Tag: Empathy

Alienation and Creativity

Creation for capitalism, consumerism and pleasure maligns its true purpose which actually is to create joy and a sense of belonging, comfort and safety. Alienation is the end effect of such capitalist processes where people have isolated their humans side for the rat races and FOMOs. Pure creativity, empathy, connect with nature and self can help use to preserve that human core and come out of the alienation.

How true forms of creativity can help us to reconnect with our human core

“On The Train Ride Home” by The Paper Kites

I long, as does every human being, to be at home wherever I found –

Maya Angelou

Humans – the creative animals

I think creativity is the most important quality granted to human beings. Nature in itself is the ultimate and the best creation which at the same time is also the creator of many things. Animals, non-human beings too have the gift of creativity to certain extent but human beings have outperformed in using this gift of creativity. We are always creating something, we have tools, we have automated processes to create anything we can understand. This creation of things has led us to becoming the most developed species on the planet. Creation can be in any sense – creation of music/ art/ cultures, families/ society, factories/ industries/ conglomerates, institutions/ organizations, cities/ metropolitan, governments, policies, supply chain, and what not! All these creations are intertwined to prove how advanced the human species is. You must also remember that once a process of creations starts generating fruitful outcomes it gets automated to optimize, to improve the efficiency. Most of the times we forget that some creative processes are not meant to be optimized because value of their outcomes is not materialistic. The concept of efficiency and/or optimization is purely materialistic concept. But as we are progressing ahead as the species, most of our creation processes are getting robotized, where materialistic outcomes are more important than the process of creation itself.  

Young generation has crucial role in deciding the future course of our species, especially when we have this great tool of creation – our creativity itself. People of my generation (millennials and Gen-Z to some extent) are the key creators of this time who will decide where our future will lead us. This generation is completely busy in various ventures of creation to justify their own life. But, as I have mentioned before, our creation processes have become so mechanistic, so robotic to gain more, extract more materialistic outcomes that this young generation is getting more and more detached from the real purpose of creation in its true spirit. The consumerism and (crony) capitalism has thrown today’s youth into a forced state of alienation in spite of being living in crowd, densely populated resourceful, glamorous cities. We are lonely in spite of being surrounded by the crowd.

This loss of attachment from the spirit of creation has led to the alienation of the today’s young generation – who many times go through the feelings of isolation, meaninglessness, directionless, confusion – it’s not just a normal existential crisis through which every young generation of their times goes through rather it’s the blurring of the true spirit of living in today’s young generation. Please keep in mind that it is not mistake of this same young generation. The system, society, institutions have evolved in such way that the creative processes are getting designed more for materialistic optimization instead of getting created for the real upliftment of the human civilization. Feels like we are losing touch of the real purpose of our being.

An Australian indie rock band called The Paper Kites released a song called “On the Train Ride Home” which in my opinion tries to touch those feeling of “alienation” which our today’s young generation is going through. Deep down we all know what we really want, we know what our core is but the systems in which we are living today have made our lives more and more mechanical, even though we are in the process of creation that creation no more belongs to us, that detachment, that alienation, that freedom from the vicious capitalistic cycle is what we are yearning for in the end. This is what this song for me is.

The Paper Kites
L–R: David Powys, Sam Bentley, Sam Rasmussen, Christina Lacy, Josh Bentley

I will dissect this song from the point of alienation; for me that is what it is all about.

The lyrics of the song is credited to Samuel Bentley, On the Train Ride Home lyrics copyright: Wonderlick Pty Limited

(It’s a song which needs to be treasured, hidden from others so that no one spoils it and I know I am committing a personal crime by exposing it. But such creations need more exposure and deserve proper appreciation too.)  

Waiting down at the station
I don't remember, think it was late then
Standing, always so quiet
We're like elevators filled up with strangers
No sound, no hallelujah's
Still I was praying on the train ride home

The starting of the lyrics creates an imagery of the person waiting for a train home. The complete separation from the surrounding has made this person to forget vivid details, it shows the mundane-ness, the separation from surrounding to just reach a safe, calming place which is home. The feeling of loneliness in spite of being in the crowd shows how there is no emotional connect between people. Elevator filled with strangers shows that people are closer and more connected, more accessible but they are not closer emotionally. This is exactly today’s situation, social networking and internet brought us so close that we can ‘poke’ our friend living in another hemisphere within few seconds and still we will see people craving for true connections more than ever. No hallelujah’s shows the loss of spirit, loss of soul in people who are part of this – physically close but emotionally isolated crowd.

