind hero worship through some important character arcs.

It becomes very important to notice our end goals and whether our surroundings, our people are supportive of that. We as humans, are the beings of infinite capabilities, what we consider ourselves internally at core becomes very important in the end. Otherwise, the world is already prepared to overwhelm us with its preconceived notions of living a life.  

References and further reading:

  1. Confirmation bias sketch from Sketchplanations by Jono Hey
  2. Cover Image by Johannes Havn from pexels.com
  3. Dune: Philosophy in Science Fiction
  4. The Pygmalion Effect: Definition & Examples by Ayesha Perera on Simply Psychology.org
  5. The Batman- The superhero who ‘unlearned’ – Journey of a person through cognitive dissonance
  6. Existentialism – Zima Blue and Existentialism
  7. Biases and Delusions – Steering on the borders of rationalism and insanity
  8. Answering the questions on existence of “the existence”
  9. The Existence – Why? How? And What?
  10. Dune’s Ornithopters and Biomimicry