If I can't get the things I want
If I can't get the things I want
Just give me what I need

Here, the person is aware of the difference between wants and needs which shows that his/ her separation from home to go to the crowded place to create a better resourceful life was not the ultimate goal. This is the only way through which this person can live a life. The system based on the cycles of consumption has narrowed down the meaning of living a life to mere survival. One can get as many things by obeying this cycle of consumption but it will not satisfy the hunger – the emotional hunger, that intimate craving of humanity. The distinction and use of wants and needs is a very smart way to show how the person is trapped in the system to survive but deep down they know what actually makes a fulfilled life. That is why person asks for basic fulfilment if not all what they desired.       

Our words fill up the pages
Fill up the days with psalms for the ages 
Still those vows that we all speak
We break them like concrete
And just make our words cheap

This part of song shows how words have lost their worth. Words in the sense the sense of commitment, sense of loyalty to keep the promises. The piousness of the daily prayers, the vows are less cared for. This expression shows how insensitive we have become to just gain the materialistic means, to survive.

This is exactly where it struck me that this song is not just about average existential angst every young generation goes through; this song is more about the alienation of a person where system does not value real creativity – which gives our lives meaning. The system now has been maligned with the materialistic efficiency. Consumption has become more important than the end effect it creates. Mention of “wants” and “needs” thus highlight the culture of consumption here.    

I want someone to grow with
Songs I can sing to, and I family to cling to

The song tries to conclude with the ultimate pursuit for living a better life. Why are we all doing the things which we do? Why do we go on job? Why do we work all week, live paycheck to paycheck without any greater purpose – in spite of knowing that we hate this work at its core? Why knowingly, intentionally are we craving for more and more materialistic pleasures?

I think it is because of the recent vile cycle of consumption. I have a reason to justify this. Somewhere we know that the process of creation in which we are involved is not doing justice with our pure humanistic core.

As a human being all we crave for is the mutual growth, sense of fulfillment, love and intimacy for each other in this limited time on the earth. We know that ultimate goal of creation should be this humanistic goal, but the moment the creation loses this human touch we suffer from alienation, a sense of directionless, sense of being confused, a sense of trapped inside an infinite maze. This is the exact moment when the person craves for home, family and intimacy.

The train ride home is that craving for being the real human being who values emotions, commitment, love and happiness of the loved ones.

But If I can't get the things I want
If I can't get the things I want
Just give me what I need

The person understands that in this seemingly flashy, attractive, glamorous but mechanistic, mundane, lonely and unemotional life there is some hope that they at least will be able to preserve their human core. The request for the “need” over “wants” is the cry for that preservation of the human core.

Alienation

What urged me to completely (and maybe blindly) associate the lyrics of this song to alienation is how Socialism defines the concept of alienation. Karl Marx identified how a process of creation thereby value creation could isolate its creator from its creation. This isolation of creation and creator once intensified removes all the human, emotional attributes from the process of creation and here the brutal capitalism starts. The creation is now mere a mechanical, boring routine of materialistic revenue creation where humanity has no value.

Karl Marx on alienation

Karl Marx presented very beautifully the purpose of creation in human life. It is what separates human beings from other animals, non-humans. We are always involved in creative process which have a personal purpose, a meaning. That is why our creations and it’s end results are so intense and are way different than how other non-human creative processes. The moment such processes start demonstrating the separation of creator, the process of creation and the end-product of creation, capitalism/ consumerism start peeking their head out thereby slowly eliminating what made such things processes humanistic. This exactly is alienation, there is no sense of home, comfort or belonging.     

Marx defined four types of alienation in his discussions:

Alienation of an object –

A factory labor stitching the designer clothing does not bear the capacity to own it and enjoy it. Even though the labor holds the skill and knowledge to create that fancy clothing the system is rigged in such way that the emotional connect between creator and creation is lost forever.

Alienation of process –

The process of creation has become so mechanical, so repetitive to improve the efficiency and to increase the output that humans involved in them have also became mechanical, unemotional. Today’s young generation working in mundane jobs, the jobs they hate only for the paycheck and the job without any personal purpose is the example of that alienation. The separation of creator from objects makes the object accessible to anyone but this accessibility is not equally distributed because the input to output ratio is highly skewed. The value that is created in the creation of the object does not reward the creator in any good way thus creator – the labor remains poor. This also make the creator to lose the faith in the process thereby leading to the alienation of the process.

Alienation of species-being –  

The moment this mundane, highly optimized process does not bear any real humanistic purpose, the creator no longer follows the process to reach a better position in life spiritually, intellectually through the process of creation. It’s like the human creator has become a machine giving throughput. A sense of being a better species is lost forever – this is another form of alienation.

Alienation between humans –

Once the creator no longer has a direct connect to its creation, has no faith in the process for better pivot of meaning, has no sense of humanity, the value for another human life is lost. It is not because the creator or this person demeans or belittles others, it is because the creator himself/ herself does not consider their efforts their value of better worth, hence same treatment is given to people in their surroundings.

There is one famous snippet of a speech from Gabor Maté, a Canadian-Hungarian physician who has done work in ADHD, trauma, childhood development.

Gabor talks about broader scope of alienation which somewhat is based on the Marx’s idea of alienation.

Alienated from nature –

We as the human species no longer have that connect with nature which has resulted in its deterioration. You might have seen that there are still some tribes living in the remotest, inaccessible areas round the globe which are completely in tune with the nature and have preserved it. Today’s consumerism has detached our objects of consumption from their consequences on nature thereby destroying it.

We have to somehow re-establish that connect with nature otherwise nature has its way of adjusting things (we are seeing its effects all around the globe). And remember that this re-connection is also linked to we being the human beings. I mean, who doesn’t like lush greenery, pristine rivers and remarkable biodiversity!

One of the first condition of happiness is that the link between man and nature shall not be broken.

Leo Tolstoy
Alienated from work –

The works we are engaged in are rarely driven by a meaning or a higher purpose. Even if it has some meaning it is immediately inked to some materialistic thing, there is nothing wrong in it as far as survival is concerned but at least this awareness should push us to work for the things with higher humanistic, spiritual purpose, that is our real core as the creative beings. The alienation from work has led to depression, anxiety, emotionless feeling, numbness among every one of us. We are replacing this meaninglessness by other material means which involve how we look, what we possess. Such means of damage control are creating more damage to who we are and what we work for which defines us. You will see, the economy we live in highly focuses on associating meaningful experiences to materialistic products.

Alienated from other people –

The moment we lose the hope and connection between our surrounding we are losing some human part in ourselves which dims down our perception of humanity for others. We trust very few people or almost no one, the relationships rarely have that depth, that intimacy. Social structures based on the depth of relationship are dwindling. The mental illnesses are emerging due to the lack of social emotional support system, growing intolerance, apathy on global level are also effects of that.

The start of the song where it mentions people filled in the elevator, disinterested and having been lost their spirit is the same alienation.

We have to start forgiving people again, create safer environments where we can express ourselves without any prejudice. It is scientifically backed that putting trust in people and treating them with high worth makes them trustworthy and high performer (see Pygmalion effect) In the end, everyone of is craving for someone to rely on and also someone who will make our sacrifices worth of the hardships. Associating positivity of self-worth to being appreciated and being respected for who we are is hardwired in our human circuitry. Our existence gets redefined to higher standards the moment other people (even single person) recognize it. (History has examples where people did impossible for far lesser people who believed in them without expecting anything in return)  

The urge to cling to a family, sing a song to someone, grow with someone mentioned in the song is asking to escape from such form of alienation.

One of the oldest human needs is having someone to wonder where you are when you don’t come home at night

Margaret Mead
Alienated from ourselves-

We have lost the connect our inner self, our curiosities, our inner child in the pursuit of the consumerist ends. The disconnect with the surrounding and numbness to the processes in which we are involved is furthermore deteriorating our inner human core. We rarely listen to our gut feelings, instincts because presence of lots of data, information around us creates a false sense of understanding of the things around us. This is alienation from ourselves, we don’t even trust ourselves – a simple advertisement or targeted influence is enough to make us buy that next thing that we don’t even want.

The part in the song where it talks about making our words cheap is the alienation from self. There is no concept of morality and inner compass in such alienation.

We know deep down what exactly is happening with us and around us but the system rarely creates conditions to come out of that.

How to de-alienate?

The desire to know your soul will end all other desires

Rumi

The core reasons of alienation lie in the loss of empathy, loss of higher meaning/ purpose and loss of responsibility/ commitment (committing to something to change the course of life requires higher sense of responsibility). We are empaths by default as a human being, so it is imperative to preserve this attribute even if the surroundings force the opposite. I know this is difficult when we are responsible for multiple things and people, but you are also responsible for yourselves. It is worthless if you win, achieve something great while losing yourself in the end.

The creative processes whose outcomes are not attached to any material means are thus the purest paths to avoid such alienation in the times of high consumerism and negative effects of capitalism. High consumption is an addictive form of alienation which can be nullified by pure creation. Consumption will give pleasure but creation will give joy.

The prayer to ride home in the song is the hope that we will again meet ourselves in spite of such extreme disconnect. Pure creativity is the answer to such prayers as far as the process elimination of alienation from our life goes.

What separates human beings from rest of the animals is their creative ventures otherwise we are exactly like all other living things. We are the beings who engage in multiple activities of creation which are driven by conscious intent, a reason. This ability to create something has led us to become the technically advanced species on the planet. If we establish the connect with our inner core through meaningful creation, the victory over all forms of alienation is possible.

True creation is all about connecting to every possibility there is.

Such deep concept of alienation expressed in a wholesome and soulful song by The Paper Kites truly deserves more and more appreciation and recognition. Words failed me to express how it made me feel (that is exactly why I didn’t control my words count, where few verses of this song did the same job. No wonder poetry is highly potent than prose!)

The song-

The Model Millionaire – Attributes of True Wealth

Oscar Wilde’s short story “The Model Millionaire” is a story depicting the boomerang of kindness. It also tries to fuse the importance of tangible assets like money and intangible/ non-physical assets like kindness/ love/ art in our lives. It shows how the balance between these separate attributes can create a true rich life.

Oscar Wilde’s short story called “The Model Millionaire”

Fiction is the lie through which we tell the truth.

Albert Camus

Stories we cherish – especially short stories which tickle our brains have huge impact on our personality. The shortness of tightly woven multiple events inherently brings out the simplicity and invite intrigue in readers. All of us have such favorite stories which we would love to remember forever for the lessons they provide, the happiness they create. Most of such stories we love belong to the chapters in our textbooks, school books. There are many short stories which fall into exactly similar category of being a textbook chapters as if they are not that deep enough and simply convey what is to be conveyed. They get the job done within few pages thereby giving readers a worthy payoff.

It is a cakewalk for readers to enjoy such short stories and interpret the message which author/ writer is trying to convey. Sometimes there is nothing to learn or any hidden message to covey through the story, the intent is to invoke certain emotion in readers. It is a joy to appreciate such stories from readers’ perspective.

It is also crucial and highly underrated to understand what was going in the writers’ mind when they penned down such stories, especially for the of case short stories. This happens frequently in terms of short stories due to their simple, short presentation. You read, get entertained and move on to the next one. 

It is very important to understand the simplicity of such stories and so called- “entertaining” word-play. The writers of such stories make every conscious effort to simplify the narrative and convey the meaning. The simplicity is not inherent rather it is intentional and full of efforts – the hidden tediousness. If you are reading an interesting story, it’s not because writer just wrote what came to his mind showcasing his brilliance; it is interesting because writer had created multiple perspectives, personalities – I would say pseudo- readers to establish the narrative and remove the confusion from the story. Writers just wear this mask of the characters from their stories to fearlessly express what they feel about the reality.

Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.

Oscar Wilde

We will see one such simple, high school textbook-worthy yet an interesting short story written by Oscar Wilde called “The Model Millionaire”. The story is flawless in such a way that the plot can be explained in 10-15 lines. The real beauty lies in how Oscar Wilde saw the world and expressed it through the characters in this story.

Plot

Hughie Erskin is a young, good looking but incompetent (according to the mainstream social standards) – a kind of below average man. As he has not proven his worth, has no money he is struggling to find the rhythm of life and marry his love of life – Laura Merton. One day he finds his painter friend – Alan Trevor – painting a life size beggar-man. Hughie feels very sad about how the beggar has to go through this sitting session where he won’t get just few shillings whereas the painter would earn in thousands by selling this painting. Feeling pity for the beggar-man Hughie gives him most of the money he has – to take care of the matters. Later, Hughie founds out that this beggar-man was actually an exceedingly rich “Baron”, an important person capable of influencing a continent. Hughie feels ashamed of his deeds because he thinks he has insulted the Baron by handing some petty alms.

In the climax, when Hughie feels the moment of confrontation, he prepares to apologize the Baron for what he did. Turns out that all that money, all that power had not polluted the Baron and rewards Hughie for his good deed by offering enough money to get married with Laura. The millionaire who earlier was a portrait model also proves his humble personality as a “model” millionaire.

Opening – Your love and charm will not fill your belly

“Unless one is really wealthy there is no use in being a charming fellow. Romance is the privilege of the rich, not the profession of the unemployed. The poor should be practical and prosaic. It is better to have a permanent income than to be fascinating.”

Oscar is trying to establish some pragmatic thoughts to intensify how big a failure his character is in real life. He uses this established foundation to create a contrasting climax of the story in the end

Oscar Wilde in first few lines depicts the contrast between the attitude of Hughie and how the world around him is constructed. As if Hughie was never meant to live in this world. In the opening of the story Oscar makes every effort to show Hughie’s futile attempts in making a pragmatic living. In every sense Hughie is a failure. Every venture, business (Stock Exchange, trading Tea and Dry Sherry) he tried ended in failure. The legacy of his ancestors (his father’s cavalry sword and 15 volumes of the History of the Peninsular War) is worthless in those modern times. (Even luck is not on his side!)

“Ultimately, he became nothing, a delightful, ineffectual young man with a perfect profile and no profession”

Oscar Wilde is trying to portray a very practical picture of life. One must understand that things are exactly the same today in 21st century. 

When one has not established themselves at least as an average earning independent man then every new luxury, wish is burden. Love is a luxury for a man who hasn’t established himself in society (at least financially).

“To make matters worse, he was in love”

Hughie’s lover’s (Laura’s) father – Retired Colonel Merton likes Hughie but is not ready to hand over his daughter to Hughie for the same practical reasons – Hughie cannot offer Laura a stable life.

“Come to me boy, my boy, when you have got ten thousand pounds of your own, and we will see about it”

Oscar Wilde is trying to show the brutal nature of reality which is extra brutal for daydreaming people like Hughie. (Please keep in mind that the opening is mere single dimension of Hughie’s character, more things about who he is at the core unfold in the later part of the story)

Post opening – Intangible things like art must surrender to physical/tangible media in order to remain relevant in practical world

Hughie has an artist friend called Alan Trevor who paints for living. Oscar shows us that Alan truly is a gifted artist and he earns well through his painting profession. He befriended Hughie (a real-life failure) because he liked his generous and reckless spirit. Being an artist Alan appreciates a kind-hearted and good-looking people irrespective of their social and practical status.

“The only people a painter should know are the people who are bête and beautiful, people who are an artistic pleasure to look at and an intellectual repose to talk to. Men who are dandies and who are darlings rule the world, at least they should do so.”

Whatever Alan thinks, we all know what the reality is.

Middle – An act of kindness

Hughie meets Alan in a session where he is painting a beggar. Hughie feels sad for the beggar for how life is treating him. He somewhere feels that the beggar is more helpless than himself. At least he is in a better condition than the beggar who is modelling for Alan’s painting. He argues with Alan that he should pay the beggar in percentage as Alan will earn a big chunk of money through selling this painting for thousands. The beggar deserves more. Alan argues that he definitely has to put more efforts to paint the beggar than the beggar by just standing still there.

“…there are moments when Art almost attains to the dignity of manual labor…”

This expression by Alan shows that the art may just invoke intangible, non-real things in a person but the process of creation an art is very difficult as it tries to express things which know no bounds/limits through the physical media which have inherent real-life limitations.

Realizing the correctness of Alan’s opinion and at the same time feeling pity for the beggar Hughie gives whatever money he had to the beggar.

This shows another side of Hughie where he is sensitive, he is not just a naïve person who cannot handle the practicality of brutal real life thereby getting labelled as a failure as per the social norms.     

Climax – Kindness is a boomerang

Hughie through his friend Alan realizes that the beggar to whom he donated the money was actually a crazy rich person called Baron Hausberg. A rich person who holds potential, is powerful enough to change the course of every possible thing in society.  Now Hughie feels ashamed of his act. Even though his intent was pure it may get projected as an act of disrespect to Baron Hausberg.

But turns out that Baron Hausberg is a down to earth personality and he returns Hughie’s act of kindness by offering him 10000 pounds required to marry his love of life.

Closing – Artistic, Emotional and Materialistic wealth all can coexist; it narrows down to what kind of human being you are.

Alan expresses that despite having loads of money, Baron Hausberg understands the difference between “having lots of money/ power” and “being wealthy”. That is why this millionaire who was a model for a portrait was also an ideal millionaire – a rare “model millionaire”.     

Baron Hausberg is not the only “Model Millionaire” in this story

This might be my overthinking or over-analysis of the story but bear with me.

Oscar Wild through his cheeky narration and the expressions from his character tries to create a picture of a pragmatic life we human beings live. One must earn money to live in the society. But that is not the only thing which will define him as a model man as an ideal human being.

Baron Hausberg while having loads of money is rich in morals too. He appreciates Hughie’s act of kindness and returns that kindness with the same spirit. The materialistic wealth does not pollute his mindset. That is what makes him the “model” one. Baron Hausberg is the obvious model millionaire of the story, but you must appreciate that the word “millionaire” frees itself from its association with only money. That is exactly what the wordplay between “millionaire model” and “millionaire model” conveys. Being rich was never only associated with having loads of money and possessions.  

That is why Hughie is also a “model millionaire” thereby “a model rich” person. Hughie’s intent to help the helpless people even in the case of not possessing any basic wealth shows his richness in humanistic values. It is just that our mind is not ready to define Hughie as a rich person because the concept of being rich is mostly bound by the quantification of materialistic possessions. Emotional awareness, intellectual awareness, and proficiency in communicating the intangible things are also another versions of wealth.

Talking about the proficiency in communicating the intangibles – Alan is also another “model millionaire” of the story. He is rich in life. He knows how to identify a high spirited yet worthless (by societal definition) person like Alan and befriends him. He can also capitalize his intangible art through painting venture. He respects the labor he has to endure to translate intangible aspects of life into physical reality. (Imagine the reaction of an average art connoisseur when he/she sees a painting of beggar and finds out that the model was crazy rich person! At least from the description, that painting seems a masterpiece with an interesting backstory.) Even the last wordplay between “model” and “millionaire” portrays the artistic wealth that Alan carries.

Baron Hausberg despite being rich can only appreciate the art and is cannot create it (he can ask an artist to create it). Hughie too appreciates the worth of art but cannot create it. That is why I think Alan becomes the most balanced “model millionaire” of the story.

An “Aesthetic” Proof By Contradiction – Love, Kindness And Art Are As Important As Money.

Oscar Wilde in the writing of this short story’s opening establishes very practical aspects of life and the necessity to have enough materialistic possessions. In the beginning, Oscar makes it clear that intangible things like love, affection or good looks cannot solely help a person to meet the ends in this society. Hughie is a complete failure even though he is good looking and kind-hearted. Hughie has found true love and is ready to commit but that is not enough and practical for his future father-in-law. He knows that until and unless he does not get the hold of sufficient money, he will lose his love. Hughie also has two antiques as a legacy from his father but they are described as useless and non-liquid-able assets.

When we read through the event of Alan’s painting session with the beggar model, it is pretty much confirmed that even a seasoned artist like Alan (a person who is much closer to the art and similar intangible things than average masses) understands how important it is to sell the paintings to sustain his artistic profession. Oscar adds Hughie’s point of view in this scene to show that the sufferings of the beggar which brought him to this condition, his efforts to stand still for the painting despite being weak and old are as important as Alan’s painting skills, that is exactly why Hughie demands percentage share for the beggar model.

Alan is successful because he can translate his intangible skill of painting by selling paintings thereby into real money. It’s not because he is artistic or appreciates art. Hughie can appreciate a good art, knows what goes into the laborious process of its creation but doesn’t hold the skill that Alan has.  

Hughie also receives scolding for his extravagant charity from his love Laura. This also shows that pragmatism mostly prevails over intangible emotions.

And to comment on Baron Hausberg, he is the only person in the story who knows the importance of capital possessions, is capable of compounding them for the influence and power – I mean he is filthy rich and respects money. Otherwise, why would he commission a painting of himself as a beggar? He understands what he would become if he doesn’t have that money. If he truly wanted to mock the poverty and beggars, he would have paid some model for the painting assignment. He would not have wasted his valuable time in this assignment.    

Can you see it now?

Oscar Wilde first puts the mind of readers in the practical aspects of living a life. He establishes that emotions, art, love will not put food in your plate at the end of the day, you must go out and do something practical to earn money.

And then Oscar starts showing you the other side of the same people, same events which are fully in contradiction with what he had established as “practical and tangible”.

You will see Hughie getting rewarded for his emotions, kindness and act of charity. Only a fool who is poor will give all he has to another poor person but that does not happen here. Hughie knows what it means to be poor and helpless. It is Hughie’s empathy which makes him rich – a millionaire at heart. Oscar through Hughie’s character shows his readers that love and kindness are also the attributes of a true rich person. Hughie is wealthy by his character. (Hughie could have turned to some malpractices to get the money but Oscar does not inject this intent into the character of Hughie)

Alan Trevor is a kind of bridge in this story. Oscar Wilde developed Alan’s character in such way that he is a double-edged sword in this proof that there are other important things than only capital possessions. Alan can not only appreciate art but also create it and capitalize it. If we are to rank the millionaires by the balance between the possession of tangibles and intangibles in life, then Alan Trevor is the richest of them all. He also knows to identify and befriend kind people like Hughie. Alan has enough money, a skill in hands and company of good people like Hughie and Baron – the ideal and balanced wealth. (There are no ways in which Alan’s character would have become polluted – that is also why his character is the most balanced character of all- he knows ends of the both sides of the society)

Baron Hausberg intends to see himself as a beggar not because he is mocking the poor people, it is his attitude of attributing importance to things which are not money. Oscar Wilde attributes the wish of ‘a rich man to see himself as a beggar’ in a very conscious and artistic way. Baron wishing to picture himself as a beggar through a piece of art shows how much he values art when he is crazy rich. Again, the choice of modelling himself instead of some paid model is his artistic interest. He knows his reality and the depiction in painting will elevate the artistic value of the piece. Also, Baron doesn’t consider the Alan’s act of charity as an insult to his wealth which shows that monetary wealth has not touched his soul. (Baron Hausberg could have been an arrogant filthy rich old man, but Oscar did not projected him in that way)

It is funny how the story turns out in the end. The Model Millionaire is not just about how a good-hearted but helpless person like Hughie got rewarded for his act of kindness by a filthy rich person like Baron Hausberg. It also shows how different non-physical attributes like kindness, love and art equally contribute the a truly wealthy life.

That is where aestheticism come in picture and Oscar Wilde is hailed as ‘the Father of Aestheticism’.

The dictionary definition of aestheticism goes like this:

“A late 19th-century European arts movement which centered on the doctrine that art exists for the sake of its beauty alone, and that it need serve no political, didactic, or other purpose.”

There is this famous quote by Oscar Wilde

“All art is useless”

Oscar Wilde

I think it is an antiphrasis (the rhetorical device of saying the opposite of what is actually meant in such a way that it is obvious what the true intention is)

It’s not just art but its also about intangible things which the art tries to convey i.e., emotions of all sorts. You will realize that when we remove these art-like non-physical attributes from our lives even when we are materialistically filthy rich, that riches would be worthless. I think that is why he creates these contradictions in his story “The Model Millionaire” to show that the balance of tangible and intangible assets makes the person a truly wealthy person. Oscar Wilde fuses the importance of tangible assets like money and intangible assets like kindness/ love/ art through this story.

Oscar also makes a conscious effort to show this fusion through Alan Trevor’s comment on art and manual labor.

In simple words,

What good is being nice if the man has no money to achieve what he desires?

What good is money if the man is not nice?

An extremely emotional poor and an extremely insensitive rich person both are the wrong ends of the reality.

I mean, if Oscar really meant that art is useless then it is literally useless of him to contribute to the prosaic artistry through his writings. He was just messing with our head to prove the importance of the given thing by showing the effect after its absence. It is indeed one smart trick!    

Language and Empathy

Remember the last time you pulled a prank on someone and imagine explaining it to your friends. You go on building the events and so the excitement level goes up and up. For the last sentence, all the purpose of events is resolved into a comic relief. You will notice the expressions of people listening to your story keep changing as the event unfolds. They are building the picture of the event in their mind as you are delivering the sentences.

 There are some moments in life when you do not have words to explain how you feel. Like first underwater diving experience, that joy and feeling of achievement of climbing up to one of the difficult summits, the thrill of skydiving. You could explain them to others, but still feel that the one must experience it to know it, understand it.

 The thought underlying below the ideas explained above state three important things-

  1. The connection between what you said and what happened
  2. What the listener understood by listening to your story, his interpretation
  3. The explanation of the experiences that cannot be explained(!?)

The answer to these mysteries lies in the theory of language and how we handle it.

Ludwig Wittgenstein

Ludwig Wittgenstein, known as one of the most influential philosopher of 20th century has done some work on what is famously known as ‘the picture theory of language’. According to Wittgenstein, the language and the world we live in has a structure. In simple words,the world is made up of objects which are related by names; language is made up of names. These names combine in a structure to form elementary propositions. The elementary propositions combine to form states of affairs. States of the affairs are the closest or equal to a fact.

Means we use different sets of words and propositions to establish relationship between them. This creates a base fact, and the combination of these base facts create picture of what could have happened in the event. For example, when somebody says we had fun last night at birthday party! – this makes us to picture birthday boy blowing the candles, a cake cutting event, everybody singing the song, eating and drinking, making jokes, playing fun games. We are picturing many objects and their different interactions to create an event which was fun. We created pictures of a cake being cut by a knife, colorful candles being blown, the tune of birthday song being sung to create the whole meaning.

There is one catch in the above explanation-

Not everyone will see same cake in their minds- some will see vanilla cake, some will see black forest, some will see lemon cake. Some people will have simple single-color candles, some will have colorful candles, some will cut the cake by plastic knife, some will cut the cake by a metal knife. The birthday songs may be in different language if your friend circle is multicultural (!) (Though the tune might remain the same!) This applies to every thing you say while communicating.

People can have very different pictures attached to the words and expressions. It is the superposition of the multiple propositions which creates a fact. The more precise, specific, and detailed your word choice will be the more will be the similarity between what you experienced, what you explained and what the person in front of you visualized.

Wittgenstein’s Picture theory of language was inspired by a Paris Traffic Accident case where the whole scene was enacted using objects to indicate how things happened. According to Wittgenstein, the reality is made up of various events or states of affairs which may or may not be true. The propositions are made up of elementary propositions (which are born from names, objects) and logical operators like ‘and’, ‘or’. The truth of events depends on the truth of the elementary propositions ultimately responsible for the formation of propositions thereby events.

The Picture theory of language helps us to understand the meaning of empathy in a deeper sense. The dictionary meaning of empathy is ‘the ability to understand and share the feelings of another’. In simple words- ‘the ability to put yourself into the shoes of other person’. The experiences of every person are very personal (!) this makes the association of many feelings and the objects unique in everyone’s mind. Ask fear to the Batman and he will see Bats, ask fear to the Superman and he will see Kryptonite. We have different pictures associated to every word and feeling. The things are simple when we are explaining an object, but it is not easy when we are explaining our feelings.

Hence, the empathy demands more focus on the listening abilities and trying to understand what others are saying instead of having prejudices and conclusions in advance. The more and more we create comfortable spaces for others to say- the clearer the picture we can build of how they really feel. The clearer the picture, the clearer and more personal will be our understanding. This will make us able to help people in a greater way, this will make the relationships more personal and more trust building.

” What can be said at all can be said clearly; and whereof one cannot speak thereof one must remain silent”

Ludwig Wittgenstein, Tractatus Logico-Philosophicus